One Direction has the highest selling new single in Australia this week with ‘What Makes You Beautiful’ debuting at #15. I feel like X Factor has become my minor in this great school of pop music commentary, in which I have already acquired adequate majors in Sophie Ellis-Bextor, Girls Aloud and Sugababes disciplines. Every corner I turn, I seem to be asked or be offering unsolicited spiels on X Factor contestants circa 2010/2011.
One Direction was formed on last year’s ultra defining UK X Factor series and it’s truly a testament to their global appeal to have their first single lapped up like that. ‘What Makes You Beautiful’ still holds the record for fastest selling single in the UK this year, pulling opening week sales of over 153,000 copies in September.
Jessica Mauboy and Stan Walker‘s ‘Galaxy’ debuts at #28 in Australia this week, serving what I’d consider to be a pretty satisfactory chart position given that most of their core fans would’ve already purchased the track when Jess relaunched Get ‘Em Girls. There are basically two reasons why ‘Galaxy’ will never be as big as its preceding single ‘Inescapable’: one – ‘Inescapable’ is a better song and has radio-readiness coated all over, two – ‘Inescapable’ wasn’t available prior to its first media impact so almost everyone had to buy it. ‘Galaxy’ is also the most added new song to Aussie radios this week.
Watch Jess and Stan outwail each other in the first televised performance of ‘Galaxy’:
‘s A-grade single ‘Raining Diamonds’
is hanging by the arse hairs of the ARIA Top 100 right now. I am clutching my pearls in shock, struggling to comprehend how her team had failed to schedule in proper promo to fanfare this comeback. ‘Raining Diamonds’ dives from #55 to #96 in its third week and fingers crossed her X Factor
appearance tomorrow night will help turn fortunes around.
Havana Brown‘s ‘Get It’ makes a big leap back into the ARIA Top 50 as predicted. Her fierce X Factor Australia performance sent the club-ready single to #39 and resurrected her breakthrough ‘We Run The Night’, which re-entered this week at #66. Similarly, Stan Walker‘s appearance helped his flailing single ‘Light It Up’ finally debut at #45.
Katy Perry‘s ‘The One That Got Away’ drops to #40 on our Australian ARIA charts and sinks to #61 in the UK – the obvious lack of radio support right now is what’s kinda killing the sixth Teenage Dream single. Meanwhile over in the States, ‘The One That Got Away’ manages to move up to #34 on the US Billboard Hot 100.
Check out the trailer for the forthcoming ‘The One That Got Away’ video, which will premiere in full on 11 November. Look who’s trying to recapture the essence of RiRi‘s ‘We Found Love’:
‘s ‘Lightning’ shoots to #79 in Australia in its second week, proving that there’s still a chance for these lads to sustain a second smash Down Under. The Wanted
‘s new album Battleground
arrives on UK store fronts today, setting us up for what’ll surely be an epic chart battle between these guys and Cher Lloyd
. Over in the States, The Wanted
sees their smash ‘Glad You Came’ bullet to #33 on the US Billboard Dance/Club charts after playing a gig in New York.
Lana Del Rey‘s ‘Video Games’ rises to #81 in Australia in its third week, still gaining momentum from viral recommendations. The bewitching single also makes its way back up the UK charts this week to #12 probably thanks to a placement on CW’s drama Ringer, which started airing in the UK over a month ago?
Listen to ‘Video Games (Club Clique for The Bad Girls Remix)’:
‘s ‘Buy My Love’
drops out of the ARIA Top 100 this week. I don’t wanna strike panic in the hearts of Wynter Warriors in the UK but there’s more bad news as both ‘Buy My Love’ and album With The Music I Die
have been crossed off the November release schedule. Over on the US Billboard Dance/Club charts, ‘Buy My Love’ shoots to #26 in its second week. There’s promise of new material around the corner so perhaps ‘Buy My Love’ will be the last gem lifted from With The Music I Die.
Florence + The Machine‘s Ceremonials debuts straight on top in Australia and the UK, making this the second consecutive week where we’ve matched Mother England in #1 debut albums. The indie pop diva’s sophomore album managed to sell 38,000 copies in the UK in just two days and wound up with opening week sales of over 90,000 copies. In Australia, Flo‘s current single ‘Shake It Out’ bullets to #36 on our ARIA charts, making this her fourth Top 40 smash here.
Watch the classy video for ‘Shake It Out’ here:
‘ Secret Codes and Battleship
sustains its second week in our Aussie Top 20 with a placement at #15. I’m sure the three-date Aussie tour he served last week helped inspire some more buzz around the record. The Secret Tour was very much a one man show of wonders, mixing unexpected moments with a healthy dose of nostalgia propelled by Savage Garden
hits. Dazza’s current single ‘Bloodstained Heart’
drops from #80 to #88 on our ARIA charts.
Washington‘s Insomnia EP plummets from #24 to #51 in its second week. Speaking of tragic Aussie pop drops, Sneaky Sound System‘s From Here to Anywhere sinks from #48 to #80 – will it still be here in our Top 100 next week?
Ronan Keating is once again capitalising on his X Factor gig. Last week’s performance not only sent his recent covers album When Ronan Met Burt back into our ARIA Top 100 (#70) but also rekindled interest in his greatest hits compilation: 10 Years of Hits (#62). Just imagine what Hot would sell if Mel B had so much popped a squat to a medley of ‘Tell Me’/’Feels So Good’/’I Want You Back’.
Cher Lloyd‘s ‘With Ur Love’ is the biggest selling new single in the UK this week, debuting at #4. At the time the midweeks were published, ‘With Ur Love’ was on course to become Cher‘s second chart topper with just a 1,000 copies ahead of its nearest competitor. By the second half of the week, the likes of Professor Green, Rihanna and Labrinth had overtaken her on the sales board.
The 18-year old feisty femmecee’s debut album – Sticks & Stones – drops today and being a typically “front heavy” artist, her best promo strategy is to actually sit back and let her hard core fans drive the first week sales, then go to work in the second week to sustain the record’s chart debut. Sticks & Stones is currently going for a discounted price of £6.99 at HMV – that has got to help.
Watch Cher Lloyd perform an acoustic rendition of her current smash ‘With Ur Love’:
‘s new recording ‘Try With Me’ debuts at #18 in the UK this week, making this the ex-Pussycat’s fifth solo Top 20 smash in the region. Her trashy last single ‘Wet’ deserves a mention for peaking at #21 but with that being the only Killer Love
didn’t promote in the UK, you can kinda see why it didn’t fare as well as it could’ve.
Matt Cardle‘s lead single ‘Run For Your Life’ is completely over, it seems. The track sinks from #52 to #96 this week, completely validating his label’s response to issue another single before Christmas. I don’t think the man’s gonna be getting a lot of support from his label after the peak buying periods. They might as well milk it now while Christmas is around the corner and the X Factor‘s still on air.
Watch the video for Matt‘s second single ‘Starlight’, which comes out on 5 December in the UK:
‘s brand new single EP ‘Weak’
is actually #1 on the Greek iTunes album chart right now – believe it or not. The Old Spice just launched her second international Sea
single yesterday but fans in Germany, Switzerland and Austria will be treated to ‘Let There Be Love’ instead on 2 December.
Rihanna‘s ‘We Found Love’ dethrones Adele to top the US Billboard Hot 100, making this the Barbadian bombshell’s 11th #1 smash. As I said last week, the only thing really standing between ‘We Found Love’ and ‘Someone Like You’ was radio airplay, which RiRi picked up a significant amount of in the last week. The stronger airplay coupled with second week as the nation’s most downloaded song led ‘We Found Love’ to an overall #1 victory.
‘We Found Love’ racked up 243,000 sales in its second week on top of the digital charts, pushing the accumulated sales to date to over 1 million. This is Rihanna‘s 20th song to cross the million-download sales mark. Rihallah also co-signs on the biggest new entry on the digital charts – ‘Princess of China’ with Coldplay, which debuted at #8 with 105,000 downloads. ‘We Found Love’ is also the biggest gainer on the US Billboard Dance/Club play charts, now cracking the whip at a new peak of #5.
Coldplay‘s Mylo Xyloto breaks into the US Billboard 200 at #1 with opening week sales of 447,000 copies. How unsurprising and barely newsworthy. Nevertheless, there are a couple of cool accomplishments for this album that deserve nods. This is the third biggest first week sales in the US this year – only outdone by Lady Gaga‘s Born This Way (1.1 million copies) and Lil Wayne‘s Tha Carter IV (964,000 copies). Mylo Xyloto also clocked the biggest weekly sales for a rock album since U2‘s No Line On The Horizon debuted in 2009.
Mylo Xyloto may be the third Coldplay album to debut straight at #1 in the US but it’s actually their lowest selling #1 yet. Viva La Vida or Death and All His Friends opened with 721,000 copies back in 2008 and its predecessor X&Y did 737,000 in 2005.
Watch the video for Coldplay‘s ‘Paradise’:
is the second biggest new entry on the US album charts, debuting at #2 with 163,000 opening sales. It’s not quite on par with the success of her last album – All I Ever Wanted
– but hey, by the time that album arrived it was already well supported by a top-selling single (‘My Life Would Suck Without You’). Stronger
, on the other hand, is only seeing fortunes turn around for its lead single ‘Mr Know It All’ now.
‘Mr Know It All’ managed a 60% sales increase in the last week with 106,000 download sales. It finally cracks a new peak of #10 – making this Clarko’s ninth single in the US Billboard Hot 100’s Top 10. Elsewhere, the wig-snatching future single ‘What Doesn’t Kill You (Stronger)’ debuts at #64 – based solely on interest surrounding the new record. Stronger – the album – drops to #7 and #14 in its second week in Australia and the UK respectively.
Michael Bublé‘s first full-length Christmas album – imaginatively titled Christmas – hits #3 in the US, selling 141,000 copies to be the biggest seasonal record for now. I expect for the crown to be well snatched by Justin Bieber‘s Under The Mistletoe, which will debut sometime later this week. Elsewhere, She & Him‘s A Very She & Him Christmas debuts at #12 on the US Billboard 200.
Kaskade‘s Fire & Ice debuts at #17 on the US Billboard Hot 200, making it the biggest dance/electronic album in the country. The American DJ/producer is known for turning out #1 club play remixes of Lady Gaga‘s ‘Bad Romance’, Justin Timberlake‘s ‘LoveStoned’ and Nelly Furtado‘s ‘All Good Things (Come To An End)’.
Jessica Sutta, the only ex-Pussycat Doll that matters right now, grabs her first ever solo #1 smash this week with ‘Show Me’ topping the US Dance/Club play charts. Following close behind is Sutta’s rival and former team leader, Nicole Scherzinger, with ‘Don’t Hold Your Breath’ edging to #2.
Watch Chairman Sutta‘s ‘Show Me (Alex Gaudino and Jason Rooney Remix)’ video:
‘s ‘Wepa’ is sadly migrating south of the charts. Despite the red-faced commercial flop of Little Miss Havana
, The Estefun
‘s comeback appears to have successfully reconnected her with old
gays. ‘Wepa’ drops to #28 on the US Billboard Dance/Club play charts after making #1 last month. Speaking of memaws moving prosthetic hips on the floor, Taylor Dayne
‘s ‘Floor on Fire’ plummets from #7 to #20 on the dance charts this week.
Leann Rimes scores the biggest new entry on the US Billboard Dance/Club play this week with ‘Give’ charting at #43. Remixes of the country song is obviously proving to be a smash with party people. Never would I have expected for a country/inspirational Leann Rimes song to snatch wigs like this.
Watch Le Rimes‘ touching ‘Give’ music video. Have some Kleenex close by.
debuts at #38 on the US Billboard Pop Songs charts but disappears from the overall Billboard Hot 100. The addictive Latin-flavoured dance smash is also painfully denied radio airplay with most American stations still preferring to bump ‘On The Floor’. It’s pretty much the same sitch everywhere else in the world.
Kelly Rowland‘s ‘Lay It On Me’ is struggling to match the flash success of ‘Motivation’. The arguably more radio friendly single is not garnering enough airplay and is rapidly falling down the US R&B/Hip Hop songs chart. ‘Lay It On Me’ tumbles to #68, behind ‘Motivation’ (#22) and her sister Bey’s singles ‘Party’, ‘Countdown’ and ‘Love on Top’.
Beyoncé‘s ‘Party’ is outselling ‘Countdown’ in the States. ‘Party’ moves up to #57 on the US Billboard Hot 100 while ‘Countdown’ sinks to #83. The media’s not embracing ‘Countdown’ for some reason, even though it’s long been a fan fave ever since 4 came out. Peeking over in the UK, ‘Countdown’ rises to #35 and ‘Love On Top’ is still etched for a 12 December drop date.