Katy Perry‘s ‘Last Friday Night (T.G.I.F.)’ exits the US Billboard Top 10, making this the first week since May 2010 that the US Top 10 is free of the bitch. Yes, folks. We’re talking about a record breaking run of 69 weeks in the Top 10 – unprecedented for any artist. The next nearest contender is Ace of Base with 48 weeks. Are you starting to see the immensity of her Teenage Dream era? I mean, I always knew it was defining – especially after she equalled Michael Jackson with five consecutive #1 singles from one album. But this is too much.
According to Billboard, Katy’s also close to being the first artist ever to have six singles sell over 4 million downloads. Here are her biggest sellers to date: ‘Hot N Cold’ (5.01 million), ‘California Gurls’ (5 million), ‘Firework’ (4.9 million), ‘E.T.’ (4.6 million), ‘I Kissed A Girl’ (4.1 million) and ‘Teenage Dream’ is almost catching up with 3.9 million download sales.
As much as I love the song, with the announcement of single number six ‘The One That Got Away’, loads of people are saying it should’ve been ‘Hummingbird Heartbeat’ or ‘Peacock’ (which has so far only been issued as a dance/club promo). ‘Peacock’ has to date accrued over 403,000 download sales while ‘Hummingbird Heartbeat’ has over 82,000 in the States. ‘The One That Got Away’ only managed to pull over 74,000 but watch that all change as her team goes into full flog mode to achieve another Billboard chart topper.
Katy Perry is quickly solidifying her status as a consistent top single seller. I mean, it’s not the sheer immensity of the individual track but rather the volume from a mass of releases. Consider two other major downloads singles sellers – Black Eyed Peas and Lady Gaga (both have two singles that have sold over five million downloads). Perry’s best could never compete with the all-time top US download ‘I Gotta Feeling’ (over 7.4 million) and Gaga‘s personal best ‘Poker Face’ (6.3 million).
Watch Katy perform ‘The One That Got Away’ live with her acoustic guitar:
Adele isn’t just content with having the #1 album in the country – and best-selling one of the year so far – she will also send all three of its singles to our Top 20 because she fucking can. Her latest effort ‘Set Fire to The Rain’ leaps to #17 this week making it a holy trinity union with its predecessors ‘Someone Like You’ (#8) and ‘Rolling In The Deep’ (#9) – both respectively certified four times platinum sales. Over in the UK, all three are gradually waning gracefully bowing out of the Top 20. Meanwhile in the US, ‘Someone Like You’ registers the biggest increase in radio plays this week.
Jessie J‘s new piece – ‘Domino’ – leaps into the Aussie Top 5 this week. The last time she was up this far in Australia was when the almighty ‘Price Tag’ reigned at #2 – the thing is now certified four times platinum here. Despite all the Top 5 success here and in New Zealand where it has already reached a peak of #3, ‘Domino’ has yet to chart in the US where it really counts. Meanwhile over in the UK, her fourth single ‘Who’s Laughing Now’ is perched at #18.
Gym Class Heroes and Adam Levine‘s ‘Stereo Hearts’ managed a sizeable leap from #45 to #21 this week while Nicki Minaj and Rihanna‘s newbie ‘Fly’ soars from #38 to #23. Over in the UK, ‘Fly’ rises to #26 while ‘Super Bass’ quickly exits the Top 40 altogether this week. Onika’s other UK Top 100 appearances are also steady heading south – ‘Where Them Girls At’ with Guetta and Flo Rida plummets to #53 while her other Guetta album track ‘Turn Me On’ drops drastically from #23 to #43.
The Wanted also manage to propel themselves up the charts with ‘Glad You Came’ ascending to a new peak of #36 – thanks to their first promo stopover here last week. The lads managed to score several typical high profile appearances like Sunrise, where they flogged ‘Glad You Came’, and also some notable press interviews including one with Australian gay magazine DNA. We haven’t seen the last of ‘Glad You Came’ yet, fellas. The song is currently placed at #16 on our Aussie iTunes chart and I have a feeling it’ll go Top 20 on the ARIA charts over the next two weeks.
Take a listen to The Wanted‘s next single ‘Lightning’ which drops in the UK on 31 October:
Kelly Clarkson‘s brilliant new single ‘Mr Know It All’ enters the ARIA chart at #25, making it the highest selling new track here this week. Over in the US, the track enters at #18 – the highest new entry there as well, raking in over 107,000 first week downloads. This is Clarkson’s highest single debut since ‘Never Again’ blew up at #8 back in 2007. ‘Mr Know It All’ is picking up significant airplay, competing well with other newcomers like David Guetta/Usher’s ‘Without You’ and Drake‘s ‘Headlines’. KFC (Kelly Fucking Clarkson) will premiere the ‘Mr Know It All’ video on her VeVo account on 26 September.
Havana Brown‘s utterly rancid follow up single ‘Get It’ debuts at #38 this week and becomes the fourth most added new song to Aussie radios. It’s such an uninspiring next step after something as defining as ‘We Run The Night’. I know that song technically shouldn’t have worked but Australia’s answer to Cascada really had me with that one. Y’all would be glad to know that the song’s writer – Cassie Davis (who did momentarily have a pop career) – is behind Natalie Bassingthwaighte‘s dance/pop comeback ‘All I Have’.
Listen to Havana Brown‘s ‘Get It (Krunk! Remix)’. PS – I love it that one can Google image “Havana Brown – Get It” and a bunch of cats will appear. Try it.
Gavin DeGraw‘s back on our airwaves and Top 50 with ‘Not Over You’ entering at #45 this week. The song has to date reached #76 on the US Billboard Hot 100 after four months on the digital shelves. Y’all should know that the single leapt to #8 on the New Zealand charts last week – somewhat of a surprise success but then again, aren’t most singles a surprise success on the Kiwi charts? [Editor’s note: Shaznay Lewis‘ flawless ‘Never Felt Like This Before’ made #19 there, dammit!]
Beyoncé‘s euphoric ‘Love On Top’ does a death drop on the US Billboard charts from #20 to #70, while here in Australia it excels as the most added new song to local radios. ‘Love On Top’ manages to rise a little on our ARIA Top 50, carving a new peak of #32 while her last official 4 single ‘Best Thing I Never Had’ plummets to #43. ‘BTINH’ bows out of the UK Top 30 and the only other track Bey’s got waiting in the Top 100 in ‘1+1’ at #72 this week. In the US Billboard R&B/Hip Hop charts – her urban single ‘Party’ leaps to #38.
Looking over at US radios, ‘Best Thing I Never Had’ is still #2 on urban airplay charts while its sister tracks ‘Party’ pull up at #35, ‘Countdown’ rises to #76 and ‘Love On Top’ picks it up to #83. It’s not significant but with the laurels resting on ‘Party’ and so many strong contenders rivaling to be the next 4 smash, it’s hard to predict how the next few months will pan out for this album.
Stan Walker‘s club-ready new single ‘Light It Up’ (featuring Static Revenger) becomes the second most added new song to Aussie radios this week. This isn’t even half the power pop corker that ‘Loud’ was and the uninspiring music video’s another strike the former Idol darling didn’t need. It’s such a shame to see a decent video concept dampened by lazy and repetitive shots.
Take a look at Stan‘s new ‘Light It Up’ clip:
Elen Levon‘s breakout debut ‘Naughty’ (featuring Israel Cruz) is the seventh most added new song to Aussie radios this week. I just caught up with the ravishing 17-year old pop sensation this morning. Y’all can hear our interview chat on Diff’rent Strokes this Wednesday 7pm. We’ll be discussing the single, boys and find out whether she prefers Young Divas or Scarlett Belle.
A slew of new albums start sprouting up in our ARIA Top 30 this week, leading the pack is The Kook‘s latest Junk of My Heart (#9, #10 in the UK), Laura Marling‘s A Creature I Don’t Know (#12, #4 in the UK), Example‘s Playing In The Shadow (#14), Dream Theatre‘s A Dramatic Turn of Events (#17, likewise in the UK) and Grouplove‘s Never Trust A Happy Song (#21).
Nicole Scherzinger manages to not only sustain album sales here in Australia but claim two spots up the charts to #26. How is she doing it without any promo and new single on radio? I mean, her label’s gonna have to release ‘Wet’ or some other fourth single pretty soon because ‘Right There’ just left the Top 30 and ‘Don’t Hold Your Breath’ is now all the way down at #91. US X Factor just started and so the world’s got their eyes fixed on her – for regions yet to properly experience the glory of ‘Don’t Hold Your Breath’ (like the US), this is your moment. Everyone else, twiddle your thumbs.
One Direction‘s ‘What Makes You Beautiful’ debuts straight in at #1 this week, simultaneously becoming the fastest selling single of 2011. The X Factor formed boy band managed to sell 82,000 copies in the first four days out and by the end of the week, they wrapped with a whopping 153,000 copies. It won’t be long before they achieve international success, I reckon. Meanwhile, other recent British chart toppers like Cher Lloyd‘s ‘Swagger Jagger’ and last week’s #1 Pixie Lott‘s ‘All About Tonight’ cop Aussie release dates. Cher’s amazing debut will arrive here on 14 October while Pixie’s party starter drops here this Friday. October, bitch? You have got to be kidding.
JoJo‘s long awaited comeback single ‘Disaster’ enters at #87 on the US Billboard Hot 100 this week. I can’t wait to hear this album of hers. Jumping Trains is currently slated for early 2012 release after countless set backs and returning to drawing boards.
Listen to JoJo‘s ‘Disaster’. She just shot the video last Wednesday in L.A., which was directed by Benny Boom – the man behind clips for Keyshia Cole and Busta Rhymes.
Kelly Rowland‘s ‘Lay It On Me’ continues to gain momentum on US urban and rhythmic stations – rising to #36 and #24 on their respective charts. Last week, the track was certified one of the fastest movers on the urban radio charts – y’all better watch out because this song has the potential to wipe out ‘Motivation’ with mass appeal.
Rihanna‘s ‘California King Bed’ ascends to #1 on the US Billboard Dance/Club charts. Something about this don’t sit right with me. None of the club cuts I’ve heard for this ballad has done it for me and I honestly think the gays have gone mad this time. Next thing you know Adele‘s ‘Set Fire To The Rain’ will become a massive rave anthem. Fuck me.
Other major movers in the dance/club Top 10 include: David Guetta‘s ‘Little Bad Girl’ (#2), Leona Lewis/Avicii‘s ‘Collide’ (her biggest club smash yet at #4), Luciana‘s ‘I’m Still Hot’ (#6) and Gloria Estefan‘s ‘Wepa’ (#8 – the greatest gainer).
Jennifer Lopez‘s ‘Papi’ makes a hot shot debut at #28 on the US Billboard Dance/Club charts. I’ll have you know the R3hab remix has been slaying my life for the past few weeks. Where the fuck is this video? Meanwhile, a few steps down, Lady Gaga‘s ‘You and I’ lands at #31. Wynter Gordon‘s ‘Til Death’ drops out of the US dance/club Top 40 after running its course for 15 weeks and other drastic drops on the floor also goes to Jason Derulo‘s heinous ‘Don’t Wanna Go Home’ (#46) and Britney‘s ‘I Wanna Go’, which sank from #8 to #21.