Chart Feed – 24.10.11

Ricki-Lee‘s life-changing comeback single ‘Raining Diamonds’ is undoubtedly the most important new entry on our ARIA charts this week. While some of you might throw a stink face at the song’s #62 debut, y’all need to keep in mind that this is purely off one week’s work. Seriously, before last Monday, nobody even knew Ricki-Lee had a record deal and was planning a comeback. That information was well classified and the world wasn’t prepared for the sudden rapture of ‘Raining Diamonds’.

The fact that ‘Raining Diamonds’ managed to crack the ARIA Top 100 with no prior wind up or hype – just building on the few interviews, press write ups, and growing social media support during the week – is halleloo enough for me. It can only move up now. I believe word of mouth is gonna play a big part in relaunching Ricki-Lee – I mean, how many of y’all first heard the single via Feed Limmy and my Facebook? ‘Raining Diamonds’ is the most added new song to Australian radios this week.

Justin Bieber‘s ‘Mistletoe’ is the highest selling new single in Australia this week, debuting at #20. This is the Canadian pop sire’s fifth Top 20 single here and it’s the first taste of his forthcoming Christmas album Under The Mistletoe, which will feature a duet with Mariah Carey on her iconic Yuletide track ‘All I Want For Christmas Is You’. You Beliebers better have your coin purses ready when the album arrives in Australia this Friday. Boyz II Men – who incidentally appears on Justin‘s Christmas record – will also drop their new album, Twenty, on the same day.

Check out Justin Bieber‘s ‘Mistletoe’ music video, directed by Roman White – the man behind clips for Taylor Swift,Cody Simpson and Lady Antebellum:


 

Beyoncé has once again been denied entry into the ARIA Top 20 this week with ‘Love On Top’ clipped at #22. Meanwhile over in the UK, the album’s third official single ‘Countdown’ shoots up to #44 and debuts at #85 on the American Billboard Hot 100. The ‘Countdown’ remixes also made a hot shot debut at #35 on the US Bilboard Dance/Club charts. I sense that this is going to be a good era for our Lord Beysus.

Katy Perry‘s ‘The One That Got Away’ is making a run for it, leaping to a new peak of #34 in Australia this week. Over in the UK, the single moves up to #22. As y’all know Kitty’s had a record-breaking five consecutive US #1 singles from this Teenage Dream album and right now ‘The One That Got Away’ is perched at #94 on the US Billboard Hot 100 – a whole continent away from reaching the top spot. Could she pull off six in a row? Let’s see what kinda gimmicks and fuckery she’s got in store for this single campaign.

Nicole Scherzinger is on course for another solo hit in Australia. ‘Wet’ has moved up 10 places to a new peak of #39 on our ARIA charts. With three Top 40 hits now under her belt, shouldn’t Nicole‘s Killer Love album be moving back up the charts? Alas, it is floundering at #83 this week. Something about this shit don’t smell right. I wonder if Australia will cop the Killer Love (Deluxe Edition) that’s coming out in the UK next month?

Nicole is launching a brand new single – ‘Try With Me’ on 31 October in the UK – to coincide with the European deluxe repackage. Check out the absolutely A-grade music video, which was shot in Mexico’s gorgeous Xilitla rainforest:


 
Coldplay‘s ‘Paradise’ returns to the Australian Top 50 this week at #36, thanks to the arrival of the band’s long-awaited album Mylo Xyloto – which dropped in stores on Friday. It’s gonna one wig-snatching chart battle as ColdplayKelly Clarkson, Washington and – don’t snigger – Darren Hayes race for the top spot with their respective new albums.

iTunes has currently got the entire Coldplay back catalogue on sale as well, so don’t be surprised to see a few of their titles returning to the Top 100 next week. Mylo Xyloto is currently #1 on iTunes, Kelly Clarkson‘s Stronger (Deluxe Edition) is riding at #8, while Darren Hayes‘ fantastic Secret Codes & Battleships is holding on at #30.

Shannon Noll‘s A Million Suns album debuts at #8 in Australia, making it the second best-selling new album this week. Only after Cold Chisel‘s unbeatable Best of package, which entered at #2. There really is no shame for Nolly there. However, looking at his own personal track record. It’s not so rosy. All three of Shannon’s previous albums have managed to go Top 3 in Australia and yield at least one Top 10 single. I’m not holding my breath for A Million Suns to go Top 3 or for its lead single ‘Switch Me On’ to turn around and make a run for the Top 10.

Sneaky Sound System‘s From Here to Anywhere isn’t headed anywhere I want it to. The Aussie dance/pop duo’s fine album drops from #11 to #27 in its second week. Meanwhile, bad news for their flawless single ‘Big’ – the track sinks from #58 to #73 on our ARIA Top 100. Guess I jinxed them with last week’s well wishes, huh?

Lady Gaga‘s ‘You and I’ has officially left our ARIA Top 50 free of any Gaga songs for the first time in months. All year, even. The rollicking ballad sinks from #46 to #53. Look, there could still be life in the bottom half of the ARIA Top 100 – I mean, ‘Poker Face’ spent a whopping 106 weeks in our Top 100 and I know a lot of it wasn’t reigning in the upper end. Gaga’s label is understandably getting on with the album’s fifth single ‘Marry The Night’, which is the second most added new song to Aussie radios this week. Over in America, ‘You and I’ is now reigning as #1 dance/club song in the country.

Altiyan Childs finally shows up on the ARIA Top 100 with his new single ‘Ordinary Man’ – thanks to last week’s X Factor performance. The song made its debut at #55 this week despite having been out for a month now. Clearly nobody knew this shit was even happening because I don’t see no promo and I don’t hear no radio airplay for ‘Ordinary Man’. This song is actually quite acceptable, y’guys. You recognise the familiar, crisp Ryan Tedder beats but somehow Altiyan makes it his own.

Watch the making of Altiyan‘s ‘Ordinary Man’ video, directed by Peter Ireland – who has done clips for Aussie indie pop sensations Brendan Maclean and Scott Spark:


 
Stereophonics‘ one-time UK #1 hit ‘Dakota’ re-appears on our ARIA charts this week at #57 – thanks to local X Factor warbler Andrew Wishart’s rather capable cover. Back in its heyday, ‘Dakota’ managed to scale up to #22 on our ARIA charts and it remains as the only hit Stereophonics has ever had in this country. The Cranberries‘ ‘Zombie’ also reappears thanks for contestant Christina Parie’s performance. The 90s classic is now at #69.

Rihanna‘s ‘We Found Love’ stays on top of the UK charts for its third consecutive week, fighting off fierce new singles from The Wanted, Kelly Clarkson, Lana Del Rey and Sean Paul/Alexis Jordan. RiRi has to date racked up six UK #1 singles but ‘We Found Love’ is already her second longest reigning chart topper. The longest UK #1 she’s had is, of course, ‘Umbrella’ (10 weeks). Truth be told, ‘We Found Love’ probably wouldn’t have stayed at #1 for its third week if it weren’t for the flawless video arriving on Thursday and inspiring a sales surge after the midweeks. ‘We Found Love’ ended up selling 92,700 copies in its third week on top.

Over in the US, ‘We Found Love’ has now reached a new peak of #6 on the US Billboard Hot 100 – selling 174,000 downloads in its fourth week. Rihallah – as the dear Adem With An E affectionately calls her – will release her sixth album Talk That Talk on 18 November in Australia and 21 November in the UK and US. Peep the Talk That Talk standard and deluxe edition tracklisting.

The Wanted has the biggest selling new single in the UK this week with ‘Lightning’ striking at #2. The single scored opening week sales of 71,500 copies. The lads’ brilliant previous hit ‘Glad You Came’ managed to debut at #1 with first-week sales of 117,200 copies back in July. Mind the gap, y’all.

‘Glad You Came’ also debuted on the US Billboard Dance/Club charts at #49 last week, making this the boyband’s second appearance on the American dance charts. The Wanted will release their sophomore album Battleground on 7 November in the UK. The project’s next single looks set to be ‘Warzone’, tentatively put down for a 9 January release date in the UK.

Watch The Wanted perform their current smash ‘Lightning’ at the iTunes Festival:


 
Kelly Clarkson‘s ‘Mr Know It All’ debuts at #6 in the UK this week, selling 47,910 copies. This is actually the first time Kelly has had a single in the UK Top 30 since ‘My Life Would Suck Without You’ went #1 in 2009. Over in the States, ‘Mr Know It All’ rises to #24 and is starting to really rake in the dividends. The single picked up an eight percent sales increase last week, selling 52,000 copies. All up, after six weeks in stores – ‘Mr Know It All’ has sold 328,000 copies in America. The song is definitely the biggest American Idol-related single on the charts.

Lana Del Rey‘s much-hyped debut single ‘Video Games’ makes a smashing entrance at #9 in the UK, selling 40,541 copies in its opening week. The song – despite having no radio support whatsoever – has already moved up to #86 in its second week in Australia. Yes, visibly slaying smears like Natalie Bassingthwaighte‘s ‘All We Have’ – which, despite being the fifth most added song to Aussie radios last week, still failed to crack the ARIA Top 100.

Marina & The Diamonds‘ ‘Radioactive’ is sinking fast. After just three weeks, the Welsh warbler’s dance/pop effort is now positioned at a lowly #74 in the UK. This is clearly not the look for the girl but then again, even if she puts on a shiny Stargate track – it doesn’t always mean that Marina Diamandis will automatically become a certified hitmaker. There’s a bit more to the puzzle than that.

Noel Gallagher‘s debut solo album Noel Gallagher’s High Flying Birds enters straight at #1 in the UK this week. The former Oasis singer managed to sell 55,000 copies of his album in its first two days, already more than twice as many as Matt Cardle‘s competing new album Letters. By the end of the charting week, Noel had clocked up 120,000 sales (outselling Matt by some 40%). Noel Gallagher’s High Flying Birds debuts at #16 in Australia.

Matt Cardle‘s Letters debuts at #2 in the UK, selling a total of 70,896 first-week copies. The album’s lead single ‘Run For Your Life’ couldn’t make its escape from the Top 20 any quicker! The Gary Barlow-penned ballad sinks from #6 to #23 this week, selling 15,507 copies in its second week.

Shall we have a quick comparison of recent UK X Factor winners’ debut album first week sales? Right. Leona LewisSpirit opened with 376,000 copies (#1), Leon Jackson‘s Right Now did a meagre 37,000 copies (#4), Alexandra Burke‘s Overcome earned 132,000 copies (#1) and Joe McElderry‘s Wide Awake opened with 39,000 copies (#3). Therefore, Matt Cardle technically isn’t doing too bad for a male X Factor winner.

Matt‘s series runner-up Rebecca Ferguson is gearing to release her own debut single ‘Nothing’s Real But Love’. Watch Becca do a charming acoustic performance of the track here:


 
Pixie Lott will launch her sophomore album Young Foolish Happy and its second single ‘What Do You Take Me For?’ next week but the third single has already appeared on the UK release schedule. ‘Kiss The Stars’ – a track co-written by Pixie and Phil Thornalley – is slated for a 30 January arrival. That sounds sensible, don’t it?

Kelly Rowland has pushed back the release of her new European single ‘Down For Whatever’. This week’s UK release schedule saw the saucy dance track moved from a proposed 31 October drop date to 21 November – meaning it’ll hit stores just a week before the “international version” of Here I Am. The project’s current US single ‘Lay It On Me’ might be getting a UK release after all. It has been put down for a tentative 6 February due date. Whatever, Kelendria. Just make this shit happen.

Gotye‘s ‘Somebody That I Used To Know’ may be the biggest selling Aussie single of 2011 but the track’s not scheduled to be launched in UK until February next year. According to the UK release schedule, the smash single will follow from ‘Easy Way Out’ – another stunning track from Gotye‘s new Making Mirrors album. The Brits are expected to cop ‘Easy Way Out’ on 28 November while all of us here in Australia will get the uplifting ‘I Feel Better’.

Watch the wicked animated music video for Gotye‘s ‘Easy Way Out’:


 
Evanescence earns their second US #1 album with Evanescence debuting right on top with 127,000 first-week sales. It’s quite a stark contrast from their last chart topper – 2006’s The Open Door – which scored opening week sales of 447,000 copies. Times are changing and these guys are only just finding their place back in the game. Go easy on them.

Lauren Alaina – this year’s American Idol runner-up – sees her debut album Wildflowers enter at #5 on the US Billboard Hot 200, selling 39,000 copies. Meanwhile last year’s American Idol runner-up, Crystal Bowersox, has been dropped by her label Jive/RCA merely 10 months after they launched her debut album Farmer’s Daughter. It’s quite a contrasting tale of two recent Idol winner/runner ups. I hope Scotty McCreery and Lauren both find a way to keep turning out sales because both their predecessors Lee DeWyze and Crystal have now been dropped after underwhelming chart performances.

Britney Spears‘Criminal’ debuts at #92 on the US Billboard Hot 100. No pressure but all three previous Femme Fatale singles have gone Top 10 in America, do you think this will continue Brit‘s clean run? For the first time ever, the pop diva has an album that has actually produced more than two US Top 10 hits. Go figure.

Anjulie‘s feisty ‘Brand New Bitch’ finally impacts the American dance/club charts, debuting at #36. The Canadian singer who was often compared to early Nelly Furtado and Corinne Bailey Rae has given her image and sound a drastic shake up. It’s away with the cafeteria pop with hip hop beats and in with fluorescent dance/pop.

Check out the video for ‘Brand New Bitch’ – indeed she is:

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2 Comments

  1. Love the immense effort you put in Limmy, really appreciated!!

    WTF happened to my girl Anjulie?!?! Sad face!!

    • I’m glad you’re still lovin’ it! OH ANJULIE. WHAT HAPPENED? Our radio station added this song a few months ago and I didn’t bother looking because I thought it was just some “side project” she was dabbling in. Now at her.

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