11 Songs That Were Perfectly Appropriate to Have Been #1 on Valentine’s Day

My colon is clean. I don’t have two-shits to give about Valentine’s Day but since I woke up this morning with a sudden, uncontrollable desire to revisit Celine Dion‘s love songs compilation (and have been merrily screeching along to all the top notes), I started to wonder what songs happened to have been #1 on Valentine’s Day over last 30 years or so.

February 14th is such a major date in the marketing calendar and no “””holiday””” has been better constructed with the sole purpose of exploiting romance and loneliness quite like this one, so it actually made sense to look back on what records were being pushed to death around this time of the year.

For every strategically timed single release that failed to top the charts, (Hi ya, Victoria Beckham ‘A Mind of Its Own’ circa 2002!) there were plenty who hit the mark and either had us all giddy with euphoria or weeping into a tub of Häagen-Dazs.

Here are 11 perfectly spot on Valentine’s Day chart-toppers:

Whitney Houston ‘How Will I Know’ (1986, US)

Believe it or not Whitney‘s first banger was actually a Janet Jackson reject. This joyous, fluorescent pop tune brings all my favourite elements of 80s pop, yearning and sentimental lyrics with really vibrant synths, big drums and big vocals. It doesn’t matter where in the world I am, I’ll feel instantly at home at any gay dive bar that plays this.

Cher ‘Believe’ (1999, Australia)

Speaking of gay dive bars! I guess we are where we are. I’m picturing a sea of blonde highlights in cargo pants in a heaving nightclub, green laser lights catching the sweat on heavily plucked brows. Everybody here is picturing someone they’d love to sing these words to. A survivalist dance anthem like ‘Believe’ and ‘I Will Survive’ really only comes around once every 10, 20 years or so – if we’re lucky. It took less than two months for this to become the biggest-selling hit of 1998 in the UK, and the excitement soon poured over internationally the following year when Australia made ‘Believe’ it’s Valentine’s Day anthem of 1999.

No Doubt ‘Don’t Speak’ (1997, Australia)

A gut-wrenching and quintessentially 90s rock break-up classic. I’m surprised to learn that despite this being the most played song on radio in 1996 in America, it never charted on the Billboard Hot 100 because ‘Don’t Speak’ was not released as an actual commercial single there. The single did however hit #1 in several international charts including Australia when we were all nursing heartbreaks that year to Gwen Stefani‘s aching tones.

George Michael ‘Careless Whisper’ (1985, US)

I get chills every time I hear that sax intro. Seriously, what a bloody god-sent masterpiece. ‘Careless Whisper’ topped the US charts in February 1985, six months after it was already a huge #1 hit in the UK. George would go on to have another Valentine’s Day #1 two years later with Aretha Franklin in ‘I Knew You Were Waiting For Me’.

Kylie ‘I Should Be So Lucky’ (1988, UK)

We all know the story behind this career-launching hit that almost wasn’t to be. But all I can say is thank god for Kylie sticking around the Stock Aitken and Waterman lobby and not storming out in a huff when those guys completely forgot she was scheduled to work with them, because the few minutes they had to scramble something together for her became ‘I Should Be So Lucky’. Who knew 30 years later it’d remain such a bittersweet and persistent metaphor for our perpetually unlucky in love pop princess?

Toni Braxton ‘Un-Break My Heart’ (1997, US)

Did I ever tell you guys that my father was obsessed with this song? Like capital ‘O’ obsessed. Like, Beyoncé playing a woman dressed by Target Obsessed. He had the Secrets album on cassette and would literally only rewind back to this song every single time. Then when CDs became popular, I think he went out and bought the album on CD because it was easier to keep the track on repeat in this format.

Macklemore and Ryan Lewis featuring Mary Lambert ‘Same Love’ (2013, Australia)

A beautiful and political declaration of equal love that very much reflected the cultural shift of the time. It’s so beautiful to see that this was #1 in Australia where sadly, the fight for marriage equality still continues. It’s actually odd looking back and seeing how much Macklemore was killing it at the time. Through all the years I’ve looked back on Valentine’s Day #1s, I’ve not come across one artist who had total dominance on US, UK and Australian charts like Macklemore and Ryan Lewis did in 2013 (‘Thrift Shop’ was #1 in US and UK that week).

Atomic Kitten ‘Whole Again’ (2001, UK)

I will never not have time for Atomic Kitten. It’s just one of those things. I won’t even call it a guilty pleasure because I don’t feel any way guilty for liking it, and neither should you. I literally screamed when I found out ‘Whole Again’ was #1 this week… 16 years ago! To think these girls were hanging onto their record deal barely by the tips of their acrylic nails before the label agreed to release ‘Whole Again’ is ludicrous. They had ‘Whole Again’ the whole time but chose to release four other tracks, which got virtually zero-cares from everyone. Thank god common sense prevailed!

Sinead O’Connor ‘Nothing Compares 2 U (1990, UK)

It’s been seven hours and fifteeeeeeen days… DEAD. I am dead. I forgot Prince actually wrote this one. This is may be a Prince song but it is a Sinead O’Connor classic, you feel me? The super chilling and despondent ballad was a massive fuck-off global hit for the Irish singer, shifting platinum sales in the UK and becoming the biggest selling single of 1990 in Australia. Part of me wishes Prince had written more break up songs for other people.

Jennifer Lopez ‘All I Have’ (2003, US)

That scene in the video where J.Lo is wiping her nose and lugging all her shit through the snow is literally what comes to mind every time I picture myself in post-break up glamour!     2002-2003 was the era where J.Lo was literally killing everybody in the game. She was dominating the box office with films like Maid in Manhattan, she had launched a successful fragrance collection, the tabloids were lapping up her Hollywood fairytale romance with Ben Affleck, she was massive on the radio with hits like ‘Jenny From The Block’ and this one… we didn’t quite catch it at the time but we were witnessing the building of one of America’s most enduring pop entertainers and media moguls with an empire that would keep expanding 15 years on. I’m literally too embarrassed to ask myself what I’ve done with my life in that time.

Whitney ‘I Will Always Love  You’ (1993, US and Australia) 

An appropriate and painfully obvious Valentine’s Day chart-topper. It spent a mind-blowing 14 weeks at #1 on the US Billboard chart. Oh yes… all through Christmas, Boxing Day sales, Hanukkah, NYE messiness and New Year’s resolutions that were broken before she came back for the big final chorus. The iconic song made a return on sadder terms this time five years ago after Whitney’s death. The surge of emotional purchases saw ‘I Will Always Love You’ top the iTunes charts and return to the US Billboard Hot 100 for the first time in 20 years.

Here is a playlist of 40* best Valentine’s Day #1 hits. All in one convenient music streaming receptacle. *’Nothing Compares 2 U’ is not on Spotify though….  ¯\_(ツ)_/¯

Carelessly whispering on Twitter as always – @feedlimmy.

 

 

 

Mariah Carey “Me. I Am Mariah… The Elusive Chanteuse”

Is it too much to suggest that Mariah Carey has now transitioned from a one-woman, five-octave range hitmaker into a diligent ‘album artist’? All signs since her 2004 renaissance The Emancipation of Mimi seem to suggest so. And now, with her 14th studio album – Me. I Am Mariah… The Elusive Chanteuse – Carey shows us the breadth of her musicality.

ME I AM MARIAH THE ELUSIVE CHANTEUSE ALBUM COVER

The Elusive Chanteuse is the work of a consummate and knowledgeable fan of R&B music. Mariah doesn’t only serve as high priestess of vocals here, she is the album’s executive producer. Together with close collaborators Jermaine Dupri and Bryan Michael Cox, the diva captures significant trends in hip hop, R&B and soul on every track.

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Chart Feed – 20.08.12

Remember back when it was kinda uncool to be “launched from a reality TV show”?

CHART

Well, it would seem that if you can escape that stigma with class and some bloody awesome creative ventures, you’re guaranteed to be embraced by the masses in the way Guy Sebastian and Jessica Mauboy were this week.

Elsewhere on this Chart Feed, it has also been a good week for the Spice Girls, Emeli Sande, Rita Ora and Flo Rida.

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Chart Feed – 13.08.12

The Olympic Games is doing nothing to stimulate Britain’s album buying habits as the nation hits its lowest weekly album sales in 16 years. Rihanna‘s Talk That Talk has returned to #1 on the UK charts with just over 9,500 copies sold – making it the lowest weekly sale for a UK #1 album in the 21st century.

CHARTFEED

Elsewhere, American Idol winner Phillip Phillips scores big on the digital charts thanks to a placement in NBC’s Olympic broadcast, the Pet Shop Boys cops a chart fail with ‘Winner’, and J.Lo now ties with Katy Perry for most consecutive US #1 dance/club play singles.

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Chart Feed – 08.03.10.

Rihanna‘s petulant ‘Rude Boy’ has taken #1 position in Australia, making it her first #1 single here since ‘Don’t Stop The Music’ three years ago.

It’s hardly in the league of her previous chart toppers like, ‘SOS (Rescue Me)’ and ‘Umbrella’.

The jury’s still out on whether this ‘edgy’ record is my cup of tea or not. I find myself indifferent to most tracks on Rated R.

George Michael‘s hits collection Twenty Five jumped from #24 to #9 this week. Last week’s tour must’ve jogged our memories because kinky sex aside, George did have some wonderful songs.

Nothing beats ‘Fastlove’ for me – it was the first George Michael song I heard and back then innocent Dave was oblivious to the overt sexual connotations.

Ellie Goulding must be chuffed to see her debut album enter the UK charts at #1 this week. Interesting to see Lights knock off Lady Gaga‘s beast of a hit album at the height of her Monster Ball tour.

Alphabeat‘s 90s pop-inspired The Beat Is debuted at #39 in the UK this week. Wondering if I should hold my breath for a local release or shall I just order my copy from CD WOW now?

Avril Lavigne‘s ‘Alice’ entered the UK charts at #75 this week. Only time will tell if this will reignite her career or fall through the rabbit hole.

Lady Gaga and Beyonce‘s ‘Telephone’ climbs to an all new peak of #12 on the US Billboards chart. It has been the longest wait for the music video, this shit had better be bonkers and mind-blowing. Word is the official premiere date is 11 March.

Feed Limmy’s Top 20 Most Played:

#1 Gabriella Cilmi – On A Mission*
#2 Cheryl Cole – Parachute
#3 Kelis – Acapella
#4 Kimberly Wyatt – Candy (feat. Aggro Santos)*
#5 Cheryl Cole – Boys
#6 Shakira – Gypsy (Freemasons Mix)*
#7 Sugababes – Wear My Kiss
#8 Robyn – No Hassle*
#9 Jennifer Lopez – Louboutins
#10 Brandy – Right Here (Departed)
#11 Junior Caldera feat. Sophie Ellis- Bextor – Can’t Fight The Feeling (Junior Caldera Radio Edit)*
#12 BoA – Touched
#13 Paloma Faith – Upside Down*
#14 Anjulie – Rain
#15 Cheryl Cole – Fight For This Love
#16 Leona Lewis – Naked
#17 Estelle – Freak*
#18 Sugababes – Get Sexy
#19 Cheryl Cole – 3 Words
#20 Cheryl Cole – Rain On Me
* = Added to playlist this week