Lea Michele ‘On My Way’ Music Video

Glee poster girl sexes up her image for the only decent pop hit on her album. Basically, Lea Michele isn’t playing around any more. She wants ‘On My Way’ to make an impact and she’s pulling all stops and booty shorts.

LEA MICHELE ON MY WAY MUSIC VIDEO

I mean, come on, the opening shot is a close up of her derriere.

The video, shot in California, sees Lea in a retro-styled motel getting intimate with a scruffy dude. It’s a painfully familiar video concept with frame after framed of recycled imagery we’ve seen before in Christina Aguilera‘s ‘Your Body’ and Katy Perry‘s ‘Teenage Dream’ (just to name a few).

Continue reading

Chart Feed – 19.12.11

Reece Mastin was almost licking it on both sides this week with his winning single ‘Good Night’ returning to #1 and album debuting at #2 on our ARIA charts. Reece Mastin – a compilation of choons the kid purveyed on X Factor Australia – is the biggest new album in the country, instantly certified platinum for shipments of over 70,000 copies.

Needless to say, the fastest selling artist to ever come out of the local talent show franchise. The kid rocker’s cover of Maroon 5‘s ‘She Will Be Loved’ managed to break the ARIA Top 100 at #87 based on track downloads alone.

Timomatic‘s ‘Set It Off’ skyrockets to a new peak of #22 on our ARIA charts, marking another key success for Aussie pop this year. The man, who’s best known as the singer/dancer who came second on this year’s Australia’s Got Talent series, co-wrote ‘Set It Off’ with DNA – the same Sydney songwriting/production duo who’s responsible for Marvin Priest‘s ‘Own This Club’. DNA also currently has two songs in the ARIA Top 10 in Reece Mastin‘s ‘Good Night’ and Guy Sebastian‘s ‘Don’t Worry Be Happy’.

Matt Corby‘s experiencing some chart wonder with his EP Into The Flame climbing to a new peak of #33. This is the strummy la la artist’s biggest commercial success yet. He really is the new Lisa Mitchell-style success story from our Idol franchise.

Watch Matt‘s video for ‘Untitled’, a track featured on his Into The Flame EP. Side bar: I would totally do him.


 
Pink‘s beige ballad ‘Bridge of Light’ plummets to #34 on our ARIA charts – not surprising given its diminishing radio rotation. Her last single to miss our Top 20 was ‘I Don’t Believe You’, which peaked at #23 back in 2009.

Ricki-Lee‘s glorious ‘Raining Diamonds’ is probably set to retire soon. The underrated smash falls to #39 this week after clocking six weeks in our ARIA Top 50. Our gurl can still probably treat herself to a few Gasp dresses this Christmas – ‘Raining Diamonds’ has been certified gold sales for selling over 35,000 copies.

Cher Lloyd‘s summery smash ‘With Ur Love’ rises to a new peak of #43 on our Aussie charts. Snaps to the ‘Swagger Jagger’ singer for snagging herself an American recording contract with L.A. Reid‘s label Epic Records. I’m sure you’ll agree that her seriously on point debut album Sticks + Stones deserve some proper Stateside attention – check out where it lands on my Feed Limmy Top 30 Albums of 2011 list.

Watch Cher Lloyd do one of my favourite tracks ‘Want U Back’ acoustic style:


 
will.i.am‘s ‘T.H.E. (The Hardest Ever)’ blasts back into the ARIA Top 100 at #57 this week, thanks to interest surrounding the A-grade music video. Over in the States, ‘T.H.E.’ sinks to #193 on the Hot Digital Songs chart but we’ll see this Thursday if it cops a resurrection there too.

Lady Gaga‘s Born This Way album returns to our ARIA Top 50, probably thanks to the Christmas rush. Same goes for Katy Perry‘s Teenage Dream. Y’all know there are loads of unimaginative grown ups buying these records for their nieces and daughters. Meanwhile at the singles bar, Gaga’s two recent singles ‘You and I’ and ‘Marry The Night’ exit the Top 100 while ‘Born This Way’ and ‘The Edge of Glory’ keep selling. Born This Way: The Remix sinks to #100 on our ARIA Top 100.

Little Mix‘s winner’s single ‘Cannonball’ debuts at #1 in the UK, clocking 210,000 opening week sales to become the fastest selling single of 2011. The recently crowned British X Factor champs made history this week as the first girl group to go #1 in the UK since Girls Aloud‘s ‘The Promise’ in 2008. Damien Rice‘s original ‘Cannonball’ rides on the coattails back to #19 on the UK charts this week.

Leona Lewis‘ new single EP ‘Hurt’ enters at #8 in the UK, making it the second biggest new release there this week. It is also incidentally Leona‘s eighth UK Top 10 placement.

Watch an acoustic performance ‘Hurt’, which was recorded on the star’s recent webchat:


 
Jessie J‘s ‘Who You Are’ is bowled out of the UK Top 20 this week, tumbling from #9 to #21. Speaking of drastic drops – the latest X Factor charity single ‘Wishing On A Star’ sinks from #2 to #17, and Emeli Sandé‘s ‘Daddy’ falls from #43 to #76.

Kelendria Trene Rowland‘s Here I Am nosedives from a tepid peak of #43 to #63 on the UK charts this week. Totally not surprised to see it go down that hard. Meanwhile, the smash single ‘Down For Whatever’ leaves the UK Top 20.

Take That‘s Progress Live tour DVD is still the biggest selling music DVD in the UK but over in the US and Australia, Adele‘s Live at The Royal Albert Hall continues to reign on top. Lady Gaga‘s The Monster Ball tour sits at #13 on the UK music DVD charts but does better at #2 in Australia and #3 in the US. Beyoncé’s Live at Roseland DVD falls from #8 to #18 in the UK and from #4 to #6 in Australia but stays strong at #2 in the US.

Check out Queen Bey performing the life-defining ‘I Was Here’:


 
Michael Buble‘s Christmas album continues to rake in the chips with a 64% sales increase in its third week on top of the US Billboard 200. The lucrative seasonal album sold 479,000 copies in America in the last week, making it the crooner’s biggest #1 album yet. You really wonder why he hadn’t put out a Christmas album before. Buble‘s Christmas is also simultaneously topping the UK and Australian album charts.

The Black Keys have the highest selling new album in America with El Camino debuting at #2. It’s remarkably the rock band’s biggest commercial success yet – clocking over 206,000 first week sales. This is very much an improvement on last year’s Brothers, which entered at #3 with 73,000 copies.

Amy Winehouse‘s posthumous album Lioness: Hidden Treasures debuts at #5 in the US, off the back of 114,000 opening week sales. This is the late soul singer’s biggest chart debut ever. Mind you, Back to Black entered at #7 but eventually climbed to #2 on the Billboard 200.

Watch a mini doco about Amy Winehouse‘s Hidden Treasures:


 
Glee‘s season three Volume 7 album gives the franchise their lowest first-week sales yet for a regular compilation (ie. Volumes 1 – 7). The record comes in at #9 on the US Billboard 200 with 58,000 copies sold. The only other Glee releases to have opened with fewer copies were the Rocky Horror Glee EP (48,00) and The 3D Concert Movie soundtrack (20,000). We done here.

Robin Thicke‘s Love After War album debuts at #22 on the US Billboard 200, making this the sexy soul man’s first album to miss the Top 20 since his 2006 breakthrough. Love After War opened with 42,000 first week sales – a far cry from his last album Sex Therapy, which opened with 123,000 copies almost exactly two years ago.

Katy Perry‘s ‘The One That Got Away’ is starting to show its desperation to go #1. There’s the introduction of a rent-a-rapper remix featuring B.o.B. now impacting media – a trick she’s run up on with the last two singles (see: ‘Last Friday Night’ with Missy Elliott and ‘E.T.’ with Kanye West).

But then there’s also a drastic price slash on iTunes! All up, the discounted price managed to only push ‘The One That Got Away’ up to #6 on the US Digital Song chart with a 24% sales increase (117,000 copies). In the UK, ‘The One That Got Away’ rises to #20 but remains at its current peak of #27 in Australia for the second week in a row.

Listen to the odd new B.o.B remix of ‘The One That Got Away’:


 
Kelly Clarkson‘s ‘I’ll Be Home For Christmas’ enters the US Billboard 100 at #93. Meanwhile her next actual smash ‘What Doesn’t Kill You (Stronger)’ drops to #200 on the US Digital Song charts.

That kinda fuckery’s not tolerated here in Australia because we evidently can’t get enough of the song. ‘Stronger’ has been all over radios and it’s also thankfully rising up the ARIA charts to a new peak of #37.

Estelle‘s ‘Thank You’ leaps to #47 on the US R&B/Hip Hop song chart. It’s obvious that the British hip hop/soul siren’s been struggling to make an impact recently. Her last few singles ‘Freak’, ‘Fall in Love’ and ‘Break My Heart’ have all flopped, relegating the album to be pushed back for a February 2012 release.

Listen to Estelle‘s amazingly personal ‘Thank You’:


 
Jennifer Hudson‘s uplifting new single ‘I Got This’ plonks itself at #91 on the US R&B/Hip Hop song chart this week. Apart from ‘Where You At’ which made a meagre #64, none of the other I Remember Me singles have cracked the US Billboard Hot 100. Don’t hold your breath for this one. At least she can lay claim to one more appearance in ‘Night of Your Life’ (with David Guetta), which peaked at #81 a few months ago.

Beyoncé‘s ‘Countdown’ reigns wild at #1 on the US Billboard Dance/Club play charts. I sense that this single – as amazing as it truly is – will never see the mainstream success it deserves. ‘Countdown’ is out of the US Billboard Hot 100, overshadowed by ‘Party’ which is placed at #55. Over in the UK and Australia, ‘Love On Top’ takes precedence.

Wynter Gordon‘s flawless ‘Buy My Love’ has risen to an exciting new peak of #2 on the US Dance/Club play charts. Fuck me, this is gonna be bigger than ‘Til Death’. I am so happy for my gurl. Hopefully this will lead to some long awaited mainstream crossover in the States. Over in the UK, ‘Dirty Talk’ moves up to #35 on the dance charts this week. Very interesting belated development given that the song’s already been moving all year round.

Gloria Estefan‘s ‘Hotel Nacional’ debuts at #29 on the US Dance/Club play charts – making it the highest new entry there this week. I am so glad they went with this as her next single. It should speak to lovers of ‘We Speak No Americano’ and hopefully drive more people to check out Miss Little Havana, which made Feed Limmy’s Top 30 Albums of 2011.

Listen to a preview of ‘Hotel Nacional (Ralphi Rosario Club Mix)’:

Chart Feed – 12.12.11

Reece Mastin‘s ‘Good Night’ has been booted off the #1 spot by previous chart topper LMFAO‘s ‘Sexy and I Know It’. The teen X Factor winner’s been out promoting his mandatory cover’s album so we should see that effortlessly enter our Top 5 next Monday.

Watch them pitch Reece as just a regular rock band front man in the ‘Good Night’ music video:


 
Pink‘s ‘Bridge of Light’ is the biggest new single in Australia this week, debuting at #26. Just further proof that Aussies will lap up anything Pink these days, however beige and redundant the single may be.

Ricki-Lee‘s ‘Raining Diamonds’ isn’t seeing fortunes turn around after the music video finally dropped. She’s looking flawless as ever but the video has only garnered over 6,200 views in five days. Meanwhile, not that it’s necessarily fair to compare, Reece Mastin‘s video managed over 46,000 views in almost the same amount of time.

‘Raining Diamonds’ picks up to #34 on the ARIA singles chart this week but fails to secure any more radio support. The runaway smash sunk from #25 to #31 on the Aussie airplay charts (between 1 to 7 December).

Listen to ‘Raining Diamonds (Kreap’s Italo Disco Hammer Mix)’ done by Melbourne producer Kreap:


 
Timomatic‘s ‘Set It Off’ cracks our ARIA Top 50 at #39 this week. The Jason DeRulo-style dance/pop track is also the biggest gainer on our airplay charts (between 1 to 7 December), rising to #35.

Cher Lloyd‘s ‘With Ur Love’ (featuring Mike Posner) finally cracks our ARIA Top 50 at #48 this week. Meanwhile her series mates One Direction‘s ‘What Makes You Beautiful’ holds on at #11 and their album Up All Night drops to #10. I wouldn’t have believed it if y’all told me this time last year that we’d have two UK X Factor contestants in our Top 50.

The Potbelleez‘s new single ‘Feed Off Me’ debuts at #42 on our ARIA club charts. Surely this would have to be it from the album, right? Watch the gang’s video for ‘Feed Off Me’:


 
Adele‘s 21 has now been certified 10x platinum sales in Australia, so that’s over 700,000 copies for those counting on fingers and toes. Her first tour DVD Live at The Royal Albert Hall is #1 on our ARIA Music DVD chart for the second week running.

Over in the US, Live At The Royal Albert Hall is now the best-selling music DVD of 2011, cancelling all its competitors after just one week on the shelves. Live At The Royal Albert Hall managed to sell 96,000 copies in the last week, making it the biggest one-week sales for a music DVD in four years. Coming in next best in this year’s music DVD race is AC/DC‘s Live at River Plate (73,000 copies) and Beyoncé‘s I Am… World Tour (63,000 copies).

Beyoncé‘s Live at Roseland debuts at #4 on our ARIA music DVD chart this week. Meanwhile, Lady Gaga‘s The Monster Ball Tour holds tight at #2, Kylie‘s Aphrodite Les Folies – Live in London drops from #3 to #7 and Britney‘s Femme Fatale Tour fizzes from #8 to #21.

Over in the US, Live at Roseland remains at #2 on the DVD charts while Gaga‘s The Monster Ball slides to #3 and Britney‘s Femme Fatale business dips to #5. Kylie‘s Aphrodite Les Folies has interestingly debuted at #17 to be one of the biggest new music DVDs out in the week.

Watch Kylie slaying ‘Cupid Boy’ with her pack of gays – this should’ve been a single:


 
Susan Boyle can probably put in a down payment for a private jet now with her album sales steadily climbing in the Christmas buying period. The new album Someone To Watch Over Me   sits tight at #3 on our ARIA charts while her first album I Dreamed A Dream climbs back up to #52 and The Gift to #83.

Over in the US, Someone To Watch Over Me moves back up to #16 on the Billboard 200 while its predecessor The Gift leaps from #45 to #29.

Amy Winehouse‘s first posthumous album Lioness: Hidden Treasures debuts at #8 in Australia this week. Further down, Back to Black re-enters at #89. Over in the UK, Lioness enters at #1 to become the fourth biggest debut this year, with 194,966 opening week sales. The project’s new single ‘Our Day Will Come’ debuts at #29.

Glee‘s Glee: The Music Volume 7 debuts at #18 in Australia this week, making this their lowest charting compilation yet of the seven. I am, of course, excluding their Christmas albums and other supplementary records. Over in the UK, Volume 7 debuts at a disappointing #58.

Meanwhile in the States, the Glee gang sent five new entries into the Billboard Hot 100 and it reads as such: ‘Perfect’ (originally by Pink) at #57, ‘Girls Just Wanna Have Fun’ at #59, ‘I Kissed A Girl’ at #66, ‘I’m The Only One’ (originally by Melissa Etheridge) at #86 and ‘Constant Craving’ (originally by k.d. lang) at #89. Glee Cast‘s cover of ‘Perfect’ is the most downloaded new song on the digital charts. Check back next Monday to see where Volume 7 lands on the American album charts.

Check out Glee’s cover of ‘Fuckin’ Perfect’:


 
Kelly Clarkson‘s Stronger bows out of the ARIA Top 20 after seven weeks. Meanwhile over at the singles bar, ‘What Doesn’t Kill You (Stronger)’ edges up to #41 while ‘Mr Know It All’ plummets to #35.

Elsewhere, Stan Walker‘s Let The Music Play nosedives from #27 to #61 on our ARIA Top 100 in its third week while Sade‘s The Ultimate Collection re-enters at #85 after playing several dates around the country last week.

Lady Gaga‘s ‘Marry The Night’ finally bounces back into our ARIA charts at, well, #100 this week. *Snortcackles* Her massively successful Born This Way album also made a move back up from #71 to #53 this week while the remix album slumps to #79.

Over in the US, ‘Marry The Night’ manages a mighty leap from #59 to #32 in its fourth week in the Billboard Hot 100. Meanwhile her live Christmas EP – A Very Gaga Holiday – tumbles from #52 to #135 on the US Billboard Hot 100 and Born This Way: The Remix sinks to #188.

Listen to ‘Marry The Night (Dimitri Vegas & Like Mike Remix)’:


 
Rebecca Ferguson‘s Heaven made a formidable debut at #3 on the UK charts with 128,458 first week sales. Amazon has revealed that Rebecca‘s album has garnered more pre-orders than any other contestant from the UK X Factor 2010 cast. Heaven beat advance sales of Matt Cardle‘s Letters by 181%, One Direction‘s Up All Night by 11% and Cher Lloyd‘s Stick + Stones by 571%. Bam! Becca, you better werk.

Beyoncé‘s 4 picks up pace in the UK after ITV aired her amazing pre-recorded special: A Night With Beyoncé, sending the album from #49 to #26 with 24,115 copies sold during the week. Further down, I Am… Sasha Fierce also comes bolting back up at #81.

Looking at the singles bar, Bey‘s euphoric ‘Love On Top’ rises to a new peak of #22 in the UK while ‘Countdown’ ascends to #54 and ‘Best Thing I Never Had’ re-enters at #71.

Watch Bey deliver an emotional rendition of ‘I Care’ and ‘I Miss You’ for A Night with Beyoncé *crying and shaking*:


 
Kelly Rowland‘s Here I Am has thankfully picked up to a new peak of #43 on the UK charts before the end of her X Factor run. The smash single ‘Down For Whatever’ drops to #13 in its third week.

Olly Murs‘ moment of validation is finally here. His new single ‘Dance With Me Tonight’ finally claims the UK #1 slot after being cock blocked by Rihanna and the X Factor charity single in the last two weeks.

Mariah Carey‘s ‘All I Want For Christmas Is You’ makes its annual appearance on the charts, rising to #12 in the UK this week. Further down there are a tonne of other seasonal numbers showing up too. Highlights include: Coldplay‘s ‘Christmas Lights’ entering at #66, Michael Buble‘s ‘Have Yourself A Merry Little Christmas’ shooting up to #99 and Kylie‘s old ‘Santa Baby’ debuting at #100.

Meanwhile, I’ve rewatched this like a thousand times in the last 24 hours. That’s Christmas spirit for ya!


 
Michael Buble‘s unbeatable Christmas album clocks its second week on top of the US Billboard 200, with overall sales now passing the 1 million mark. It’s now the seventh album to sell over a million copies in the US this year.

Mary J. Blige‘s My Life II… The Journey Continues (Act 1) [Editor’s note: what a fucking indulgent album title] slides to #6 in its second week, suffering a 54% sales drop. Meanwhile, Mary‘s new singles move up the US R&B/Hip Hop chart: ’25/8’ rises to #39 and ‘Mr Wrong’ (with Drake) edges to #41.

Rihanna‘s Talk That Talk cops a 66% sales drop in its second week in the US. ‘We Found Love’ may still be the #1 single for six weeks running, but the album has slumped from #3 to #7, registering 68,000 second week sales.

‘We Found Love’ is the first song by any artist to stay at #1 for six or more weeks in both the US and UK since ‘Umbrella’. That’s two massive long-staying chart toppers for RiRi in this century. Could she possibly be the biggest singles artist in the Western world?

Meanwhile, ‘You Da One’ rises to #18 on the US Billboard Hot 100 while title track ‘Talk That Talk’ sinks from #31 to #77.

Listen to ‘You Da One (Liam Keegan Remix)’:


 
Robin Thicke‘s Love After War album should start charting on the US Billboard 200 later this week but if it’s any indication of interest, both its singles are steady rising up the R&B/Hip Hop charts: ‘Love After War’ making #20 and ‘Pretty Lil’ Heart’ featuring Lil Wayne at #70.

Katy Perry‘s ‘The One That Got Away’ drops to #7 this week after peaking at #5 on the US Billboard Hot 100. Well, show’s over – I guess. Nothing left to see here. But wait, from what I’ve heard, the song has been discounted to 69 cents on the US iTunes store and if you couple this with the increased radio airplay, things should technically improve for ‘The One That Got Away’ in the coming week. Plus, Katy‘s hosting of Saturday Night Live should generate enough publicity to help this single get back its footing.

Listen to ‘The One That Got Away (R3hab Remix)’:


 
Bruno Mars‘ ‘It Will Rain’ sits at #3 on the US Billboard Hot 100 but goes on to top the digital charts. The ballad, which was featured on The Twilight Saga: Breaking Dawn Part 1, is the first song from a movie soundtrack to go #1 on the US digital charts since Taylor Swift‘s ‘Today Was A Fairytale’ (which was launched from the Valentine’s Day soundtrack).

Jay-Z and Kanye West‘s ‘Ni**as in Paris’ leaps to #8 on the US Billboard Hot 100 after 17 weeks on the charts. Impressively, this is now Jay’s 18th US Top 10 hit. His first appearance was all the way back in 1997 as a feature rapper on Foxy Brown‘s I’ll Be’. Where is she now?

T-Pain featuring Wiz Khalifa and Lily Allen‘s ‘5 O’Clock’ rises to #8 on the US Billboard Hot 100, making this Lily Allen‘s first ever appearance in the American Top 10. I mean, it’s not like they don’t know who she is over there – her first album Alright, Still managed to go #20 and 2009’s It’s Not Me, It’s You made #5 on the US Billboard 200.

Watch the music video for ‘5 O’Clock’:


 
Nicki Minaj‘s buzz single ‘Roman in Moscow’ may be a muhfuggin’ hot mess but it’s managed to debut at a decent #64 on the US Billboard Hot 100 and #84 in the UK. This is the first a few new material we can expect on Pink Friday: Roman Reloaded – the beefy repackaged edition of her hit album that’s due on 14 Febuary.

Will.i.Am‘s ‘T.H.E. (The Hardest Ever)’ nosedives from #36 to #90 in its second week on the US Billboard Hot 100. Here in Australia, it falls out of the Top 100 altogether after just a week. Bye, bitch.

Check out the big budget music video for ‘T.H.E. (The Hardest Ever)’:


 
Enrique Iglesias clocks his fourth US #1 Dance/Club play smash from the Euphoria era with ‘I Like How It Feels’ (featuring Pitbull and The WAV.s) ascending to the top. Past club chart toppers include: ‘Dirty Dancer’, ‘Tonight (I’m Lovin’ You)’ and ‘I Like It’.

Wynter Gordon‘s ‘Buy My Love’ ascends to #4 on the US Dance/Club play chart. This is now mah gurl’s third top five dance smash following ‘Til Death’s placement at #3 and of course, ‘Dirty Talk”s reign at #1.

Deborah Cox is back, bitches, and her new single ‘If It Wasn’t For Love’ is the biggest new entry on the dance/club play charts this week, entering at #27.

Listen to ‘If It Wasn’t For Love (Mixin Marc & Tony Svejda Original Mix)’:


 
Other notable debuts in this neck of the charts include Ultra Nate and Michelle Williams‘ ‘Waiting On You’ (#41). Fuck yeah, Tenitra! Plus, David Guetta and Sia‘s ‘Titanium’ crashing in at #42 while Britney‘s ‘Criminal’ remixes arrive at a lowly #50.

Chart Feed – 28.11.11

X Factor Australia winner Reece Mastin snatched wigs all the way to the top of the ARIAs this week with his debut single ‘Good Night’. It was reported that ‘Good Night’ managed to sell one copy every 2.7 seconds on Wednesday alone – easily clocking 32,000 sales in the first 24 hours.

Reece‘s debut album – featuring studio recordings of 10 songs he covered on the show – will drop on 9 December. Knowingly missing from the mix is the much-detested cover of ‘All By Myself’. Reece Mastin – the album – is currently charting at #60 on our Aussie iTunes based on pre-orders alone.

Guy Sebastian‘s ‘Don’t Worry Be Happy’ is the second biggest new single on the ARIA charts – winding up at #7. The X Factor judge was positioned at #2 on our iTunes charts for a few days, behind his apprentice Reece.

Watch Guy‘s brilliant new video ‘Don’t Worry Be Happy’:


 
Israel Cruz‘s ‘Party Up’ rises to #33, somehow resurrecting after looking like it was destined to be another home grown crunk’n’b flop. The Aussie producer – who has crafted numbers for the likes of Jessica Mauboy, Elen Levon and Scarlett Belle – last appeared in the Top 50 seven years ago with ‘Old Skool Luv’.

Ricki-Lee‘s ‘Raining Diamonds’ plummets from #19 to #36, clocking only one week in the ARIA Top 20. Be very fucking worried. The slamming dance/pop epic managed to rise to #23 on the Australian airplay chart in the last week – evidently not enough to sustain interest.

The forthcoming ‘Raining Diamonds’ video sees our girl channeling some kind of Sasha Fierce/Barbarella realness – watch the behind the scenes before the full production premieres hopefully sometime during the week:


 
Rihanna‘s Talk That Talk debuts at #5 in Australia, sending three new tracks to our ARIA Top 100 in its wake – ‘You Da One’ (#41), the frenetic future club smash ‘Where Have You Been’ (#46) and ‘Talk That Talk’ (#61). The project’s lead single ‘We Found Love’ sits at #4 and is still the most played song on Aussie radios.

Over in the UK, Talk That Talk debuts at #1 – racking up over 160,000 opening week sales to become one of the fastest selling albums there this year. Just so you know, TTT crossed north of 100,000 copies in the first three days alone. RiRi also has four tracks in the UK Top 75 this week – ‘We Found Love’ (still at #1), ‘Talk That Talk (#25), ‘You Da One’ (#39), ‘Where Have You Been’ (#61).

Over in America, Talk That Talk is slated to debut at #3 or #4 this week with predicted sales between 200,000 – 210,000 copies. ‘We Found Love’ is still the most downloaded song in the country while its follow up ‘You Da One’ debuts at #9 on the US Billboard Digital Songs chart, selling 124,000 copies.

Listen to Rihanna‘s slamming ‘Where Have You Been’:


 
Katy Perry‘s ‘The One That Got Away’ slowly edges up to #32 on our ARIA charts. The driving pop ballad drops from #20 to #29 on our Australian airplay charts in the last week. Meanwhile over the States, ‘The One That Got Away’ cracks the Top 10, making Teenage Dream now the first album in 17 years to spawn six Top 10 smashes.

The last record holder was Janet Jackson‘s Janet circa 1994. Note: only seven albums in music history have snatched six or more US Top 10 hits. Janet‘s Rhythm Nation was the first album by a female artist to do so.

Lady Gaga‘s ‘Marry The Night’ drops out of our ARIA Top 100 altogether this week. Gag! No radio support, no video out, and various competing Gaga releases all continue to undermind this single’s potential.

Over in the UK, ‘Marry The Night’ stalls at #18 while her brand new Born This Way remix album debuts at #77. Looking at the UK iTunes store now, A Very Gaga Holiday EP sits comfortably at #18 on its first day out. There’s no way this ho’s gonna go through the festive season without making a dollar or two.

Over in the US, ‘Marry The Night’ re-enters the US Billboard Hot 100 at #97 – thanks in some small way to radio pick up and general awareness. ‘Marry The Night’ is the most played new song on US airwaves, debuting at #65 on the airplay charts.

Watch Glam Ma Monster perform ‘Marry The Night’ for A Very Gaga Thanksgiving:


 
Kelly Clarkson‘s ‘What Doesn’t Kill You (Stronger)’ is making a killing already on the Australian airplay charts – leaping from #49 to #21. The future smash is currently placed at #42 on our Aussie iTunes charts. Over in the States, ‘WDKY’ re-enters the US Billboard Hot 100 at #99 and on the digital charts at #64. She needs to stop flogging ‘Mr Know It All’ and just go to town on this one already.

Other notable new singles buzzing about our Aussie iTunes include: will.i.am featuring Jennifer Lopez and Mick Jagger‘s ‘T.H.E.’ (#62) and Cher Lloyd‘s summer-correct ‘With Ur Love’ (#63).

Kylie Minogue‘s Ultimate Kylie compilation shoots up to a breathtaking #95 on the Aussie iTunes chart while Aphrodite – Les Folies Live in London sits at #169 after her defining induction into the ARIA Hall of Fame. No other Kylie albums have returned to the Top 200 in light of all this publicity. Let’s hope her stunning Aphrodite – Les Folies Live in London DVD racks up some serious sales because that tour was just fucking everything. The Aphrodite Live in London album is currently charting at #85 on UK iTunes.

Watch Kylie perform ‘Love At First Sight/Can’t Fight The Feeling’:


 
Stan Walker‘s Let The Music Play debuts at #18, making it the biggest new Aussie album on the charts this week. Not that there’s much competition – sorry David Campbell. Stan‘s album has done well to stand up in the Top 20 given that ‘Light It Up’ flopped and all he’s got to represent is that ballad borrowed from Jessica Mauboy‘s album.

Dolly Parton‘s new album Better Day debuts at #29 in Australia this week, supported by her recent tour around the country, which included some dates up in some proper country area. I honestly can’t go back far enough to tell you when was the last time the defining music legend had a Top 50 ARIA hit but let’s just say, it’s the first time this century.

Olly Murs‘ new single ‘Dance With Me Tonight’ debuts at #2 in the UK this week, suffering the ultimate cock block by Rihanna‘s ‘We Found Love’. In the first three days on sale, the spunky X Factor star managed to surpass RiRi‘s ‘We Found Love’ by 2,000 copies – but by the end of Thursday, ‘We Found Love’ had pulled up worryingly close at just 49 units away from overtaking Olly. Come weekend, look what happened.

Olly‘s sophomore album In Case You Didn’t Know is currently charting at #2 on the UK iTunes store on its first day out. Check out the dapper man performing ‘Dance With Me Tonight’ on UK X Factor with The Muppets:


 
Kelendria Trene Rowland, welcome back to the muhfuggin’ UK charts. ‘Down For Whatever’ enters at #6 this week, becoming the former-DC glamazon’s sixth solo Top 10 hit in the region. She’ll be engaging in some serious promo this week to flog the international edition of Here I Am which features her two huge dance collabos: ‘When Love Takes Over’ (with David Guetta) and ‘What A Feeling’ (with Alex Gaudino). Here I Am (International Edition) is currently charting at #26 on UK iTunes on its first day out.

Meanwhile across the Atlantic, Kelendria‘s ‘Lay It On Me’ can probably be written off as a certified flop. The summer radio ready smash sinks to #77 on the US R&B/Hip Hop charts, unable to even scale the Top 30 following ‘Motivation’‘s surprise #1 reign just a few months ago.

Rebecca Ferguson‘s gorgeous debut single ‘Nothing’s Real But Love’ enters at #10 on the UK charts this week. No, it isn’t crash hot by any major label pop star’s standards but I have a really soft spot for the girl. My mind, body and spirit is completely ready for her album Heaven, which arrives next Monday in the UK.

Watch Rebecca‘s charming interview on This Morning and performance of ‘Nothing’s Real But Love’:


 
One Direction‘s Up All Night debuts at #2 in the UK this week, managing 138,000 opening week sales. The lads’ single ‘Gotta Be You’ does a death drop from its #3 debut last week to #16.

Here in Australia, the physical copy of Up All Night is going at retail outlets for $13 – certainly an enticing offer given that they’re only really known for one very new hit single at the moment. The album is currently placed at #9 on Aussie iTunes. Over on our ARIA Top 100, ‘What Makes You Beautiful’ rises to #8 this week while its b-side ‘Na Na Na’ has astonishingly made it at #84.

The SaturdaysOn Your Radar shockingly debuts at #23 on the UK charts this week, making it the girls’ first album to completely miss the Top 10. Fuck, I know the album wasn’t that great but surely it deserved more than this epic floppage? Regardless of the results, On Your Radar has surprisingly been quietly released on Aussie iTunes – making this the first Saturdays album to reach our shores since Chasing Lights. I need to lie down.

Pixie Lott continues the flow of British pop flops with Young Foolish Happy plummeting from #18 to #42 in its second week. Her underappreciated new single ‘What Do You Take Me For’ sinks from #20 to #42. Pixie‘s label has swung into damage control, bringing forward the third single – ‘Kiss The Stars’ – for a 26 December release. Here in Australia, I guess Pixie‘s Young Foolish Happy is doing alright to even be seen at #165 on our Aussie iTunes chart.

Watch Pixie flog ‘What Do You Take Me For’ on Loose Women:


 
The X Factor Finalists 2011‘s charity single ‘Wishing On A Star’ is surprisingly reigning at #1 on the UK iTunes chart right now on its first day out. Surprising reception given how shit it is but also altogether unsurprising given the involvement of JLS and One Direction.

Drake scores the third largest opening week album sales of 2011 with Take Care pushing 631,000 copies to debut at #1 on the US Billboard 200. It’s a sizable improvement on Drake‘s 2010 smash Thank Me Later, which managed 447,000 first week sales to also debut at #1.

Adele‘s 21 clocks its 39th consecutive week in the US Billboard 200 Top 5 bracket, making history as the longest time an album has remained in the Top 5 since its debut. The last record holder was Michael Jackson‘s legendary 1987 album Bad, which clocked 38 weeks.

Watch Adele perform ‘Turning Tables’ live at Royal Albert Hall:


 
Glee‘s The Christmas Album, Vol. 2 debuts at #6 in the US Billboard 200 at #6, pulling 71,000 opening week sales. Talk about a significant drop compared to the cast’s first Christmas album, which debuted at #8 with 161,000 first week sales last year.

Elsewhere, the Glee cast’s A-grade mash up of Adele‘s ‘Rumour Has It/ Someone Like You’ debuts at #5 on the US Billboard Digital Songs chart, racking up 160,000 downloads. This is now Glee‘s fifth largest weekly sales figure for any of their singles. ‘Rumour Has It/ Someone Like You’ is only bettered by ‘Teenage Dream’ (214,000), ‘Loser Like Me’ (one of two originals written for the cast – 210,000), ‘Forget You’ (192,000) and ‘Don’t Stop Believin” (177,000).

Mariah Carey continues to bathe in gold this lucrative Christmas season. Her classic ‘All I Want For Christmas’ is currently covered in three albums in the US Billboard Top 10 – Michael Buble‘s seasonal record (#2), Bieber‘s Under The Mistletoe (#5) and Glee‘s newest Christmas album (#6).

Selena Gomez & The Scene‘s ‘Love You Like A Love Song’ still has some unbelievable mileage left in it. The single rises to #46 on the US Billboard Hot 100 and the A-level remixes soar to #2 on the dance/club play chart.

Watch the stunning video for Selena‘s next single ‘Hit The Lights’:


 
Other notable new entries on the dance/club play chart include Taio Cruz and Flo Rida‘s ‘Hangover’ (the biggest debut at #33), Florence + The Machine‘s ‘Shake It Out’ (entering at #45) and Flo Rida‘s ‘Good Feeling’ (opening at #46).

Chart Feed – 21.11.11

Ed Sheeran continues to win Aussies over with his smash ‘The A Team’ rising to #2 on our ARIA charts. 1.5 million people tuned in to watch the nail-biting X Factor Australia decider last Tuesday, which featured Ed‘s “live” performance of ‘The A Team’. Truth is, that performance was actually taped the week before when the ginger singer/songwriter was actually in the country. Ed‘s album + shoots from #21 to #8 on our ARIA charts.

Rihanna‘s ‘We Found Love’ continues to rule at #3 on our ARIA charts. The dance/pop single is the most played song on Australian radios (counting from period 10 to 16 November, seeing as the airplay charts get updated every Thursday).

Her new single ‘You Da One’ debuts at #60 on our ARIA charts and becomes the most added new song to Aussie radios this week. Talk That Talk deluxe album is currently #5 on the Australian iTunes and #1 on the UK store.

Over in America, ‘We Found Love’ is still the most downloaded song in the country and the most played song in the clubs. Her next smash ‘You Da One’ debuts at #73 on the US Billboard Hot 100 and becomes the biggest new song on American radios, debuting at #28 on the airplay charts. 

Watch Rihanna flog ‘We Found Love’ on US X Factor with a rather overpowering backing track:


 
Jessica Mauboy‘s ‘Galaxy’ featuring Stan Walker drops out of the ARIA Top 20. It’s probably not a sign of waning interest, just fiercer competition at the top end. The big ballad managed a new peak of #19 on our Australian airplay charts. All this excitement causing J Mally‘s last smash ‘Inescapable’ to almost fall out of the airplay Top 30 altogether.

Stan Walker‘s new single ‘Light It Up’ is not getting much radio love. It plummets to #36 on our local airplay charts, leaving ‘Galaxy’ to be the most current ambassador for his new album. ‘Light It Up’ plummets to #64 on the ARIA charts. Stan‘s album Let The Music Play is currently placed at #55 on our iTunes charts after three days.

Glee‘s spectacular mash up of Adele‘s ‘Rumour Has It/Someone Like You’ debuts at #39 on our ARIA charts, making it the first Glee single of Season 3 to make our Top 40. I’ve clocked it rising as high at #10 on our iTunes chart but could it keep selling this hard? Over in the UK, ‘Rumour Has It/ Someone Like You’ begins charting at #35.

Listen, I don’t normally care for Glee covers but this is evidently the greatest:


 
Ricki-Lee‘s ‘Raining Diamonds’ breaks higher ground at #19 on our ARIA charts to become her eighth Top 20 smash. Hard to believe but this mega pop single’s actually not getting as much radio rotation as Jess and Stan‘s dated ballad. That baffles me. ‘Raining Diamonds’ is only perched at #26 on the airplay charts.

Katy Perry‘s ‘The One That Got Away’ creeps back up to #35 on our ARIA Top 100, thanks to some decent airplay kicking in at last. The sixth Teenage Dream single took an epic leap from #62 to #37 in the UK this week. Its remixes managed to debut at #31 on the US Billboard Dance/Club charts.

Lady Gaga‘s ‘Marry The Night’ needs all the help it can get. The single is slowly crawling up at #80 on our ARIA charts – the minimal radio rotation’s not doing any favours. ‘Marry The Night’ registered the biggest drop on the Australian airplay charts in the last week, falling from #23 to #32. Over in the UK, ‘Marry The Night’ debuts at #18 – thanks in no small part to her X Factor appearance.

Watch ‘Marry The Night: Prelude Pathetique’, the full-length video is expected out soon:


 
Guy Sebastian‘s new single ‘Don’t Worry Be Happy’ is the second most added new song to Aussie radios this week. The feel good song managed to scale up to #76 in the first 24 hours on iTunes. Watch this sky rocket after its debut performance on X Factor‘s grand final extravaganza tomorrow.

Kelly Clarkson‘s next smash ‘What Doesn’t Kill You (Stronger)’ becomes the fourth most added new song to Aussie radios this week. The track is currently charting at #52 on our iTunes store.

Kelly Rowland‘s down for a major pop comeback. Her flawless dance smash ‘Down For Whatever’ finally arrives on UK store fronts today and it’s already scaling up to #4 on iTunes. You know, if all goes well, ‘Down For Whatever’ could get a US release sooner rather than later. Her last club endeavour ‘Commander’ managed to reign at #1 on the US Billboard Dance/Club charts. How about giving this a go?

Watch Kelendria attack ‘Down For Whatever’ live on Children In Need Rocks Manchester:


 
One Direction‘s ‘Gotta Be You’ debuts at #3 in the UK this week. I am clutching my pearls in shock to learn that Flo Rida‘s new single ‘Good Feeling’ outsold this to debut at #2.

Over here in Australia, 1D‘s early hit ‘What Makes You Beautiful’ goes Top 10 – thankfully picking up a great deal of  radio rotation as the summer kicks in. ‘What Makes You Beautiful’ leaps from #37 to #26 on our Australian airplay charts. Up All Night arrives in Australia this Friday – it’s currently the most pre-ordered album on our iTunes store, charting at #28.

The Saturdays‘ wintery break up ballad ‘My Heart Takes Over’ debuts at #15 in the UK. Not a good look at all. Both The Sats and 1D will now take on the album chart wars together with their respective LPs landing today. Day one and The SaturdaysOn Your Radar‘s trailing at #20 on iTunes while 1D‘s Up All Night blazes up to #2.

Rebecca Ferguson‘s debut single ‘Nothing’s Real But Love’ is currently placed at #8 on UK iTunes. Further down, her album track ‘Fairytale (Let Me Live My Lie This Way)’ charts at #124. Becca‘s debut LP Heaven will drop on 5 December in the UK.

Watch her heartwarming debut TV performance of ‘Nothing’s Real But Love’:


 
JLS predictably has the biggest selling new album this week with Jukebox entering the UK charts at #2. Meanwhile, his nearest pop competitor Pixie Lott flops disastrously at #18 with her sophomore Young Foolish Happy. It feels like a lifetime since she had a #1 single with ‘All About Tonight’.

Cher Lloyd‘s album Sticks + Stones sinks from #4 to #12 in its second week. Snaps for success – here in Australia, ‘With Ur Love’ becomes the fifth most added new song to local radio.

Nicole Scherzinger‘s Killer Love album re-enters the UK Top 100 at #65, thanks to a sleek Christmas-ready repackage. The brand new single ‘Try With Me’ flops hard, nosediving from #29 to #64 in its third week.

Justin Bieber‘s Under The Mistletoe plummets from #1 to #6 in the US, registering a 54% drop with 97,000 second week sales. Justin and Mimi‘s new generation duet on her classic ‘All I Want For Christmas Is You’ is faring well. The video directed by Sanaa Hamri is expected out soon.

Check out this delightful new Mariah interview where she talks about the shoot and another new Xmas duet:


 
Mariah‘s seasonal smashes are already making their way back up the US Billboard 200. With Christmas being only a month away now, I guess it totally makes sense to start bumping these festive choons. Her classic 90s Merry Christmas album leaps back at #142 while last year’s sequel Merry Christmas II You re-enters at #194. Fans best refrain from purchasing the individual records because Mimi‘s gonna be doing some deluxe package for both albums with new material.

Susan Boyle‘s third album Someone To Watch Over Me drops from #4 to #7 on the US Billboard 200, registering a 46% sales drop with 72,000 second week figures.

Noel Gallagher‘s first solo album High Flying Birds perches at #28 on the US Billboard 200, which isn’t too far off from his estranged brother Liam‘s placement of #31 with his band Beady Eye. That album flopped in the States, managing to only sell 29,000 copies to date.

Watch Noel Gallagher‘s ‘AKA… What A Life!’ music video:


 
Taylor Swift is assaulting the digital charts now with three previously released tracks appearing on online stores for the first time. ‘If This Was A Movie’, ‘Ours’ and ‘Superman’ were previously only available on the deluxe CD edition of her Speak Now album through Target. In their first week on the digital charts ‘If This Was A Movie’ managed to debut at #3 with 162,000 downloads, ‘Ours’ made #5 with 148,000 downloads, and ‘Superman’ landed at #13 with 91,000 downloads.

Britney Spears‘Criminal’ continues to struggle, tumbling to #64 on the US Billboard Hot 100 in its fifth week. Despite the excitement of new remixes, the single’s not flying up the typically easy to scale dance/club charts. ‘Criminal’ is also flopping big time on the airplay charts. This is the bleakest, especially following a major radio success like ‘I Wanna Go’.

Beyoncé‘s ‘Countdown’ isn’t moving in the right direction on the overall US Billboard Hot 100, slipping to #75 in its fifth week. It has only just shown up on the US Airplay Top 100 so maybe it’ll be late bloomer? Meanwhile over on the dance/club charts, ‘Countdown’ becomes a blazing success shooting to a new peak of #6. Could this be the third 4 single to top the dance charts?

On the flip side, Queen Bey‘s urban smash ‘Party’ remains at #54 on the US Billboard Hot 100 and stays in the Top 40 radio airplay charts.

‘Countdown’ is not only struggling in America but the UK as well, plummeting from #51 to #80 while ‘Love On Top’ soars from #141 to #87. The latter will be released as Bey’s fourth 4 single in the UK on 5 December.

Watch the exclusive VEVO streaming of Bey‘s Live at Roseland concert. Like for real.


 
Wynter Gordon‘s ‘Buy My Love’ blitzes to a new peak of #14 on the US Billboard Dance/Club charts. Mah gurl has been in the studio with the likes of MNEK (upcoming British music sensation who has worked with Florrie and co-penned The Saturdays‘ mega ‘All Fired Up’) and Victoria Hansen who co-wrote Aggro Santos/Kimberly Wyatt‘s ‘Candy’.

Chart Feed – 30.05.11

Lady Gaga‘s enormous Born This Way record debuts straight in at #1 in Australia and the UK as predicted, certifying platinum sales here. Over in the UK, the album sold over 218,000 first-week copies – more than the rest of the Top 10 combined. Born This Way is officially the highest selling debut in the UK so far this year. Looking on the Aussie singles chart: ‘Born This Way’ overtakes its successors to be placed at #11 this week – followed by ‘Judas’ (#14), ‘The Edge of Glory’ tumbling hard from #12 to #38, and ‘Hair’ from #20 to #39. ‘Hair’ pulled over 147,000 downloads in the US to debut at #5 on the Digital Song chart and #12 on the Billboard Hot 100.

Born This Way has tentatively begun to chart at #10 on the US Dance/Electronic charts, placed behind its predecessors The Fame (#1), The Fame Monster EP (#5) and The Remix (#6). I’m absolutely gagging to see if the album crosses the 1 million sales mark to formally debut at #1 in the US this Wednesday.

Jessie J‘s Who You Are is finally selling big, the way it should be, in Australia. The record breaks through to a new peak of #4 this week, supported by her latest smash ‘Nobody’s Perfect’ which also rose to a new peak of #12 on the ARIA singles chart. Over in the US, the album sits at #110 this week while ‘Price Tag’ is placed at #31 on the Billboard Hot 100.

James Blunt‘s Some Kind of Trouble shoots up the Aussie charts to #5 this week, bettering the chart position it got the last time he was here for a promo trip. The album has reportedly sold over a million copies worldwide but bar the fantastic first offering ‘Stay The Night’, Blunty has struggled to rack up another hit single. Both subsequent releases ‘So Far Gone’ and ‘If Time is All I Have’ have flopped, the latter only managing to peak at #64 in Australia. The uptempo ‘I’ll Be Your Man’ was issued last week as the album’s fourth single in certain territories.

Jennifer Lopez‘s Love? is surprisingly still hanging tight in our Top 20, sitting at #17 this week. The new single ‘I’m Into You’ featuring Lil’ Wayne is totally struggling to match the epic success of its predecessor ‘On The Floor’. ‘I’m Into You’ is not even close to cracking the Top 30. Clock its performance in the UK and it’s the opposite, Love? is set to drop off the Top 30 while ‘I’m Into You’ moves up to #13. Go figure.

Jennifer Hudson‘s I Remember Me finally cracks the main ARIA album chart this week, entering at #26. She definitely sold a few albums on her first ever promo trip Down Under last week but I don’t think we’re any closer to hearing J. Hud rule the airwaves just yet, which is a shame because if the title track had been recorded by Leona Lewis or Jessica Mauboy, it would’ve been added straightaway.

Watch Ms Hudson perform ‘I Remember Me’ on our Australian Dancing With The Stars:

 

She is looking gorgeous but that figure hugging dress is giving her a very unflattering lumpy silhouette. Gurl, nothing about that looks right.

Rihanna‘s ‘California King Bed’ moves up to #4 this week in Australia. Elsewhere, Katy Perry‘s ‘Last Friday Night (TGIF)’ jumps from #40 to #21. Jason Derulo‘s new piece ‘Don’t Wanna Go Home’ debuts at #34 here and Stan Walker‘s ‘Loud’ moves up to #27 in its third week. I’ll be peeking over at the New Zealand charts just to see how it’s performing there. They just need to hurry the fuck up and update this week’s stats.

Beyonce‘s ‘Run The World (Girls)’ is finally getting the chart leg up it needs. Thanks to the steady flow of live performances last week, the track flies up from #42 to a new peak of #15 on our ARIA singles chart, making this Queen B‘s first Top 30 hit here since ‘Video Phone’ flopped. Let’s face it, the last major hit B had here was ‘Sweet Dreams’ and that was reigning when she toured in September 2009. Over in the UK, ‘Run The World’ bolts from #45 to #22 this week while in the States, the track moves up to #50 on the Billboard Hot 100. In Japan, the single leaps from #57 to #18. Conclusion: all round improvement on a global scale.

Kelly Rowland‘s ‘Motivation’ makes #1 on the US R&B/Hip Hop charts and moves up to #21 on the Billboard Hot 100. I’m giddy with excitement at the prospect of Kelly scoring her first mega solo smash since ‘Dilemma’. Is this real life? Michelle, LeToya and the other two better come correct.

Wynter Gordon‘s ‘Til Death’ moves up to a new peak of #16 in Australia this week. I reckon it could go Top 5 when she returns next month to launch the album. She is already confirmed to perform on Dancing With The Stars and she’s also tweeted that she’s gonna be on our Aussie X Factor. Based on what I’ve heard so far on the album sampler, some obvious singles include the boppy Axwell-produced ‘Buy My Love’ and the stellar ‘Still Getting Younger’, an 80s-inclined dance ballad produced by our own Nick Littlemore.

Grant Smillie and Zoe Badwi‘s new collabo ‘Carry Me Home’ jumps to #12 on the Aussie club charts. The single EP is set to drop on iTunes next week so expect for a radio edit to impact very soon. In some related tea, Ms Zoe‘s eponymous debut solo album has tentatively been pushed back to a 22 July release after it was initially slated to hit stores within a week of Wynter‘s album. The delay now gives ‘Carry Me Home’ more time to gather momentum and naturally, for the Neon family to properly focus on both ladies’ respective LP launches. I’m holding out for Zoe and Wynter to co-headline a tour of several Aussie gay clubs. Now that would be sublime!

Havana Brown‘s ‘We Run The Night’ is still the biggest selling Aussie single out this minute, moving up to #7 on the ARIA singles chart this week. We’re yet to receive any official remixes as yet but they can’t be far off with the track doing so well. Elsewhere, Laidback Luke, Steve Aoki and Lil Jon‘s frenetic club track ‘Turbulence’ crosses over to the main ARIA singles chart this week to debut at #37. This song is one muhfuggin’ hot mess. I just can’t with Lil Jon‘s crunk ass screams.

The Saturdays‘ new single ‘Notorious’ debuts at #8 in the UK this week – making it the highest selling new single in the nation and, mind you, the only new entry in the Top 20. The song also made #8 in Scotland and #19 in Ireland this week. Would you believe it? ‘Notorious’ is actually out now on our Australian iTunes store. How efficient! It’s the first release serviced to Aussies since their debut LP Chasing Lights.

Watch The Saturdays perform ‘Notorious’ on the UK’s So You Think You Can Dance:

 

Nicole Scherzinger‘s ‘Right There’ leaps into the UK Top 20 this week for a #15 placement. I reckon it could possibly even go Top 10 but I highly doubt it’ll make Top 3 like its predecessors ‘Poison’ and ‘Don’t Hold Your Breath’, the latter being Nicole‘s first ever #1 solo smash. Over in the US, ‘Right There’ debuts at #7 on the Heatseekers Chart – a chart reserved for artists who are yet to have a Billboard Hot 100 entry. That’s right, how could we forget that Nicole‘s previous solo singles have all flopped Stateside? As ya’ll would’ve no doubt heard, Ms Scherzinger‘s set to replace Cheryl Cole on the US X Factor judging panel so will this affect the Brit’s affinity with the ex-Pussycat? We shall see.

Better question, will we see Cheryl return to UK X Factor? As per the tabloid mills right now – it’s looking very unlikely. Word is, show producers were set to unveil the drastically revamped panel last week – featuring Gary Barlow, Kelly Rowland, N-Dubz‘s front ho Tulisa Contostavlos and Louis Walsh – but everything was thrown up in the air the minute they had a chance to snag Chezza back from the US counterpart. Decisions will have to be made fast because filming for the UK auditions will start on Wednesday.

Speaking of X Factor, I can’t wait for the Aussie and UK series to air. Feed Limmy will proudly continue its weekly coverage like we did last year. One of my season favourites Cher Lloyd is apparently filming the video for her debut single ‘Swagger Jagger’, check on The Sun‘s snap of the shoot. I can’t believe that none of them – except Tesco Empress Mary Byrne – has got albums or even singles out yet. They can’t all be holding off to drop records when the 2011 series begins, surely? Wouldn’t surprise me if they did.

Alexis Jordan‘s third single ‘Hush Hush’ jumps to #62 in the UK this week. According to Amazon, the digital EP – which drops on 10 June – comes loaded with remixes by Cahill, Tom Neville and Full Intention. It is gonna pop! Can’t wait for Aussie radios to start bumping this. I never did warm to ‘Good Girl’ and let me tell you, it was the strangest feeling ever hearing it at my regular gay club on Saturday. I swear most Aussies are still hung up on ‘Happiness’ and ‘Hush Hush’ is the cold hard hit they deserve.

Listen to Cahill‘s Lounge Radio Edit of ‘Hush Hush’:

 

Tinie Tempah has arrived in the States, y’all. His breakthrough album Disc-overy debuts at #2 on the R&B/Hip Hop charts and #12 on the Billboard 200. Elsewhere, Moby‘s latest LP Destroyed debuts at #2 on the US Dance/Electronic album charts (behind Lady Gaga‘s almighty The Fame) and #69 on the Billboard 200.

Glee star Matthew Morrison‘s self-titled album drops from its #24 debut in the US last week to #53 on the Billboard 200. Elsewhere, Selena Gomez and The Scene‘s ‘Who Says’ moves up to #35 on the Billboard Hot 100 now equaling the chart position of her last smash ‘A Year Without Rain’.

Nicki Minaj fans in Australia and New Zealand, brace yourselves for the repackaged version of Pink Friday. It’s no coincidence that “previously unreleased” tracks like ‘Super Bass’ and ‘Girls Fall Like Dominoes’ have started appearing on our iTunes. Most local fans probably already have it when they grabbed the deluxe edition, which was formally released in the US and UK ages ago. But just so you know, ‘Super Bass’ was issued to Aussie radios today in preparation for the Pink Friday deluxe, which officially hits Aussie stores this Friday.

Chart snack of the week: C+C Music Factory‘s classic 90s smash ‘Gonna Make You Sweat (Everybody Dance Now)’ is currently charting at #132 on our Aussie iTunes dance charts, and further down at #181 is Real McCoy‘s anthem ‘Another Night’. Too good to be true.

Glee “The Music, Volume 6” Album Tracklisting and Details

I love how they’re pitching this as the Glee compilation with something for everybody.

The variety in this season two line up include covers of Adele‘s ‘Rolling In The Deep’ (by Jonathan Groff) and ‘Turning Tables’ (by Gwyneth Paltrow), and three stunning new originals: ‘As Long As You’re There’ (featuring Charice), ‘Pretending’ and ‘Light Up The World’ (a Max Martin co-write).

In the short time this show’s been on air, the Glee gang has dominated the music charts with every release. They’ve released 10 albums so far, all of which have debuted in the Top 10 of the US Billboard Top 200. On a global scale to date, Glee songs have amassed over 29 million digital sales and 10 million album sales.

Check on the tracklisting of their forthcoming Volume 6 compilation:

1 – Turning Tables
2 – I Feel Pretty/ Unpretty
3 – As If We Never Said Goodbye
4 – Born This Way
5 – Dreams
6 – Songbird
7 – Go Your Own Way
8 – Don’t Stop
9 – Rolling In The Deep
10 – Isn’t She Lovely
11 – Dancing Queen
12 – Try A Little Tenderness
13 – My Man
14 – Pure Imagination
15 – Bella Notte
16 – As Long As You’re There
17 – Pretending
18 – Light Up My World

Footnotes:

Glee: The Music, Volume 6 is out in Australia 27 May.