Kylie Minogue “Kiss Me Once”

The boss of glitter-bomb pop, Kylie Minogue, returns with a euphoric album that glistens with her signature tuneful dance music style.

Kylie Minogue Kiss Me Once album cover

Kiss Me Once arrives four years after Kylie‘s last album of originals, enough time in pop years for a whole generation to saunter past and not Google her. Despite the nagging paranoia from fans after she signed to Roc Nation management, Kylie‘s new album remains ever so true to the impossible princess’s brand.

It’s bright, it’s melodic and it’s sophisticated in a way you would expect from a seasoned performer of Minogue’s calibre.

Continue reading

Advertisements

Chart Feed – 12.12.11

Reece Mastin‘s ‘Good Night’ has been booted off the #1 spot by previous chart topper LMFAO‘s ‘Sexy and I Know It’. The teen X Factor winner’s been out promoting his mandatory cover’s album so we should see that effortlessly enter our Top 5 next Monday.

Watch them pitch Reece as just a regular rock band front man in the ‘Good Night’ music video:


 
Pink‘s ‘Bridge of Light’ is the biggest new single in Australia this week, debuting at #26. Just further proof that Aussies will lap up anything Pink these days, however beige and redundant the single may be.

Ricki-Lee‘s ‘Raining Diamonds’ isn’t seeing fortunes turn around after the music video finally dropped. She’s looking flawless as ever but the video has only garnered over 6,200 views in five days. Meanwhile, not that it’s necessarily fair to compare, Reece Mastin‘s video managed over 46,000 views in almost the same amount of time.

‘Raining Diamonds’ picks up to #34 on the ARIA singles chart this week but fails to secure any more radio support. The runaway smash sunk from #25 to #31 on the Aussie airplay charts (between 1 to 7 December).

Listen to ‘Raining Diamonds (Kreap’s Italo Disco Hammer Mix)’ done by Melbourne producer Kreap:


 
Timomatic‘s ‘Set It Off’ cracks our ARIA Top 50 at #39 this week. The Jason DeRulo-style dance/pop track is also the biggest gainer on our airplay charts (between 1 to 7 December), rising to #35.

Cher Lloyd‘s ‘With Ur Love’ (featuring Mike Posner) finally cracks our ARIA Top 50 at #48 this week. Meanwhile her series mates One Direction‘s ‘What Makes You Beautiful’ holds on at #11 and their album Up All Night drops to #10. I wouldn’t have believed it if y’all told me this time last year that we’d have two UK X Factor contestants in our Top 50.

The Potbelleez‘s new single ‘Feed Off Me’ debuts at #42 on our ARIA club charts. Surely this would have to be it from the album, right? Watch the gang’s video for ‘Feed Off Me’:


 
Adele‘s 21 has now been certified 10x platinum sales in Australia, so that’s over 700,000 copies for those counting on fingers and toes. Her first tour DVD Live at The Royal Albert Hall is #1 on our ARIA Music DVD chart for the second week running.

Over in the US, Live At The Royal Albert Hall is now the best-selling music DVD of 2011, cancelling all its competitors after just one week on the shelves. Live At The Royal Albert Hall managed to sell 96,000 copies in the last week, making it the biggest one-week sales for a music DVD in four years. Coming in next best in this year’s music DVD race is AC/DC‘s Live at River Plate (73,000 copies) and Beyoncé‘s I Am… World Tour (63,000 copies).

Beyoncé‘s Live at Roseland debuts at #4 on our ARIA music DVD chart this week. Meanwhile, Lady Gaga‘s The Monster Ball Tour holds tight at #2, Kylie‘s Aphrodite Les Folies – Live in London drops from #3 to #7 and Britney‘s Femme Fatale Tour fizzes from #8 to #21.

Over in the US, Live at Roseland remains at #2 on the DVD charts while Gaga‘s The Monster Ball slides to #3 and Britney‘s Femme Fatale business dips to #5. Kylie‘s Aphrodite Les Folies has interestingly debuted at #17 to be one of the biggest new music DVDs out in the week.

Watch Kylie slaying ‘Cupid Boy’ with her pack of gays – this should’ve been a single:


 
Susan Boyle can probably put in a down payment for a private jet now with her album sales steadily climbing in the Christmas buying period. The new album Someone To Watch Over Me   sits tight at #3 on our ARIA charts while her first album I Dreamed A Dream climbs back up to #52 and The Gift to #83.

Over in the US, Someone To Watch Over Me moves back up to #16 on the Billboard 200 while its predecessor The Gift leaps from #45 to #29.

Amy Winehouse‘s first posthumous album Lioness: Hidden Treasures debuts at #8 in Australia this week. Further down, Back to Black re-enters at #89. Over in the UK, Lioness enters at #1 to become the fourth biggest debut this year, with 194,966 opening week sales. The project’s new single ‘Our Day Will Come’ debuts at #29.

Glee‘s Glee: The Music Volume 7 debuts at #18 in Australia this week, making this their lowest charting compilation yet of the seven. I am, of course, excluding their Christmas albums and other supplementary records. Over in the UK, Volume 7 debuts at a disappointing #58.

Meanwhile in the States, the Glee gang sent five new entries into the Billboard Hot 100 and it reads as such: ‘Perfect’ (originally by Pink) at #57, ‘Girls Just Wanna Have Fun’ at #59, ‘I Kissed A Girl’ at #66, ‘I’m The Only One’ (originally by Melissa Etheridge) at #86 and ‘Constant Craving’ (originally by k.d. lang) at #89. Glee Cast‘s cover of ‘Perfect’ is the most downloaded new song on the digital charts. Check back next Monday to see where Volume 7 lands on the American album charts.

Check out Glee’s cover of ‘Fuckin’ Perfect’:


 
Kelly Clarkson‘s Stronger bows out of the ARIA Top 20 after seven weeks. Meanwhile over at the singles bar, ‘What Doesn’t Kill You (Stronger)’ edges up to #41 while ‘Mr Know It All’ plummets to #35.

Elsewhere, Stan Walker‘s Let The Music Play nosedives from #27 to #61 on our ARIA Top 100 in its third week while Sade‘s The Ultimate Collection re-enters at #85 after playing several dates around the country last week.

Lady Gaga‘s ‘Marry The Night’ finally bounces back into our ARIA charts at, well, #100 this week. *Snortcackles* Her massively successful Born This Way album also made a move back up from #71 to #53 this week while the remix album slumps to #79.

Over in the US, ‘Marry The Night’ manages a mighty leap from #59 to #32 in its fourth week in the Billboard Hot 100. Meanwhile her live Christmas EP – A Very Gaga Holiday – tumbles from #52 to #135 on the US Billboard Hot 100 and Born This Way: The Remix sinks to #188.

Listen to ‘Marry The Night (Dimitri Vegas & Like Mike Remix)’:


 
Rebecca Ferguson‘s Heaven made a formidable debut at #3 on the UK charts with 128,458 first week sales. Amazon has revealed that Rebecca‘s album has garnered more pre-orders than any other contestant from the UK X Factor 2010 cast. Heaven beat advance sales of Matt Cardle‘s Letters by 181%, One Direction‘s Up All Night by 11% and Cher Lloyd‘s Stick + Stones by 571%. Bam! Becca, you better werk.

Beyoncé‘s 4 picks up pace in the UK after ITV aired her amazing pre-recorded special: A Night With Beyoncé, sending the album from #49 to #26 with 24,115 copies sold during the week. Further down, I Am… Sasha Fierce also comes bolting back up at #81.

Looking at the singles bar, Bey‘s euphoric ‘Love On Top’ rises to a new peak of #22 in the UK while ‘Countdown’ ascends to #54 and ‘Best Thing I Never Had’ re-enters at #71.

Watch Bey deliver an emotional rendition of ‘I Care’ and ‘I Miss You’ for A Night with Beyoncé *crying and shaking*:


 
Kelly Rowland‘s Here I Am has thankfully picked up to a new peak of #43 on the UK charts before the end of her X Factor run. The smash single ‘Down For Whatever’ drops to #13 in its third week.

Olly Murs‘ moment of validation is finally here. His new single ‘Dance With Me Tonight’ finally claims the UK #1 slot after being cock blocked by Rihanna and the X Factor charity single in the last two weeks.

Mariah Carey‘s ‘All I Want For Christmas Is You’ makes its annual appearance on the charts, rising to #12 in the UK this week. Further down there are a tonne of other seasonal numbers showing up too. Highlights include: Coldplay‘s ‘Christmas Lights’ entering at #66, Michael Buble‘s ‘Have Yourself A Merry Little Christmas’ shooting up to #99 and Kylie‘s old ‘Santa Baby’ debuting at #100.

Meanwhile, I’ve rewatched this like a thousand times in the last 24 hours. That’s Christmas spirit for ya!


 
Michael Buble‘s unbeatable Christmas album clocks its second week on top of the US Billboard 200, with overall sales now passing the 1 million mark. It’s now the seventh album to sell over a million copies in the US this year.

Mary J. Blige‘s My Life II… The Journey Continues (Act 1) [Editor’s note: what a fucking indulgent album title] slides to #6 in its second week, suffering a 54% sales drop. Meanwhile, Mary‘s new singles move up the US R&B/Hip Hop chart: ’25/8’ rises to #39 and ‘Mr Wrong’ (with Drake) edges to #41.

Rihanna‘s Talk That Talk cops a 66% sales drop in its second week in the US. ‘We Found Love’ may still be the #1 single for six weeks running, but the album has slumped from #3 to #7, registering 68,000 second week sales.

‘We Found Love’ is the first song by any artist to stay at #1 for six or more weeks in both the US and UK since ‘Umbrella’. That’s two massive long-staying chart toppers for RiRi in this century. Could she possibly be the biggest singles artist in the Western world?

Meanwhile, ‘You Da One’ rises to #18 on the US Billboard Hot 100 while title track ‘Talk That Talk’ sinks from #31 to #77.

Listen to ‘You Da One (Liam Keegan Remix)’:


 
Robin Thicke‘s Love After War album should start charting on the US Billboard 200 later this week but if it’s any indication of interest, both its singles are steady rising up the R&B/Hip Hop charts: ‘Love After War’ making #20 and ‘Pretty Lil’ Heart’ featuring Lil Wayne at #70.

Katy Perry‘s ‘The One That Got Away’ drops to #7 this week after peaking at #5 on the US Billboard Hot 100. Well, show’s over – I guess. Nothing left to see here. But wait, from what I’ve heard, the song has been discounted to 69 cents on the US iTunes store and if you couple this with the increased radio airplay, things should technically improve for ‘The One That Got Away’ in the coming week. Plus, Katy‘s hosting of Saturday Night Live should generate enough publicity to help this single get back its footing.

Listen to ‘The One That Got Away (R3hab Remix)’:


 
Bruno Mars‘ ‘It Will Rain’ sits at #3 on the US Billboard Hot 100 but goes on to top the digital charts. The ballad, which was featured on The Twilight Saga: Breaking Dawn Part 1, is the first song from a movie soundtrack to go #1 on the US digital charts since Taylor Swift‘s ‘Today Was A Fairytale’ (which was launched from the Valentine’s Day soundtrack).

Jay-Z and Kanye West‘s ‘Ni**as in Paris’ leaps to #8 on the US Billboard Hot 100 after 17 weeks on the charts. Impressively, this is now Jay’s 18th US Top 10 hit. His first appearance was all the way back in 1997 as a feature rapper on Foxy Brown‘s I’ll Be’. Where is she now?

T-Pain featuring Wiz Khalifa and Lily Allen‘s ‘5 O’Clock’ rises to #8 on the US Billboard Hot 100, making this Lily Allen‘s first ever appearance in the American Top 10. I mean, it’s not like they don’t know who she is over there – her first album Alright, Still managed to go #20 and 2009’s It’s Not Me, It’s You made #5 on the US Billboard 200.

Watch the music video for ‘5 O’Clock’:


 
Nicki Minaj‘s buzz single ‘Roman in Moscow’ may be a muhfuggin’ hot mess but it’s managed to debut at a decent #64 on the US Billboard Hot 100 and #84 in the UK. This is the first a few new material we can expect on Pink Friday: Roman Reloaded – the beefy repackaged edition of her hit album that’s due on 14 Febuary.

Will.i.Am‘s ‘T.H.E. (The Hardest Ever)’ nosedives from #36 to #90 in its second week on the US Billboard Hot 100. Here in Australia, it falls out of the Top 100 altogether after just a week. Bye, bitch.

Check out the big budget music video for ‘T.H.E. (The Hardest Ever)’:


 
Enrique Iglesias clocks his fourth US #1 Dance/Club play smash from the Euphoria era with ‘I Like How It Feels’ (featuring Pitbull and The WAV.s) ascending to the top. Past club chart toppers include: ‘Dirty Dancer’, ‘Tonight (I’m Lovin’ You)’ and ‘I Like It’.

Wynter Gordon‘s ‘Buy My Love’ ascends to #4 on the US Dance/Club play chart. This is now mah gurl’s third top five dance smash following ‘Til Death’s placement at #3 and of course, ‘Dirty Talk”s reign at #1.

Deborah Cox is back, bitches, and her new single ‘If It Wasn’t For Love’ is the biggest new entry on the dance/club play charts this week, entering at #27.

Listen to ‘If It Wasn’t For Love (Mixin Marc & Tony Svejda Original Mix)’:


 
Other notable debuts in this neck of the charts include Ultra Nate and Michelle Williams‘ ‘Waiting On You’ (#41). Fuck yeah, Tenitra! Plus, David Guetta and Sia‘s ‘Titanium’ crashing in at #42 while Britney‘s ‘Criminal’ remixes arrive at a lowly #50.

Chart Feed – 03.10.11

Rihanna becomes the clear biggest new entry on the world charts this week with ‘We Found Love’ (featuring Calvin Harris) entering Top 10 in the following places: Australia (#3), Canada (#10), New Zealand (#14) and US Billboard Hot 100 (#16). Over in the US, ‘We Found Love’ managed to sell 117,000 first week copies and even before its official radio release, the song has already made its mark at #75 on the airplay charts. The Barbadian beauty’s sixth studio album, which was originally slated for an early 2012 release, is now due 21 November.

Kelly Clarkson‘s ‘Mr Know It All’ climbs to #12 on our ARIA singles chart after her quick promo stopover last week which include performances on X Factor Australia [Editor’s note: she was so charming and sweet y’all] and the NRL Grand Final. The song is currently reigning at #1 on our Aussie iTunes chart so expect for it easily go Top 10 on the ARIAs by week end. Meanwhile over in the US, ‘Mr Know It All’ falls to #38 on the Billboard Hot 100. Radio support ain’t crash hot for it right now. The song isn’t even in the nation’s Top 30 airplay.

Watch Kelly Clarkson performing ‘Mr Know It All’ on X Factor Australia:


 
LMFAO‘s ‘Sexy and I Know It’ cracks a new peak of #13 on our Aussie singles chart this week, largely due to their X Factor Australia appearance once again, just like Ms Kelly. I have to say, their energetic show stopping performance of their #1 smash ‘Party Rock Anthem’ really did lift the atmosphere. The song, which is perched at #15 this week, is officially the longest staying single in our ARIA Top 50 right now. We’re talking 31 weeks and counting, racking up a “monstrous” eight times platinum sales certification (which equates to approximately 560,000 copies). The duo’s also double dipping in the US right now with two of the aforementioned hits simultaneously inhabiting the Top 10.

Sneaky Sound System‘s flawless ‘Big’ cracks the ARIA Top 100 at #78 this week. Look, I don’t understand why the underwhelming chart entry. Weren’t they also on X Factor like the two aforementioned international acts? I guess what’s standing between ‘Big’ and commercial success that lives up to its namesake is actually decent radio rotation. The new Kelly Clarkson and LMFAO singles will have no issues getting added across the nation but for some reason a SSS dance ballad’s missing out. The Aussie dance pop duo’s last release ‘We Love’ scraped in at #29 at best.

Watch Sneaky Sound System blow up ‘Big’ on X Factor Australia last Wednesday:


 
Foster The People‘s corker of a single ‘Pumped Up Kicks’ rises to #19 in Australia this week, making this a belated smash for the American indie rockers. The song first dropped in the States in September last year and look at it now, ascending to #3 on the US Billboard Hot 100. Fun fact: ‘Pumped Up Kicks’ was the first US Billboard Alternative Songs #1 hit to actually crossover to the mainstream Billboard Hot 100 Top 5 since Kings of Leon‘s ‘Use Somebody’ in 2009. Golf claps. You know this automatically translates to daft talent show covers now, right?

Enrique Iglesias and Pitbull‘s new collabo ‘I Like How It Feels’ crashes in at #47 this week on our ARIA charts. In terms of hit singles, the Euphoria era is actually the best Enrique’s ever performed here in Australia. Yes, even bettering that of his smash Escape album. Every song released here circa Euphoria has so far managed Top 50, see: ‘I Like It’ (#2), ‘Heartbeat’ (#5), ‘Tonight (I’m Loving You)’ (#2) and ‘Dirty Dancer’ (#24). I have no doubt that ‘I Like How It Feels’ will also reach Top 30 status in no time. The “Reloaded” repackage edition of Euphoria will arrive on Aussie store fronts on 11 November – featuring three new recordings including ‘Mouth 2 Mouth’ with Jennifer Lopez (a track that was co-written by UK X Factor’s Diana Vickers of all people).

Sophie Ellis-Bextor finally releases her stunning Make A Scene album in Australia last Friday and after a weekend of only playing two 40-minute sets in Melbourne and Sydney, the best I’ve clocked the album charting was #94 on iTunes (it’s currently at #136).

It was an absolute dream come true to finally see her live. Y’guys know that she’s one of my all time fave pop singers, right? Sure it’s not everything she could’ve given after nine long years away – and she knows it. But the “greatest hits” set featuring classics like ‘Murder On The Dancefloor’, ‘Groovejet’ and ‘Get Over You’ was a well worthwhile joy ride and Sophie utterly radiates warmth, joy and stage presence throughout her time on stage. You can tell she was just living to be there for her fans.

Check out this short recording I took of her Melbourne gig at GH Hotel last Saturday. This is ‘Heartbreak Make Me A Dancer’:


 
This has to be some kind of record for our ARIA charts so far this year. This week Australia saw nine new entries in its Top 30 albums chart but alas, none have been able to topple the almighty Adele who spends her 20th week at #1 with 21. The album is now equal eighth longest-running chart topper in ARIA history, sharing the record with Shania Twain‘s epic Come On Over.

In case you were wondering, the albums to have spent longer #1 in Australia include: The Sound of Music soundtrack (76 weeks), Dire StraitsBrothers in Arms (34 weeks), The BeatlesSgt Pepper’s Lonely Hearts Club Band (30 weeks), Neil Diamond‘s Hot August Night (29 weeks), Delta Goodrem‘s Innocent Eyes (29 weeks), The Original Broadway cast’s Hair soundtrack (28 weeks) and John Farnham‘s Whispering Jack (25 weeks).

The aforementioned nine new releases to crack our Top 30 this week include: Blink 182‘s Neighborhoods (#2), Tony Bennett‘s Duets II (#3), Kasabian‘s Velociraptor (#8), Machine Head‘s Unto the Locust (#10), Jason DeRulo‘s Future History (#11), Alice Cooper‘s Welcome To My Nightmare (#16), Mastodon‘s The Hunter (#18), Demi Lovato‘s Unbroken (#20), Kasey ChambersStorybook (#21) and Wilco‘s The Whole Love (#23).

Watch the video for Tony Bennett and Lady Gaga‘s ‘Lady Is A Tramp’, taken from his new Duets II album:


 
Tony Bennett must be doing something right to score his first ever US #1 album this week after making music for six decades! His brand new Duets II compilation – which features some young gun collabos like Lady Gaga, Michael Buble, Carrie Underwood, John Mayer and the late Amy Winehouse – managed to sell 179,000 first week copies to debut on top. Tony is now the oldest living artist to have an album debut at #1 on the US charts. Amazing.

Demi Lovato‘s third album Unbroken cracks the US Billboard charts at #4, making it the second biggest new album there this week. Tony might have the overall #1 but as far as digital sales are concerned, Demi reigns on top. Unbroken is also incidentally the former Disney pop princess’ best-charting album here, bettering the #40 peak of its predecessor Here We Go Again. This is a dawn of a new era for the girl. The project’s lead single ‘Skyscraper’ is already her biggest US hit since her debut ‘This Is Me’ and on the flip side, it also became her biggest smash in Australia – peaking at #45.

Havana Brown‘s ‘Get It’ cracks the ARIA club charts at #38 this week while over on the ARIA Top 100, the single sinks to #63 in its third week. Oh dear. Isn’t it baffling that we only have three Aussie artists represented in our ARIA Top 50? Perhaps Aussie artists are better at selling albums than singles? While we’re doing an Aussie pop head count, where’s Stan Walker‘s new one ‘Light It Up’, Darren Hayes‘Bloodstained Heart’ and Vanessa Amorosi‘s ‘Amazing’? The latter should have at least cracked the Top 100 by now but maybe we need to wait for sales to snowball after the Van Am‘s AFL grand final warble.

Preview tracks from Darren Hayes‘ forthcoming Secret Codes and Battleships album here:


 
Natalie Bassingthwaighte‘s ‘All We Have’ has arrived on our local iTunes store front and right now it’s sitting at #170. The digital bundle comes with two kick arse remixes – including the Khalid one that her label previewed early last month. Looks like the diva’s running in the same circles as Havana Brown these days – sharing the same producer More Mega and video directorial team Silo. The ‘All We Have’ video will be uploaded sometime this week on YouTube. Y’all can expect for her to perform the song for the first time on X Factor tomorrow night.

Nicola Roberts‘ amazing debut solo album Cinderella’s Eyes enters at #17 on the UK charts this week while the current single ‘Lucky Day’ disappears from the Top 100 altogether. Look, it’s pretty respectable if you ask me given the singles’ chart performance. Still better than Insatiable is not usually a consolation but it’ll have to do in this context.

Elsewhere, Will Young‘s ‘Jealousy’ leaves the UK Top 10, The Saturdays‘All Fired Up’ exits the Top 20 while Leona Lewis‘ underperforming ‘Collide’ drops out of the Top 30. The former two have singles raring to go next month but what’s the sitch with Leona? Will we simply  not hear anything until the new year? Her Glassheart album, which was originally slated for a November release, will now arrive on 26 March.

Rebecca Ferguson‘s much-anticipated debut single has appeared on the UK release schedule. ‘Nothing’s Real But Love’ is slated for a 5 December release (the same day as the album drop) and someone on the Popjustice forums have tentatively described the song as more Corinne Bailey Rae than Adele. Holy shit. I’m about to lose my mind.

Let’s reminisce a little on old Becky covering Corinne Bailey Rae‘s ‘Like A Star’ on UK X Factor last year. So on point!


 
Maroon 5 and Christina Aguilera‘s ‘Moves Like Jagger’ spends its fourth week at #1 on the US Billboard Hot 100 – already the longest staying #1 the band’s ever had. Having said that, I reckon Adele‘s ‘Someone Like You’ might rise from #2 to claim the top spot next week. ‘Someone Like You’ has picked up significant radio airplay in the States in the last week and its digital sales is not too far from what M5 is doing right now. ‘Moves Like Jagger’ sold 233,000 digital copies while ‘Someone Like You’ did 201,000. Speaking of impacts on the digital sphere, Jason Mraz‘s new single ‘The World As I See It’ debuts at #149 on the US Billboard Digital Tracks chart. Glad to have him back.

Beyoncé‘s ‘Party’ (featuring André 3000) cracks the US Billboard R&B/Hip Hop Top 20 while its predecessor ‘Best Thing I Never Had’ tumbles to #8 there. Speaking of tumbles, Kelendria Trene Rowland‘s ‘Motivation’ finally leaves the said Top 10 while its successor ‘Lay It On Me’ is taking its time, only inching up one spot to #46. Elsewhere on the urban scene, Mary J. Blige‘s new single ’25/8’ bullets to #53.

Luciana‘s ‘I’m Still Hot’ makes #1 on the US Billboard Dance/Club play charts. We can all thank Betty White for that, right? Other big gainers there include Lady Gaga‘s ‘You and I’ (reaching a new peak of #8), Jennifer Lopez‘s ‘Papi’ (#10) and Gloria Estefan‘s ‘Wepa’ – which by the way is one of my favourite jams right now. Her new Latin-dance album Miss Little Havana is good fun, y’guys. You need to check out the slightly ‘We No Speak Americano’ album highlight ‘Hotel Nacional’.

Watch Gloria Estefan‘s ‘Wepa’ music video. Glam ma’s mane is serving some volume and body, y’all.


Chart Feed – 16.05.11

Lady Gaga’s utterly triumphant ‘The Edge of Glory’ debuts at #6 in the UK and #11 in Australia after topping them iTunes charts for most of the week. While it was initially launched as just a digital promo to countdown the album, the track ended up pulling such tidal critical and commercial love that they decided to launch it as the official third Born This Way single.

Watch Gaga perform a heartfelt, acoustic rendition of ‘The Edge of Glory’ at Radio 1’s Big Weekend:

 

It really hits home when you see her take it back to just her raw emotions and a piano. I could fucking cry. Elsewhere, ‘Judas’ comes bolting back up in the UK from #20 to #11 and Australia from #26 to #13. Gaga’s The Fame Monster manages to re-enter our Top 50 this week at #34. All signs point to a mightly record-breaking arrival for Born This Way next Monday. The world is hungrier than ever before.

Adele’s chart-ripping 21 spends its third consecutive week at #1 in Australia rivalled by two covers album all up in its grill. Ex-Idol winner Damien Leith’s Roy Orbison tribute filler Roy is reigning at #2 while Ronan Keating and Burt Bacharach’s duet album When Ronan Met Burt [Editor: found bromance] rises to a new peak of #3 this week. But back to Adelegend, her defining debut album #19 also copped a sales surge last week, bringing it to a new peak of #27 on our ARIA album chart.

David Guetta’s new ménage-a-trois of a single ‘Where Them Girls At’ with Flo Rida and Nicki Minaj jumps to #6 in Australia, registering one of the biggest chart leaps of the week. I know it’s crunk dance for kidz but this shit is made so much more appealing just with the added presence of Nicki Minaj. Your faves could never name check Peabo Bryson in such a sick’ning way.

Jessie J’s soulful ‘Nobody’s Perfect’ debuts at #24 in Australia this week. This song is so raw, it aches with every listen. I really hope the world opens its heart and ears to this gem because while ‘Price Tag’ and the swaggerific ‘Do It Like A Dude’ came chart correct. The real loaded guns are stashed away in Jessie’s ballads [Editor’s note: see also – ‘Big White Room’ and ‘Who You Are’]. La Cornish’s album Who You Are jumps to a new peak of #15 here in Australia this week.

Enrique Iglesias’ new single ‘Dirty Dancer’ – featuring Usher and Lil Wayne – debuts at #36 here this week. The song is exactly as you imagine it to be. Sleazy dance pop with fluorescent synths, lyrical content surrounding seductive choreography – gawsh, this shit has been flogged to death, ya’ll. It’s already old. The line was way back at ‘Tonight (I’m Fucking You).

Stan Walker’s exciting new single ‘Loud’ enters at #38 this week. Watch this climb as radio and TV support for the jam crescendos in the coming weeks. Australians, aren’t we proud of our urban gems? Round of applause for Stan, Jessica Mauboy, Paris Wells, Bliss N Eso, 360 and Shakaya.

Jennifer Lopez and Lil Wayne’s ‘I’m Into You’ finally penetrates the Australian Top 50 this week at #47. Mami’s Love? album made a surprisingly decent debut at #5 in the US. Meanwhile, reviewing its second-week performances in the UK and Australia, the album has expectedly taken a slight dip – dropping from #6 to #14 in the UK and #9 to #11 in Australia. Can we have ‘Papi’ on the radio every hour now? Thanks.

Stevie Nicks’ new studio album In Your Dreams debuts at #6 in the US, registering over 52,000 first-week copies to become her fifth Top 10 album. Down here in Australia the record starts charting at #24 this week. The new album was written with and produced almost entirely by Dave Stewart of Eurythmics’ fame. You know you ain’t got shit on Stevie. Her crusty Tasman region can ooze more talent than all the seasons of Idol put together.

The WombatsThis Modern Glitch is tumbling down the charts fast, landing at #27 in the UK after just three weeks on the shelf. It’s thankfully faring a bit better in Australia, clinging to the Top 10 at #7 this week. Elsewhere, speaking of British bands, Metronomy’s The English Riviera debuts at #49 on our Aussie digital album charts this week.

Take That’s new single ‘Love Love’ debuts at #15 in the UK. You know you’re the ish when Pet Shop Boys is opening for you on tour.

Beyonce’s ‘Run The World’ continues its freefalling floppage, plummeting to #37 in the UK this week. Here’s a little light reading while we wait for that life changing video to drop: B has been honoured with Billboard’s inaugural Millennium Award, check out this Q&A where she talks about the influences behind her forthcoming 4 studio album and what life experiences she enjoyed during her mini-hiatus.

Kelly Rowland’s ‘Motivation’ is positively winning. The track continues its climb up the US R&B charts, this week reaching a new peak of #3. The slow jam is currently placed at #51 on the Australian iTunes R&B charts. Ms Rowland recently revealed the title of her much-delayed third studio album – Here I Am – and names the producers on board. Kelly’s stunning dance collabo with Alex Gaudino – ‘What A Feeling’ – is the eighth most added new song to Australian radios this week. Please let this be fucking huge here, you know I’ve pleaded.

Nicole Scherzinger’s newest Killer Love single is decent but it’s still no ‘Killer Love’. The latest jam ‘Right There’ debuts at #58 in the UK this week while the 50 Cent version will be released in the States on 5 June. Looks like Nicole has managed to lock in some amazing promo to properly relaunch her solo career back home. She’s set to perform ‘Right There’ on American Idol this week with 50, and she’s also nabbed a gig as the host of US X Factor.

Nicki Minaj’s ‘Super Bass’ bolts up to #46 in the UK this week. I reckon it’ll grow to outperform its preceding singles ‘Moment 4 Life’ and ‘Girls Fall Like Dominoes’, which were both at the cusp of cracking the UK Top 20. She’s had plenty of feature credits and singles that never scaled the mainstream chart stratospheres, but with the prominent feature on David Guetta‘s newest Top 3 smash ‘Where Them Girls At’, things could well blow out now.

Britney Spears Femme Fatale keeps plummeting and I don’t get it. The album, which I will eternally defend as one of the most important records in her discography, has been freefalling ever since it came out. Femme Fatale sinks to #42 in Australia and #47 in the UK this week. It’s definitely fared far better in the US but even then, this week we saw it drop from #4 to #20. Gurl, you’re gonna have to work harder to keep our attention now with Gaga, RiRi and Katy running the game. It’s rumoured that Brit will film the video for her third single ‘I Wanna Go’ later this month.

Interesting chart snack of the week:

Shontelle‘s stunning ballad ‘Say Hello to Goodbye’ is enjoying some form of radio rotation in Malaysia. Yes, huntee. The third single off her underrated No Gravity album made the uber popular commercial station Hitz FM’s Top 40 countdown – a chart based on listener requests. Gurl, throw that in with your royalty cheque from RiRi‘s ‘Man Down’ and you can retire happy in Bermuda!

Chart Feed – 07.02.11

Rihanna‘s ‘S&M’ has taken the top spot on our ARIA singles chart this week amidst dramas that UK’s BBC Radio 1 has banned it from their daytime playlist. The video has also copped a YouTube restriction and was immediately banned in 11 countries, prompting the acclaimed video director Melina to speak out to MTV News:

“When I go out to make something, I kind of go out with the intention to get it banned — [well] not to get it banned, I always want my stuff played — but to make something provocative … so when you do something that’s provocative, that’s usually a repercussion. It’s gonna be talked about or banned or slandered in some way. But it’s making an effect and people are having a dialogue about it, so, to me, that’s successful.”

Seriously, don’t get what all the uproar is about but bitch can’t stay mad because she must’ve expected some kind of backlash from conservatives when she took on a song with sadomasochistic themes.

Avril Lavigne‘s ‘What The Hell’ bullets into the Aussie Top 10 this week, rising to a new peak of #8. It deserves to be where it is now but I’m not convinced if this album will reconnect the rawker with the masses who worshipped her in the her hey days. Please don’t let it be dreary and mournfully personal.

Aussie hip hop artist Drapht scores his first ever Top 20 hit with ‘Rapunzel’ rising to a new peak of #16 after lurking about for a good 10 weeks. Is he one to look out for in the scene? His CV boasts collabos with industry big names like M-Phazes and Hilltop Hoods. Word.

Black Eyed Peas new single ‘Just Can’t Get Enough’ debuts at #19 here in Australia. The track – which is co-produced by Darkchild and DJ Ammo – marks some kind of unholy alliance of ultra hitmakers, so having not formally heard all of it, I’d like to think it’s not as insipid as ‘The Time (Dirty Bit)’. ‘Just Can’t Get Enough’ is set to impact American radios tomorrow.

Little Red‘s new track ‘Rock It’ shoots from #41 to #25 this week while the Midnight Remember album moves back up to #37 in Australia. Elsewhere, The Naked & Famous makes Top 30 with ‘Young Blood’ and home grown indie rockers Boy & Bear‘s ‘Fall At Your Feet’ rises to #37.

The Burlesque soundtrack is the second biggest selling record in the country. Gays, give yourselves a heartfelt limp-wristed pat on the backs. What am I doing not having seen it yet? This is what happens when I have a lesbian bestie instead of a fag hag.

Sia‘s We Are Born ascends back up the Aussie charts this week, thanks to le national tour etc. Did ya’ll enjoy the show? Not sure if she did this – or some variation of it – in all the other gigs but the lady rocked up completely covered in black body paint (head to toe) for the Melbourne show last week. Mmph! Sensational – yes. But them WTF alarm bells were going off in everybody’s heads.

Jessie J scores her first ever UK #1 single with ‘Price Tag’ debuting straight on top this week! Never in anyone’s wildest dreams could they imagine a track selling this hard in its first week given the sudden drop. ‘Price Tag’ was unconventionally issued to radio and retail on the same day – and if anything, this success just proves how fucking hot she is right now. Jessie‘s first single ‘Do It Like A Dude’ sits at #7 this week. It totally makes sense to bring the album out a month early. Our friends at AuspOp has just announced that Jessie J‘s Who You Are will hit Aussie retails on 4 March – best news I’ve heard all day.

Enrique‘s sly ‘Tonight (I’m Fuckin’ You)’ is the second highest new entry in the UK this week, making #5. Elsewhere, Tinie Tempah and Ellie Goulding‘s ‘Wonderman’ bullets to #14 and Pink registers her 18th UK Top 20 hit with ‘Fuckin’ Perfect’ rising to #11 this week. Across the Atlantic, ‘Fuckin’ Perfect’ shoots to #2 on the US charts while ‘Raise Your Glass’ sits at #11. Look who’s slaying hard.

Britney‘s ‘Hold It Against Me’ worryingly drops ten places to #18 in the UK this week. The pop legend is set to upload a teaser clip of her new music video daily, in the 14 days leading up to its full premiere on 18 February.  Two weeks’ worth of five second teasers is going to be frustrating and could very well turn people off the campaign altogether. Simple solution: just let us have it already. Brit‘s forthcoming album Femme Fatale has been trending on Twitter hard ever since the announcement last week. As a certain queen on JOY 94.9‘s Glitter & Tonik would say, “HOT-HOT-HAWT!”

Nicki Minaj and Drake‘s ‘Moment 4 Life’ bullets from #135 to #55 in the UK this week, thanks to proper Radio 1 support. Back on Onika’s stomping ground, the single soars to a new peak of #27 on the US Billboard Hot 100.

Savage Garden‘s ‘Truly Madly Deeply’ rises from #117 to #73 in the UK this week. How, umm, why? <Insert explanation for this wonderous comeback>

Adele‘s almighty 21 holds tight to #1 on the UK charts for a second week. I’ve had her second single ‘Someone Like You’ on repeat for long enough. Fixation’s now transferred to the voodoo Ryan Tedder co-write: ‘Rumour Has It’. Future single, please. Can you imagine it fronting a black and white Tarantino-esque video? That would be immense.

Two Door Cinema Club‘s Tourist History rockets from #62 to #33 on the UK charts this week. Absolutely loving this album like you won’t believe – really catchy, immediate and shimmery indie pop. The record has so far only made #100 on our Aussie charts but ya’ll should get on board before the masses do. Personal picks of the pack include ‘What You Know’, ‘I Can Talk’ and ‘Undercover Martyn’.

R. Kelly‘s Love Letter holds tight to #18 on the US charts this week. Why am I writing about this now after its been around for a good seven weeks? Well, ladies, we can all thank my incessant Soundcloud trawls for introducing me to the magic of his single: ‘When A Woman Loves’. Pure 60s soul class of Stevie Wonder and Dreamgirls proportions. We ain’t never heard R. Kelly warble like this before. Take a listen here:

R. Kelly – When A Woman Loves by JIVE Records

David Guetta et Rihanna‘s ‘Who’s That Chick?’ climbs to the top spot on the US Dance/Club charts this week. One must wonder if his albeit uber ordinary production of J.Lo‘s ‘On The Radio’ will make the final cut of her Love? project.

The Derry Queen is gonna kill it with this release. I can feel in it my bones. Someone tell me how she’s doing on American Idol. It’s life-changing moments like these – and during America’s Next Top Model season – that I wish I still had cable TV.



Chart Feed – 24.01.11

Wynter Gordon holds on to her #1 reign here in Australia. Shame I wasn’t present last Monday to pop the metaphorical bottle of bubbly when ‘Dirty Talk’ climbed to the top but get this, we are the first country to give Wynter a #1 record on a main singles charts. Back in the States, ‘Dirty Talk’ managed to top the Billboard Dance/Club charts.

Enrique‘s filthy fantastic ‘Tonight (I’m Fuckin’ You)’ stays at #2 this week, making it his third consecutive Top 5 single in Australia. The Euphoria era is working some kind of magic for the Latin heartthrob – the album has been certified gold sales here and the first single ‘I Like It’ has gone double platinum. Australia, do yourselves a favour now and revisit his 2009 mega RedOne single ‘Takin’ Back My Love’, which failed to launch here.

Alexis Jordan‘s breezy ‘Happiness’ soared to #3 here this week. Justice has been served. The single has been certified gold sales in Australia – shipping over 35,000 copies – and word is, her next single ‘Good Girl’ will get a UK release on 20 February. Will lightning strike twice for the former America’s Got Talent contestant?

Britney‘s ‘Hold It Against Me’ debuts straight in at #1 in the US and moves up to #4 on our Aussie singles charts after entering at #10 last week. We’re getting a better idea of how the nation feels about the song now that it’s had a full week and a half of strong radio rotation. Ask a work friend or cousin what they think. I’m still reeling from the hysteria of Saturday night when the track was unleashed on a packed dance floor full of gays. Screams, hands fanning and ostentatious miming – you know, the works.

The video – directed by Jonas Akerlund, the man behind Gaga and Beyonce‘s ‘Telephone’ mini-epic – will drop soon. They just wrapped day #2 of the shoot and BritBrit tweeted this teaser shot. After the first day of filming she tweeted: “such an incredible experience. I think this will be one of the best videos I have ever done.” ‘Hold It Against Me’ debuts at #6 in the UK this week, making it her 21st UK Top 10 single.

Avril Lavigne‘s ‘What The Hell’ is highest charting new single in Australia this week, entering at #9. Other worthy new entries include Usher‘s ‘More’ (#23) and Christina Aguilera‘s ‘Show Me How To Burlesque’ (#29) – the soundtrack is the highest selling new album here this week, debuting at #5. Thanks, gays.

Rihanna‘s ‘S&M’ debuts at #27 here and was the most added new song on Aussie radios last week. Check out three sinister official remixes here:

S&M (Remixes) by PopMusicUniverse

I’ll find out for ya’ll if and when Universal Music Australia will release an ‘S&M’ remix bundle.

The Naked and Famous has finally cracked our Aussie Top 50 this week with their album Passive Me Aggressive You rising to #47 and its first single ‘Young Blood’ (which made #1 in New Zealand last year) debuting at #49. The Kiwi band is set to rock the Big Day Out festival in Sydney on Australia Day and Melbournites, you can still grab tickets to their gig at the Corner Hotel on 28 January here.

Bruno Mars has bagged the #1 album and single position in the UK this week, making him the first solo male artist to have done so since Mika‘s Life In Cartoon Motion and ‘Grace Kelly’ simulateously topped the charts in 2007. The ‘Grenade’ singer is set to bring his Doo-Wops & Hooligans tour to Australia in April. Check out the dates and venues here via Auspop. Tickets will be available on 1 February.

Adele‘s bluesy disco noir ‘Rolling In The Deep’ enters at #2 on the UK charts this week. I won’t be surprised if she pulls a double appearance in the Top 20 next week when her 21 album starts to chart. Her 2008 debut 19 is enjoying some kind of resurgence now, charting at #8 this week.

Aggro Santos and curvacious Girls Aloud siren Kimberley Walsh scores a hit with their collabo ‘Like U Like’ entering at #8 this week. Alright, bitches. We’ve heard enough. This solo career fuckery is making me gag hardcore now. Ya’ll need to sit down, shut the fuck up, get Nicola Roberts to do her thang, then regroup. Pronto.

Far East Movement and Ryan Tedder‘s ‘Rocketeer’ rose to #17 in the US this week and was the third most added new song on Aussie radios last week. I’m actually downloading their album now. Seriously, the six days of consuming Malaysian commercial radio had me reluctantly pried open to a load of American hits I was too proud to check on. I found myself hearing for the first time and actually liking tracks like Nelly‘s ‘Just A Dream’, Selena Gomez‘s ‘A Year Without Rain’ and ‘Rocketeer’. Elsewhere on the US charts, Pink‘s ‘Fuckin’ Perfect’ blazes from #57 to #30 and Kanye West and Jay Z‘s ‘H.A.M.’ debuts at #23. Both are also good in my books.

Cher has made history as the only artist to have a US #1 record in every one of the last six decades. Her latest track ‘You Haven’t Seen The Last of Me’ just topped the Billboard Dance/Club charts this week, making it her first #1 of the new decade. And of course, in true Cher cheek, she tells Billboard: “How can it be six decades when I’m only four decades?” Love you, drag glammother!

 

Chart Feed – 10.01.11

Enrique‘s hypersexual ‘Tonight (I’m Loving You)’ is the highest new entry in Australia this week, debuting straight in at #3. Suppose we have the steamy video and rapid radio pick up (it is the second most added song to Aussie radios last week) to thank for. Speaking of radio addition, the catchy new Avril Lavigne single ‘What The Hell’ is the sixth most added to airwaves and Katy Perry‘s ‘E.T.’, the eighth.

Wynter Gordon‘s breakthrough ‘Dirty Talk’ keeps flying up the charts, going #1 on our Aussie iTunes and reached a new peak of #5 on the main ARIA singles chart. The sassy lady tweet teased us last week saying we can expect to hear a new track soon. Her With The Music I Die album is slated for a March release but a part of me now wants that pushed back so she can concentrate on getting another hit single here first and give people more incentive to grab the album the minute it drops.

Alexis Jordan, looks like we have a summer hit in our hands. The 18-year old pop singer’s debut ‘Happiness’ jumped to #13 in Australia this week and frankly, it’s all too exciting for us pop bloggeurs to see this new artist getting love Down Under. Tracklisting for her self-titled debut album has surfaced and while there’s no local release date announced as yet, our friends in the UK will be treated to the album on 28 February.

Justice Crew just scored their first ever Top 20 hit with their latest single ‘Friday to Sunday’ rising to #18 this week. The hip hop dance troupe who won last year’s series of Australia’s Got Talent had everyone’s eyes wide when word spread about them scoring a record deal. Haters gonna hate but seriously, why krump to someone else’s beats when you can do it to your own?

Bruno Mars‘ fantastic Doo-Wops & Hooligans album has climbed to a new peak of #5 in Australia this week. With the support of two #1 singles here – that’s more like it, right? Altiyan Childs‘ self-titled album of X Factor covers is still selling hot at #3. Stans have done well getting behind this – the record became the 19th best selling album of 2010 in the three weeks it was out in the year. Bam!

Having said that, it was still a rather bleak look at the impact Aussie artists are making at home. Only three Australian acts were accounted for in the Top 20 best selling albums of 2010 (Angus & Julia Stone‘s Down The Way – #7, Altiyan Childs – #19, John Butler Trio‘s April Uprising – #20). Meanwhile, it’s far worse on our end of year singles chart – not one Aussie artist had a song in the Top 30. The biggest selling Australian single went to Yolanda B Cool & D Cup‘s massive ‘We No Speak Americano’, which was the 34th best seller of 2010. Mmph. Check on the ARIA’s full Top 100 albums and singles of 2010.

Rihanna has made UK record history as the first female solo artist to achieve five #1 singles in consecutive years with her latest ‘What’s My Name’ climbing to the top spot this week. Hold up. Let’s run a quick fact check as an expansion of last week’s chin stroke about RiRi’s armful of UK #2 singles. Consider her five consecutive years of UK #1 hits: ‘Umbrella’ (2007), ‘Take A Bow’ (2008), ‘Run This Town’ with Jay Z and Kanye West (2009), ‘Only Girl In The World’ (2010) and finally, ‘What’s My Name’ (2011). The Barbadian beauty’s Loud album is still topping the album charts there. That Rihanna reign just won’t let up…

Jessie J‘s breakthrough ‘Do It Like A Dude’ has shot up to a new peak of #5 on the UK charts. No doubt, all thanks to her grabbing the BBC Sound of 2011 crown and the subsequent press attention overload last week. Elsewhere, another finalist of the prestigious shortlist – Nero – made their chart debut at #18 this week with ‘Me and You’. If you’re a fan of drum and bass vs dub step then this track’s right up your street.

Cheryl Cole scores her sixth consecutive UK Top 20 single this week with ‘The Flood’ rising to #18. Seriously, every solo single she’s put out has gone Top 5 there but why do I have a feeling that this will be the one to break her run? As much as I love the magnificently tidal chorus, a pop ballad of this style isn’t exactly en vogue right now, is it?

Eliza Doolittle‘s wistful summery track ‘Skinny Genes’ leapt up the UK charts this week going from #114 to #70. The track was only offered up as a free download a few weeks ago when iTunes Australia picked it as their Single of The Week. It’s pure delight if you’re a Lily Allen or Kate Nash fan. Now how can we get this all over our domestic airwaves before the summer’s out? Eliza Doolittle‘s self-titled album rose to #11 on the UK charts this week.

Far East Movement and Ryan Tedder‘s ‘Rocketeer’ moves to #34 on the US Billboard Hot 100 this week. The gang famous world over for their US #1 mess ‘Like A G6’ shows off a gentler side with their latest offering and I’m strangely digging this. Get ready for the Asian take ovah! ‘Rocketeer’ was issued to Aussie radios yesterday.

Erika Jayne – also known as America’s reigning princess of fabulous dance/pop – scores her fifth consecutive US Dance/Club #1 this week with ‘One Hot Pleasure’. I need not say much about this. Just watch the video. Its blinding fag appeal is enough to send Melissa Tkautz‘s career weeping with envy. Queens, make it your mission to investigate Lady Erika this week.