Chart Feed – 28.11.11

X Factor Australia winner Reece Mastin snatched wigs all the way to the top of the ARIAs this week with his debut single ‘Good Night’. It was reported that ‘Good Night’ managed to sell one copy every 2.7 seconds on Wednesday alone – easily clocking 32,000 sales in the first 24 hours.

Reece‘s debut album – featuring studio recordings of 10 songs he covered on the show – will drop on 9 December. Knowingly missing from the mix is the much-detested cover of ‘All By Myself’. Reece Mastin – the album – is currently charting at #60 on our Aussie iTunes based on pre-orders alone.

Guy Sebastian‘s ‘Don’t Worry Be Happy’ is the second biggest new single on the ARIA charts – winding up at #7. The X Factor judge was positioned at #2 on our iTunes charts for a few days, behind his apprentice Reece.

Watch Guy‘s brilliant new video ‘Don’t Worry Be Happy’:


 
Israel Cruz‘s ‘Party Up’ rises to #33, somehow resurrecting after looking like it was destined to be another home grown crunk’n’b flop. The Aussie producer – who has crafted numbers for the likes of Jessica Mauboy, Elen Levon and Scarlett Belle – last appeared in the Top 50 seven years ago with ‘Old Skool Luv’.

Ricki-Lee‘s ‘Raining Diamonds’ plummets from #19 to #36, clocking only one week in the ARIA Top 20. Be very fucking worried. The slamming dance/pop epic managed to rise to #23 on the Australian airplay chart in the last week – evidently not enough to sustain interest.

The forthcoming ‘Raining Diamonds’ video sees our girl channeling some kind of Sasha Fierce/Barbarella realness – watch the behind the scenes before the full production premieres hopefully sometime during the week:


 
Rihanna‘s Talk That Talk debuts at #5 in Australia, sending three new tracks to our ARIA Top 100 in its wake – ‘You Da One’ (#41), the frenetic future club smash ‘Where Have You Been’ (#46) and ‘Talk That Talk’ (#61). The project’s lead single ‘We Found Love’ sits at #4 and is still the most played song on Aussie radios.

Over in the UK, Talk That Talk debuts at #1 – racking up over 160,000 opening week sales to become one of the fastest selling albums there this year. Just so you know, TTT crossed north of 100,000 copies in the first three days alone. RiRi also has four tracks in the UK Top 75 this week – ‘We Found Love’ (still at #1), ‘Talk That Talk (#25), ‘You Da One’ (#39), ‘Where Have You Been’ (#61).

Over in America, Talk That Talk is slated to debut at #3 or #4 this week with predicted sales between 200,000 – 210,000 copies. ‘We Found Love’ is still the most downloaded song in the country while its follow up ‘You Da One’ debuts at #9 on the US Billboard Digital Songs chart, selling 124,000 copies.

Listen to Rihanna‘s slamming ‘Where Have You Been’:


 
Katy Perry‘s ‘The One That Got Away’ slowly edges up to #32 on our ARIA charts. The driving pop ballad drops from #20 to #29 on our Australian airplay charts in the last week. Meanwhile over the States, ‘The One That Got Away’ cracks the Top 10, making Teenage Dream now the first album in 17 years to spawn six Top 10 smashes.

The last record holder was Janet Jackson‘s Janet circa 1994. Note: only seven albums in music history have snatched six or more US Top 10 hits. Janet‘s Rhythm Nation was the first album by a female artist to do so.

Lady Gaga‘s ‘Marry The Night’ drops out of our ARIA Top 100 altogether this week. Gag! No radio support, no video out, and various competing Gaga releases all continue to undermind this single’s potential.

Over in the UK, ‘Marry The Night’ stalls at #18 while her brand new Born This Way remix album debuts at #77. Looking at the UK iTunes store now, A Very Gaga Holiday EP sits comfortably at #18 on its first day out. There’s no way this ho’s gonna go through the festive season without making a dollar or two.

Over in the US, ‘Marry The Night’ re-enters the US Billboard Hot 100 at #97 – thanks in some small way to radio pick up and general awareness. ‘Marry The Night’ is the most played new song on US airwaves, debuting at #65 on the airplay charts.

Watch Glam Ma Monster perform ‘Marry The Night’ for A Very Gaga Thanksgiving:


 
Kelly Clarkson‘s ‘What Doesn’t Kill You (Stronger)’ is making a killing already on the Australian airplay charts – leaping from #49 to #21. The future smash is currently placed at #42 on our Aussie iTunes charts. Over in the States, ‘WDKY’ re-enters the US Billboard Hot 100 at #99 and on the digital charts at #64. She needs to stop flogging ‘Mr Know It All’ and just go to town on this one already.

Other notable new singles buzzing about our Aussie iTunes include: will.i.am featuring Jennifer Lopez and Mick Jagger‘s ‘T.H.E.’ (#62) and Cher Lloyd‘s summer-correct ‘With Ur Love’ (#63).

Kylie Minogue‘s Ultimate Kylie compilation shoots up to a breathtaking #95 on the Aussie iTunes chart while Aphrodite – Les Folies Live in London sits at #169 after her defining induction into the ARIA Hall of Fame. No other Kylie albums have returned to the Top 200 in light of all this publicity. Let’s hope her stunning Aphrodite – Les Folies Live in London DVD racks up some serious sales because that tour was just fucking everything. The Aphrodite Live in London album is currently charting at #85 on UK iTunes.

Watch Kylie perform ‘Love At First Sight/Can’t Fight The Feeling’:


 
Stan Walker‘s Let The Music Play debuts at #18, making it the biggest new Aussie album on the charts this week. Not that there’s much competition – sorry David Campbell. Stan‘s album has done well to stand up in the Top 20 given that ‘Light It Up’ flopped and all he’s got to represent is that ballad borrowed from Jessica Mauboy‘s album.

Dolly Parton‘s new album Better Day debuts at #29 in Australia this week, supported by her recent tour around the country, which included some dates up in some proper country area. I honestly can’t go back far enough to tell you when was the last time the defining music legend had a Top 50 ARIA hit but let’s just say, it’s the first time this century.

Olly Murs‘ new single ‘Dance With Me Tonight’ debuts at #2 in the UK this week, suffering the ultimate cock block by Rihanna‘s ‘We Found Love’. In the first three days on sale, the spunky X Factor star managed to surpass RiRi‘s ‘We Found Love’ by 2,000 copies – but by the end of Thursday, ‘We Found Love’ had pulled up worryingly close at just 49 units away from overtaking Olly. Come weekend, look what happened.

Olly‘s sophomore album In Case You Didn’t Know is currently charting at #2 on the UK iTunes store on its first day out. Check out the dapper man performing ‘Dance With Me Tonight’ on UK X Factor with The Muppets:


 
Kelendria Trene Rowland, welcome back to the muhfuggin’ UK charts. ‘Down For Whatever’ enters at #6 this week, becoming the former-DC glamazon’s sixth solo Top 10 hit in the region. She’ll be engaging in some serious promo this week to flog the international edition of Here I Am which features her two huge dance collabos: ‘When Love Takes Over’ (with David Guetta) and ‘What A Feeling’ (with Alex Gaudino). Here I Am (International Edition) is currently charting at #26 on UK iTunes on its first day out.

Meanwhile across the Atlantic, Kelendria‘s ‘Lay It On Me’ can probably be written off as a certified flop. The summer radio ready smash sinks to #77 on the US R&B/Hip Hop charts, unable to even scale the Top 30 following ‘Motivation’‘s surprise #1 reign just a few months ago.

Rebecca Ferguson‘s gorgeous debut single ‘Nothing’s Real But Love’ enters at #10 on the UK charts this week. No, it isn’t crash hot by any major label pop star’s standards but I have a really soft spot for the girl. My mind, body and spirit is completely ready for her album Heaven, which arrives next Monday in the UK.

Watch Rebecca‘s charming interview on This Morning and performance of ‘Nothing’s Real But Love’:


 
One Direction‘s Up All Night debuts at #2 in the UK this week, managing 138,000 opening week sales. The lads’ single ‘Gotta Be You’ does a death drop from its #3 debut last week to #16.

Here in Australia, the physical copy of Up All Night is going at retail outlets for $13 – certainly an enticing offer given that they’re only really known for one very new hit single at the moment. The album is currently placed at #9 on Aussie iTunes. Over on our ARIA Top 100, ‘What Makes You Beautiful’ rises to #8 this week while its b-side ‘Na Na Na’ has astonishingly made it at #84.

The SaturdaysOn Your Radar shockingly debuts at #23 on the UK charts this week, making it the girls’ first album to completely miss the Top 10. Fuck, I know the album wasn’t that great but surely it deserved more than this epic floppage? Regardless of the results, On Your Radar has surprisingly been quietly released on Aussie iTunes – making this the first Saturdays album to reach our shores since Chasing Lights. I need to lie down.

Pixie Lott continues the flow of British pop flops with Young Foolish Happy plummeting from #18 to #42 in its second week. Her underappreciated new single ‘What Do You Take Me For’ sinks from #20 to #42. Pixie‘s label has swung into damage control, bringing forward the third single – ‘Kiss The Stars’ – for a 26 December release. Here in Australia, I guess Pixie‘s Young Foolish Happy is doing alright to even be seen at #165 on our Aussie iTunes chart.

Watch Pixie flog ‘What Do You Take Me For’ on Loose Women:


 
The X Factor Finalists 2011‘s charity single ‘Wishing On A Star’ is surprisingly reigning at #1 on the UK iTunes chart right now on its first day out. Surprising reception given how shit it is but also altogether unsurprising given the involvement of JLS and One Direction.

Drake scores the third largest opening week album sales of 2011 with Take Care pushing 631,000 copies to debut at #1 on the US Billboard 200. It’s a sizable improvement on Drake‘s 2010 smash Thank Me Later, which managed 447,000 first week sales to also debut at #1.

Adele‘s 21 clocks its 39th consecutive week in the US Billboard 200 Top 5 bracket, making history as the longest time an album has remained in the Top 5 since its debut. The last record holder was Michael Jackson‘s legendary 1987 album Bad, which clocked 38 weeks.

Watch Adele perform ‘Turning Tables’ live at Royal Albert Hall:


 
Glee‘s The Christmas Album, Vol. 2 debuts at #6 in the US Billboard 200 at #6, pulling 71,000 opening week sales. Talk about a significant drop compared to the cast’s first Christmas album, which debuted at #8 with 161,000 first week sales last year.

Elsewhere, the Glee cast’s A-grade mash up of Adele‘s ‘Rumour Has It/ Someone Like You’ debuts at #5 on the US Billboard Digital Songs chart, racking up 160,000 downloads. This is now Glee‘s fifth largest weekly sales figure for any of their singles. ‘Rumour Has It/ Someone Like You’ is only bettered by ‘Teenage Dream’ (214,000), ‘Loser Like Me’ (one of two originals written for the cast – 210,000), ‘Forget You’ (192,000) and ‘Don’t Stop Believin” (177,000).

Mariah Carey continues to bathe in gold this lucrative Christmas season. Her classic ‘All I Want For Christmas’ is currently covered in three albums in the US Billboard Top 10 – Michael Buble‘s seasonal record (#2), Bieber‘s Under The Mistletoe (#5) and Glee‘s newest Christmas album (#6).

Selena Gomez & The Scene‘s ‘Love You Like A Love Song’ still has some unbelievable mileage left in it. The single rises to #46 on the US Billboard Hot 100 and the A-level remixes soar to #2 on the dance/club play chart.

Watch the stunning video for Selena‘s next single ‘Hit The Lights’:


 
Other notable new entries on the dance/club play chart include Taio Cruz and Flo Rida‘s ‘Hangover’ (the biggest debut at #33), Florence + The Machine‘s ‘Shake It Out’ (entering at #45) and Flo Rida‘s ‘Good Feeling’ (opening at #46).

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Chart Feed – 21.11.11

Ed Sheeran continues to win Aussies over with his smash ‘The A Team’ rising to #2 on our ARIA charts. 1.5 million people tuned in to watch the nail-biting X Factor Australia decider last Tuesday, which featured Ed‘s “live” performance of ‘The A Team’. Truth is, that performance was actually taped the week before when the ginger singer/songwriter was actually in the country. Ed‘s album + shoots from #21 to #8 on our ARIA charts.

Rihanna‘s ‘We Found Love’ continues to rule at #3 on our ARIA charts. The dance/pop single is the most played song on Australian radios (counting from period 10 to 16 November, seeing as the airplay charts get updated every Thursday).

Her new single ‘You Da One’ debuts at #60 on our ARIA charts and becomes the most added new song to Aussie radios this week. Talk That Talk deluxe album is currently #5 on the Australian iTunes and #1 on the UK store.

Over in America, ‘We Found Love’ is still the most downloaded song in the country and the most played song in the clubs. Her next smash ‘You Da One’ debuts at #73 on the US Billboard Hot 100 and becomes the biggest new song on American radios, debuting at #28 on the airplay charts. 

Watch Rihanna flog ‘We Found Love’ on US X Factor with a rather overpowering backing track:


 
Jessica Mauboy‘s ‘Galaxy’ featuring Stan Walker drops out of the ARIA Top 20. It’s probably not a sign of waning interest, just fiercer competition at the top end. The big ballad managed a new peak of #19 on our Australian airplay charts. All this excitement causing J Mally‘s last smash ‘Inescapable’ to almost fall out of the airplay Top 30 altogether.

Stan Walker‘s new single ‘Light It Up’ is not getting much radio love. It plummets to #36 on our local airplay charts, leaving ‘Galaxy’ to be the most current ambassador for his new album. ‘Light It Up’ plummets to #64 on the ARIA charts. Stan‘s album Let The Music Play is currently placed at #55 on our iTunes charts after three days.

Glee‘s spectacular mash up of Adele‘s ‘Rumour Has It/Someone Like You’ debuts at #39 on our ARIA charts, making it the first Glee single of Season 3 to make our Top 40. I’ve clocked it rising as high at #10 on our iTunes chart but could it keep selling this hard? Over in the UK, ‘Rumour Has It/ Someone Like You’ begins charting at #35.

Listen, I don’t normally care for Glee covers but this is evidently the greatest:


 
Ricki-Lee‘s ‘Raining Diamonds’ breaks higher ground at #19 on our ARIA charts to become her eighth Top 20 smash. Hard to believe but this mega pop single’s actually not getting as much radio rotation as Jess and Stan‘s dated ballad. That baffles me. ‘Raining Diamonds’ is only perched at #26 on the airplay charts.

Katy Perry‘s ‘The One That Got Away’ creeps back up to #35 on our ARIA Top 100, thanks to some decent airplay kicking in at last. The sixth Teenage Dream single took an epic leap from #62 to #37 in the UK this week. Its remixes managed to debut at #31 on the US Billboard Dance/Club charts.

Lady Gaga‘s ‘Marry The Night’ needs all the help it can get. The single is slowly crawling up at #80 on our ARIA charts – the minimal radio rotation’s not doing any favours. ‘Marry The Night’ registered the biggest drop on the Australian airplay charts in the last week, falling from #23 to #32. Over in the UK, ‘Marry The Night’ debuts at #18 – thanks in no small part to her X Factor appearance.

Watch ‘Marry The Night: Prelude Pathetique’, the full-length video is expected out soon:


 
Guy Sebastian‘s new single ‘Don’t Worry Be Happy’ is the second most added new song to Aussie radios this week. The feel good song managed to scale up to #76 in the first 24 hours on iTunes. Watch this sky rocket after its debut performance on X Factor‘s grand final extravaganza tomorrow.

Kelly Clarkson‘s next smash ‘What Doesn’t Kill You (Stronger)’ becomes the fourth most added new song to Aussie radios this week. The track is currently charting at #52 on our iTunes store.

Kelly Rowland‘s down for a major pop comeback. Her flawless dance smash ‘Down For Whatever’ finally arrives on UK store fronts today and it’s already scaling up to #4 on iTunes. You know, if all goes well, ‘Down For Whatever’ could get a US release sooner rather than later. Her last club endeavour ‘Commander’ managed to reign at #1 on the US Billboard Dance/Club charts. How about giving this a go?

Watch Kelendria attack ‘Down For Whatever’ live on Children In Need Rocks Manchester:


 
One Direction‘s ‘Gotta Be You’ debuts at #3 in the UK this week. I am clutching my pearls in shock to learn that Flo Rida‘s new single ‘Good Feeling’ outsold this to debut at #2.

Over here in Australia, 1D‘s early hit ‘What Makes You Beautiful’ goes Top 10 – thankfully picking up a great deal of  radio rotation as the summer kicks in. ‘What Makes You Beautiful’ leaps from #37 to #26 on our Australian airplay charts. Up All Night arrives in Australia this Friday – it’s currently the most pre-ordered album on our iTunes store, charting at #28.

The Saturdays‘ wintery break up ballad ‘My Heart Takes Over’ debuts at #15 in the UK. Not a good look at all. Both The Sats and 1D will now take on the album chart wars together with their respective LPs landing today. Day one and The SaturdaysOn Your Radar‘s trailing at #20 on iTunes while 1D‘s Up All Night blazes up to #2.

Rebecca Ferguson‘s debut single ‘Nothing’s Real But Love’ is currently placed at #8 on UK iTunes. Further down, her album track ‘Fairytale (Let Me Live My Lie This Way)’ charts at #124. Becca‘s debut LP Heaven will drop on 5 December in the UK.

Watch her heartwarming debut TV performance of ‘Nothing’s Real But Love’:


 
JLS predictably has the biggest selling new album this week with Jukebox entering the UK charts at #2. Meanwhile, his nearest pop competitor Pixie Lott flops disastrously at #18 with her sophomore Young Foolish Happy. It feels like a lifetime since she had a #1 single with ‘All About Tonight’.

Cher Lloyd‘s album Sticks + Stones sinks from #4 to #12 in its second week. Snaps for success – here in Australia, ‘With Ur Love’ becomes the fifth most added new song to local radio.

Nicole Scherzinger‘s Killer Love album re-enters the UK Top 100 at #65, thanks to a sleek Christmas-ready repackage. The brand new single ‘Try With Me’ flops hard, nosediving from #29 to #64 in its third week.

Justin Bieber‘s Under The Mistletoe plummets from #1 to #6 in the US, registering a 54% drop with 97,000 second week sales. Justin and Mimi‘s new generation duet on her classic ‘All I Want For Christmas Is You’ is faring well. The video directed by Sanaa Hamri is expected out soon.

Check out this delightful new Mariah interview where she talks about the shoot and another new Xmas duet:


 
Mariah‘s seasonal smashes are already making their way back up the US Billboard 200. With Christmas being only a month away now, I guess it totally makes sense to start bumping these festive choons. Her classic 90s Merry Christmas album leaps back at #142 while last year’s sequel Merry Christmas II You re-enters at #194. Fans best refrain from purchasing the individual records because Mimi‘s gonna be doing some deluxe package for both albums with new material.

Susan Boyle‘s third album Someone To Watch Over Me drops from #4 to #7 on the US Billboard 200, registering a 46% sales drop with 72,000 second week figures.

Noel Gallagher‘s first solo album High Flying Birds perches at #28 on the US Billboard 200, which isn’t too far off from his estranged brother Liam‘s placement of #31 with his band Beady Eye. That album flopped in the States, managing to only sell 29,000 copies to date.

Watch Noel Gallagher‘s ‘AKA… What A Life!’ music video:


 
Taylor Swift is assaulting the digital charts now with three previously released tracks appearing on online stores for the first time. ‘If This Was A Movie’, ‘Ours’ and ‘Superman’ were previously only available on the deluxe CD edition of her Speak Now album through Target. In their first week on the digital charts ‘If This Was A Movie’ managed to debut at #3 with 162,000 downloads, ‘Ours’ made #5 with 148,000 downloads, and ‘Superman’ landed at #13 with 91,000 downloads.

Britney Spears‘Criminal’ continues to struggle, tumbling to #64 on the US Billboard Hot 100 in its fifth week. Despite the excitement of new remixes, the single’s not flying up the typically easy to scale dance/club charts. ‘Criminal’ is also flopping big time on the airplay charts. This is the bleakest, especially following a major radio success like ‘I Wanna Go’.

Beyoncé‘s ‘Countdown’ isn’t moving in the right direction on the overall US Billboard Hot 100, slipping to #75 in its fifth week. It has only just shown up on the US Airplay Top 100 so maybe it’ll be late bloomer? Meanwhile over on the dance/club charts, ‘Countdown’ becomes a blazing success shooting to a new peak of #6. Could this be the third 4 single to top the dance charts?

On the flip side, Queen Bey‘s urban smash ‘Party’ remains at #54 on the US Billboard Hot 100 and stays in the Top 40 radio airplay charts.

‘Countdown’ is not only struggling in America but the UK as well, plummeting from #51 to #80 while ‘Love On Top’ soars from #141 to #87. The latter will be released as Bey’s fourth 4 single in the UK on 5 December.

Watch the exclusive VEVO streaming of Bey‘s Live at Roseland concert. Like for real.


 
Wynter Gordon‘s ‘Buy My Love’ blitzes to a new peak of #14 on the US Billboard Dance/Club charts. Mah gurl has been in the studio with the likes of MNEK (upcoming British music sensation who has worked with Florrie and co-penned The Saturdays‘ mega ‘All Fired Up’) and Victoria Hansen who co-wrote Aggro Santos/Kimberly Wyatt‘s ‘Candy’.

Chart Feed – 14.11.11

Ricki-Lee‘s ‘Raining Diamonds’ rockets back up the charts from #96 to #23 this week, thanks to her no-expense-spared X Factor Australia performance and Sunrise jaunt the morning after. The track immediately leapt from #57 to the Top 5 on iTunes right after Tuesday night’s performance and the girl even became a Twitter trending topic worldwide.

The fabulous Idol star is putting the finishing touches on her album now – which is expected to arrive in the first half of 2012 – and word is, her label has already approved a follow up single to ‘Raining Diamonds’. There’s a few good tidbits in her auspop interview – go have a read.

Watch Ricki-Lee turn out ‘Raining Diamonds’ on X Factor Australia.


 
Jessica Mauboy and Stan Walker‘s ‘Galaxy’ ascends to a new peak of #13 in Australia, making this J. Mally‘s 10th Top 20 smash and Stan‘s fourth. Meanwhile, JessGet ‘Em Girls album plummets to #100 on our ARIA charts proving that she might just be a more bankable singles seller after all.

Susan Boyle has once again made her annual showing on top of the album charts with her third LP Someone To Watch Over Me reigning at #1 in Australia and the UK. The chairman cash cow of Simon Cowell‘s label made her maiden trip Down Under last week to promote the new album and voila for results. Over in the US, Someone To Watch Over Me debuts at #4 with opening week sales of 132,000 copies. SuBo will probably never recapture the hysterical success of her debut I Dreamed A Dream – which opened at #1 in the US, selling 701,000 copies in its first week. But I reckon she’ll be right.

There are seven new entries in our ARIA Top 20 this week and I reckon it’s only gonna get more competitive over the next few weeks with new releases falling like rain. Triple J‘s Like A Version 7, which was topping the iTunes charts for most of the week, managed to debut at #6. Other debuts include: The Twilight Saga: Breaking Dawn Part 1 soundtrack (#9), Il Divo‘s Wicked Game (#11), Powderfinger‘s Fingerprints and Footprints (#15), The Getaway Plan‘s Requiem (#17) and Chris Tomlin‘s Glory In The Highest Christian Christmas compilation (#19).

Watch Angus & Julia Stone do folky cover of Nelly Furtado‘s ‘Say It Right’, which is featured on Triple J‘s Like A Version 7:


 
The Wiggles tribute album is probably the best thing them indie folk types have come up with ever. Making children’s music is serious shit, y’guys. There’s no fooling around with ‘The Hot Potato’. ReWiggled: A Tribute to The Wiggles debuts at #25 this week on our ARIA charts and it features the likes of Washington doing a very straight-faced rendition of ‘The Monkey Dance’, Architecture in Helsinki giving fluorescent realness in ‘Wiggly Party’ and Living End doing a rocking cover of the aforementioned spud song.

Ed Sheeran has himself a little Aussie hit in his hands, thanks to some promo work. The ginger strummy la la artist’s ‘The A Team’ leaps to #5 on our ARIA singles chart while the album + shoots to #21. Ed has so far earned three UK Top 10 smashes with ‘You Need Me, I Don’t Need You’ and ‘Lego House’ both managing to follow the success of ‘A Team’. His album managed to debut on top of the British charts last month, garnering opening week sales of over 102,000 copies.

Jessie J‘s Who You Are album leaps back into the Australian Top 50 this week, placing itself at #35. Interest surrounding the new single ‘Domino’, which is still lingering in our Top 20, has got to help. The Christmas cash-in re-release of Who You Are arrived locally last Friday – that will also help the cause. Over in the UK, Jessie J launches her fifth single ‘Who You Are’ today, so we can expect for the track to break into the Top 20 next week. Over in America, ‘Domino’ rises to #67 on the Billboard Hot 100, thanks in some part to her killer US X Factor performance.

Watch Jessie J wail the house down on ‘Domino’:


 
Lady Gaga‘s Born This Way is out of the Australian Top 50 for the first time since it dropped in May. The epic top-selling album drops to #63 this week but I reckon it won’t be long before we see the bitch fight back with a vengeance. The project’s next single ‘Marry The Night’ debuts at #88 this week. Y’all better have a ton of popcorn ready too because Gaga has just announced that the forthcoming video for ‘Marry The Night’ will be her longest mini-movie yet.

Darren HayesSecret Codes and Battleships does a death drop from #15 to #53 in its third week on our ARIA Top 100. I want y’all to stop rocking in the corner because we knew this was bound to happen as soon as all promo activity wraps.

Dazza – although admirable in his plight for a sparkling commercial comeback – will always be one of those pop artists with a cult following. Pick up for his singles ‘Talk Talk Talk’ and ‘Bloodstained Heart’ haven’t improved since the album arrived but then again, he hasn’t had a solo single that really grabbed the Aussie public since 2005’s ‘So Beautiful’. And that was boosted by interest surrounding the Savage Garden best-of compilation.

Listen to Darren Hayes‘ ‘Bloodstained Heart (Monsieur Adi Remix)’:


 
Kele of Bloc Party‘s new EP The Hunter debuts at #79 in Australia this week. The collection of six new original songs and a cover of Q Lazzarus‘ ‘Goodbye Horses’ arrives a little over a year after Kele‘s first solo album. The Boxer managed to peak at #35 in Australia and #20 in the UK.

Cher Lloyd‘s wigsnatching debut Sticks & Stones shows up at #4 this week, making it the second biggest new album on the UK charts. After the first two days on shelves, the album had already racked up over 26,000 sales – putting the girl roughly 4,000 copies behind SuBo. Over at the singles bar, ‘With Ur Love’ dips a little to #6 in its second week while her fierce chart topping smash ‘Swagger Jagger’ rockets back up to #41.

Here in Australia, they’re actually trying to launch young Cher again after ‘Swagger Jagger’ flopped disastrously. Basically two radio stations in the entire country added that shit. My friend auspop informed me that ‘With Ur Love’ has picked up some local radio love in the last week, getting added to Nova 106.9 (Queensland) and The Edge 96.1 (Sydney) – just to name a few. It’s already on course to fare better than ‘Swagger Jagger’ so we’ll see what comes of it.

Catch a glimpse of Cher Lloyd‘s secret acoustic gig:


 
The Wanted‘s Battleground becomes the third biggest new release on the UK album charts this week, entering at #5 after selling over 25,000 copies in the first two days. The sophomore album’s a mostly consistent blend of present day boy band fodder. The best showing here is definitely the singles ‘Glad You Came’, ‘Lightning’ (although I prefer the Alias Radio Edit) and future hit ‘Warzone’ (which debuted at #64 this week thanks to interest surrounding the video/album).

JLS‘ big ballad ‘Take A Chance On Me’ debuts at #2 to become the biggest selling new single in the UK this week. The next major impacting new single is Pixie Lott‘s rather dated pop/R&B submission ‘What Do You Take Me For’, which entered at a meagre #10. Both JLS and Pixie launch their respective albums Jukebox and Young Foolish Happy today, so it’ll be interesting to see where they end up next Monday. Right now, JLS‘ album sits at #6 on the UK iTunes charts while Pixie‘s record pulls up at #29.

Watch Pixie Lott‘s sleek ‘What Do You Take Me For’ video:


 
Next week’s British chart battle would also see two pop groups with two stunning winter ballads go head to head. In one corner, there’s One Direction‘s flawless ‘Gotta Be You’ and the other, The Saturdays‘My Heart Takes Over’. Day one on the digital shelves and One Direction‘s currently perched at #2 on the iTunes singles chart while The Saturdays trail behind at #17. Both bands will take up battle again on 21 November when their albums drop on the same day.

Looking ahead, 28 November is gonna be a nerve-wracking day at the UK X Factor camp with Kelly Rowland releasing the international edition of Here I Am and fellow judge Tulisa foisting an N-Dubz greatest hits compilation. Xtra Factor host and former show contestant Olly Murs will also drop his sophomore album In Case You Didn’t Know on the same day, while fellow series winner Joe McElderry launches his third album Classic Christmas.

Parade‘s self-titled debut album isn’t about to snatch any trophies, let’s be real about that. But the struggling girl band isn’t doing too badly right now with their record rising to #88 on the UK iTunes album charts. Can they keep it chugging along for the rest of the week?

Melanie C‘s new bruised ballad ‘Weak’ debuts at #29 on the UK indie singles chart. Despite the barrage of TV and radio promo in the last week – performing on DaybreakThis Morning and other places – the Old Spice couldn’t get the track to crack the Top 100.

Watch Mel deliver a knock out live acoustic performance of ‘Weak’:


 
Nicole Scherzinger‘s ‘Try With Me’ plummets to #29 in its second week on the UK charts. The ex-Pussycat team leader is relaunching her Killer Love album in the UK today with three new tracks, plus the 50 Cent remix of ‘Right There’, which was used to launch her career in the States.

Here’s what you need to know about the new recordings: ‘Try With Me’ – the Nervo co-write – is acceptable but not really on the level of immediate pop excellence like say ‘Killer Love’, ‘Trust Me I Lie’ is an unnecessarily dramatic ballad written by Diane Warren, and ‘Tomorrow Never Dies’ is a mid-tempo with a wistful Teenage Dream flavour, probably because it’s a Bonnie McKee co-write.

Little Boots‘ new single ‘Shake’ is currently placed at #105 on the UK iTunes charts after just day on the digital shelves. A feat she said she wasn’t expecting for a “six minute song with no video”. This really is a good Litmus test for Victoria’s fan base because there’s really been no promo prior to this.

Justin Bieber has the #1 album in America with Under The Mistletoe, nabbing first-week sales of 210,000 copies. The teen megastar also made history as the first Christmas album by a male artist to debut at #1 in Billboard’s 55-year chart history. Susan Boyle‘s 2010 The Gift was the only other Christmas album to ever open on top of the US charts.

Coldplay‘s Mylo Xyloto (last week’s big #1 entry) and Kelly Clarkson‘s Stronger (last week’s #2 hot shot debut) falls to #7 and #10 respectively on the US Billboard 200. Mylo Xyloto registered a 76% drop in sales (selling 104,000 copies in its second week) while Stronger slumped with 69% sales drop (selling 51,000 copies in its second week).

Listen to Coldplay‘s ‘Paradise (Fedde Le Grand Remix)’:


 
Rihanna‘s ‘We Found Love’ clocks its second week on top of the US Billboard Hot 100 and picks up even more airplay to support it. The single is still the most downloaded song in America, racking in 236,000 digital sales in the last week. ‘We Found Love’ also managed to top the US Billboard Dance/Club play charts.

Meanwhile, the Rihanna Navy is already going to work stanning for her next single ‘You Da One’. The album Talk That Talk leaked over the weekend and while I have no interest (at the moment) to hear it in web quality, everyone’s already saying that it’s better than Loud.

Katy Perry‘s ‘The One That Got Away’ finally leaps into the US Top 20, placing itself at #18. This chart upgrade was supported by growing radio rotation, which saw the song rise from #33 to #26 on the US airplay charts. ‘The One That Got Away’ dips to #41 in Australia this week and #62 in the UK. Now that the video’s dropped, expect for the single to really pick up pace.

Listen to ‘The One That Got Away (JRMX Remix)’:


 
Beyoncé‘s ‘Party’ rises to #3 on the US R&B/Hip Hop song chart while her hubby Jay-Z reigns on top with ‘Niggas in Paris’. Looking on the overall Billboard Hot 100, ‘Party’ rises to #54 and continues to lead the pack of 4 tracks currently littered all over the charts. Further down, we have ‘Countdown’ picking up pace to #71. While ‘Party’ is the stronger performer on the American radio airplay charts, ‘Countdown’ is making waves over on the US dance/club play charts – rising to a new peak of #9 this week.

Britney Spears‘Criminal’ is still slowly happening in the States, rising to a new peak of #55 on the Billboard Hot 100. I honestly can’t see this song scaling the Top 20 unless radio comes around to playing it more. The song tumbles from #67 to #74 on the American airplay chart – not at all promising. ‘Criminal’ has yet to crack the ARIA Top 100 and as for its fate in the UK, we’ll have to see after it’s formally released on 21 November.

Wynter Gordon‘s ‘Buy My Love’ moves up to #21 on the US Billboard Dance/Club play charts. Almost in the Top 20 league, boo boo. Elsewhere, other exciting new movers in the club sphere include Anjulie‘s ‘Brand New Bitch’ (#18), Eddie Amador and Kimberly Cole‘s ‘Arrow Through My Heart’ (#32) and Chris Willis‘ new piece ‘Too Much In Love’ (debuting at #40).

Chart Feed – 24.10.11

Ricki-Lee‘s life-changing comeback single ‘Raining Diamonds’ is undoubtedly the most important new entry on our ARIA charts this week. While some of you might throw a stink face at the song’s #62 debut, y’all need to keep in mind that this is purely off one week’s work. Seriously, before last Monday, nobody even knew Ricki-Lee had a record deal and was planning a comeback. That information was well classified and the world wasn’t prepared for the sudden rapture of ‘Raining Diamonds’.

The fact that ‘Raining Diamonds’ managed to crack the ARIA Top 100 with no prior wind up or hype – just building on the few interviews, press write ups, and growing social media support during the week – is halleloo enough for me. It can only move up now. I believe word of mouth is gonna play a big part in relaunching Ricki-Lee – I mean, how many of y’all first heard the single via Feed Limmy and my Facebook? ‘Raining Diamonds’ is the most added new song to Australian radios this week.

Justin Bieber‘s ‘Mistletoe’ is the highest selling new single in Australia this week, debuting at #20. This is the Canadian pop sire’s fifth Top 20 single here and it’s the first taste of his forthcoming Christmas album Under The Mistletoe, which will feature a duet with Mariah Carey on her iconic Yuletide track ‘All I Want For Christmas Is You’. You Beliebers better have your coin purses ready when the album arrives in Australia this Friday. Boyz II Men – who incidentally appears on Justin‘s Christmas record – will also drop their new album, Twenty, on the same day.

Check out Justin Bieber‘s ‘Mistletoe’ music video, directed by Roman White – the man behind clips for Taylor Swift,Cody Simpson and Lady Antebellum:


 

Beyoncé has once again been denied entry into the ARIA Top 20 this week with ‘Love On Top’ clipped at #22. Meanwhile over in the UK, the album’s third official single ‘Countdown’ shoots up to #44 and debuts at #85 on the American Billboard Hot 100. The ‘Countdown’ remixes also made a hot shot debut at #35 on the US Bilboard Dance/Club charts. I sense that this is going to be a good era for our Lord Beysus.

Katy Perry‘s ‘The One That Got Away’ is making a run for it, leaping to a new peak of #34 in Australia this week. Over in the UK, the single moves up to #22. As y’all know Kitty’s had a record-breaking five consecutive US #1 singles from this Teenage Dream album and right now ‘The One That Got Away’ is perched at #94 on the US Billboard Hot 100 – a whole continent away from reaching the top spot. Could she pull off six in a row? Let’s see what kinda gimmicks and fuckery she’s got in store for this single campaign.

Nicole Scherzinger is on course for another solo hit in Australia. ‘Wet’ has moved up 10 places to a new peak of #39 on our ARIA charts. With three Top 40 hits now under her belt, shouldn’t Nicole‘s Killer Love album be moving back up the charts? Alas, it is floundering at #83 this week. Something about this shit don’t smell right. I wonder if Australia will cop the Killer Love (Deluxe Edition) that’s coming out in the UK next month?

Nicole is launching a brand new single – ‘Try With Me’ on 31 October in the UK – to coincide with the European deluxe repackage. Check out the absolutely A-grade music video, which was shot in Mexico’s gorgeous Xilitla rainforest:


 
Coldplay‘s ‘Paradise’ returns to the Australian Top 50 this week at #36, thanks to the arrival of the band’s long-awaited album Mylo Xyloto – which dropped in stores on Friday. It’s gonna one wig-snatching chart battle as ColdplayKelly Clarkson, Washington and – don’t snigger – Darren Hayes race for the top spot with their respective new albums.

iTunes has currently got the entire Coldplay back catalogue on sale as well, so don’t be surprised to see a few of their titles returning to the Top 100 next week. Mylo Xyloto is currently #1 on iTunes, Kelly Clarkson‘s Stronger (Deluxe Edition) is riding at #8, while Darren Hayes‘ fantastic Secret Codes & Battleships is holding on at #30.

Shannon Noll‘s A Million Suns album debuts at #8 in Australia, making it the second best-selling new album this week. Only after Cold Chisel‘s unbeatable Best of package, which entered at #2. There really is no shame for Nolly there. However, looking at his own personal track record. It’s not so rosy. All three of Shannon’s previous albums have managed to go Top 3 in Australia and yield at least one Top 10 single. I’m not holding my breath for A Million Suns to go Top 3 or for its lead single ‘Switch Me On’ to turn around and make a run for the Top 10.

Sneaky Sound System‘s From Here to Anywhere isn’t headed anywhere I want it to. The Aussie dance/pop duo’s fine album drops from #11 to #27 in its second week. Meanwhile, bad news for their flawless single ‘Big’ – the track sinks from #58 to #73 on our ARIA Top 100. Guess I jinxed them with last week’s well wishes, huh?

Lady Gaga‘s ‘You and I’ has officially left our ARIA Top 50 free of any Gaga songs for the first time in months. All year, even. The rollicking ballad sinks from #46 to #53. Look, there could still be life in the bottom half of the ARIA Top 100 – I mean, ‘Poker Face’ spent a whopping 106 weeks in our Top 100 and I know a lot of it wasn’t reigning in the upper end. Gaga’s label is understandably getting on with the album’s fifth single ‘Marry The Night’, which is the second most added new song to Aussie radios this week. Over in America, ‘You and I’ is now reigning as #1 dance/club song in the country.

Altiyan Childs finally shows up on the ARIA Top 100 with his new single ‘Ordinary Man’ – thanks to last week’s X Factor performance. The song made its debut at #55 this week despite having been out for a month now. Clearly nobody knew this shit was even happening because I don’t see no promo and I don’t hear no radio airplay for ‘Ordinary Man’. This song is actually quite acceptable, y’guys. You recognise the familiar, crisp Ryan Tedder beats but somehow Altiyan makes it his own.

Watch the making of Altiyan‘s ‘Ordinary Man’ video, directed by Peter Ireland – who has done clips for Aussie indie pop sensations Brendan Maclean and Scott Spark:


 
Stereophonics‘ one-time UK #1 hit ‘Dakota’ re-appears on our ARIA charts this week at #57 – thanks to local X Factor warbler Andrew Wishart’s rather capable cover. Back in its heyday, ‘Dakota’ managed to scale up to #22 on our ARIA charts and it remains as the only hit Stereophonics has ever had in this country. The Cranberries‘ ‘Zombie’ also reappears thanks for contestant Christina Parie’s performance. The 90s classic is now at #69.

Rihanna‘s ‘We Found Love’ stays on top of the UK charts for its third consecutive week, fighting off fierce new singles from The Wanted, Kelly Clarkson, Lana Del Rey and Sean Paul/Alexis Jordan. RiRi has to date racked up six UK #1 singles but ‘We Found Love’ is already her second longest reigning chart topper. The longest UK #1 she’s had is, of course, ‘Umbrella’ (10 weeks). Truth be told, ‘We Found Love’ probably wouldn’t have stayed at #1 for its third week if it weren’t for the flawless video arriving on Thursday and inspiring a sales surge after the midweeks. ‘We Found Love’ ended up selling 92,700 copies in its third week on top.

Over in the US, ‘We Found Love’ has now reached a new peak of #6 on the US Billboard Hot 100 – selling 174,000 downloads in its fourth week. Rihallah – as the dear Adem With An E affectionately calls her – will release her sixth album Talk That Talk on 18 November in Australia and 21 November in the UK and US. Peep the Talk That Talk standard and deluxe edition tracklisting.

The Wanted has the biggest selling new single in the UK this week with ‘Lightning’ striking at #2. The single scored opening week sales of 71,500 copies. The lads’ brilliant previous hit ‘Glad You Came’ managed to debut at #1 with first-week sales of 117,200 copies back in July. Mind the gap, y’all.

‘Glad You Came’ also debuted on the US Billboard Dance/Club charts at #49 last week, making this the boyband’s second appearance on the American dance charts. The Wanted will release their sophomore album Battleground on 7 November in the UK. The project’s next single looks set to be ‘Warzone’, tentatively put down for a 9 January release date in the UK.

Watch The Wanted perform their current smash ‘Lightning’ at the iTunes Festival:


 
Kelly Clarkson‘s ‘Mr Know It All’ debuts at #6 in the UK this week, selling 47,910 copies. This is actually the first time Kelly has had a single in the UK Top 30 since ‘My Life Would Suck Without You’ went #1 in 2009. Over in the States, ‘Mr Know It All’ rises to #24 and is starting to really rake in the dividends. The single picked up an eight percent sales increase last week, selling 52,000 copies. All up, after six weeks in stores – ‘Mr Know It All’ has sold 328,000 copies in America. The song is definitely the biggest American Idol-related single on the charts.

Lana Del Rey‘s much-hyped debut single ‘Video Games’ makes a smashing entrance at #9 in the UK, selling 40,541 copies in its opening week. The song – despite having no radio support whatsoever – has already moved up to #86 in its second week in Australia. Yes, visibly slaying smears like Natalie Bassingthwaighte‘s ‘All We Have’ – which, despite being the fifth most added song to Aussie radios last week, still failed to crack the ARIA Top 100.

Marina & The Diamonds‘ ‘Radioactive’ is sinking fast. After just three weeks, the Welsh warbler’s dance/pop effort is now positioned at a lowly #74 in the UK. This is clearly not the look for the girl but then again, even if she puts on a shiny Stargate track – it doesn’t always mean that Marina Diamandis will automatically become a certified hitmaker. There’s a bit more to the puzzle than that.

Noel Gallagher‘s debut solo album Noel Gallagher’s High Flying Birds enters straight at #1 in the UK this week. The former Oasis singer managed to sell 55,000 copies of his album in its first two days, already more than twice as many as Matt Cardle‘s competing new album Letters. By the end of the charting week, Noel had clocked up 120,000 sales (outselling Matt by some 40%). Noel Gallagher’s High Flying Birds debuts at #16 in Australia.

Matt Cardle‘s Letters debuts at #2 in the UK, selling a total of 70,896 first-week copies. The album’s lead single ‘Run For Your Life’ couldn’t make its escape from the Top 20 any quicker! The Gary Barlow-penned ballad sinks from #6 to #23 this week, selling 15,507 copies in its second week.

Shall we have a quick comparison of recent UK X Factor winners’ debut album first week sales? Right. Leona LewisSpirit opened with 376,000 copies (#1), Leon Jackson‘s Right Now did a meagre 37,000 copies (#4), Alexandra Burke‘s Overcome earned 132,000 copies (#1) and Joe McElderry‘s Wide Awake opened with 39,000 copies (#3). Therefore, Matt Cardle technically isn’t doing too bad for a male X Factor winner.

Matt‘s series runner-up Rebecca Ferguson is gearing to release her own debut single ‘Nothing’s Real But Love’. Watch Becca do a charming acoustic performance of the track here:


 
Pixie Lott will launch her sophomore album Young Foolish Happy and its second single ‘What Do You Take Me For?’ next week but the third single has already appeared on the UK release schedule. ‘Kiss The Stars’ – a track co-written by Pixie and Phil Thornalley – is slated for a 30 January arrival. That sounds sensible, don’t it?

Kelly Rowland has pushed back the release of her new European single ‘Down For Whatever’. This week’s UK release schedule saw the saucy dance track moved from a proposed 31 October drop date to 21 November – meaning it’ll hit stores just a week before the “international version” of Here I Am. The project’s current US single ‘Lay It On Me’ might be getting a UK release after all. It has been put down for a tentative 6 February due date. Whatever, Kelendria. Just make this shit happen.

Gotye‘s ‘Somebody That I Used To Know’ may be the biggest selling Aussie single of 2011 but the track’s not scheduled to be launched in UK until February next year. According to the UK release schedule, the smash single will follow from ‘Easy Way Out’ – another stunning track from Gotye‘s new Making Mirrors album. The Brits are expected to cop ‘Easy Way Out’ on 28 November while all of us here in Australia will get the uplifting ‘I Feel Better’.

Watch the wicked animated music video for Gotye‘s ‘Easy Way Out’:


 
Evanescence earns their second US #1 album with Evanescence debuting right on top with 127,000 first-week sales. It’s quite a stark contrast from their last chart topper – 2006’s The Open Door – which scored opening week sales of 447,000 copies. Times are changing and these guys are only just finding their place back in the game. Go easy on them.

Lauren Alaina – this year’s American Idol runner-up – sees her debut album Wildflowers enter at #5 on the US Billboard Hot 200, selling 39,000 copies. Meanwhile last year’s American Idol runner-up, Crystal Bowersox, has been dropped by her label Jive/RCA merely 10 months after they launched her debut album Farmer’s Daughter. It’s quite a contrasting tale of two recent Idol winner/runner ups. I hope Scotty McCreery and Lauren both find a way to keep turning out sales because both their predecessors Lee DeWyze and Crystal have now been dropped after underwhelming chart performances.

Britney Spears‘Criminal’ debuts at #92 on the US Billboard Hot 100. No pressure but all three previous Femme Fatale singles have gone Top 10 in America, do you think this will continue Brit‘s clean run? For the first time ever, the pop diva has an album that has actually produced more than two US Top 10 hits. Go figure.

Anjulie‘s feisty ‘Brand New Bitch’ finally impacts the American dance/club charts, debuting at #36. The Canadian singer who was often compared to early Nelly Furtado and Corinne Bailey Rae has given her image and sound a drastic shake up. It’s away with the cafeteria pop with hip hop beats and in with fluorescent dance/pop.

Check out the video for ‘Brand New Bitch’ – indeed she is:

Chart Feed – 19.09.11

Katy Perry‘s ‘Last Friday Night (T.G.I.F.)’ exits the US Billboard Top 10, making this the first week since May 2010 that the US Top 10 is free of the bitch. Yes, folks. We’re talking about a record breaking run of 69 weeks in the Top 10 – unprecedented for any artist. The next nearest contender is Ace of Base with 48 weeks. Are you starting to see the immensity of her Teenage Dream era? I mean, I always knew it was defining – especially after she equalled Michael Jackson with five consecutive #1 singles from one album. But this is too much.

According to Billboard, Katy’s also close to being the first artist ever to have six singles sell over 4 million downloads. Here are her biggest sellers to date: ‘Hot N Cold’ (5.01 million), ‘California Gurls’ (5 million), ‘Firework’ (4.9 million), ‘E.T.’ (4.6 million), ‘I Kissed A Girl’ (4.1 million) and ‘Teenage Dream’ is almost catching up with 3.9 million download sales.

As much as I love the song, with the announcement of single number six ‘The One That Got Away’, loads of people are saying it should’ve been ‘Hummingbird Heartbeat’ or ‘Peacock’ (which has so far only been issued as a dance/club promo). ‘Peacock’ has to date accrued over 403,000 download sales while ‘Hummingbird Heartbeat’ has over 82,000 in the States. ‘The One That Got Away’ only managed to pull over 74,000 but watch that all change as her team goes into full flog mode to achieve another Billboard chart topper.

Katy Perry is quickly solidifying her status as a consistent top single seller. I mean, it’s not the sheer immensity of the individual track but rather the volume from a mass of releases. Consider two other major downloads singles sellers – Black Eyed Peas and Lady Gaga (both have two singles that have sold over five million downloads). Perry’s best could never compete with the all-time top US download ‘I Gotta Feeling’ (over 7.4 million) and Gaga‘s personal best ‘Poker Face’ (6.3 million).

Watch Katy perform ‘The One That Got Away’ live with her acoustic guitar:


 
Adele isn’t just content with having the #1 album in the country – and best-selling one of the year so far – she will also send all three of its singles to our Top 20 because she fucking can. Her latest effort ‘Set Fire to The Rain’ leaps to #17 this week making it a holy trinity union with its predecessors ‘Someone Like You’ (#8) and ‘Rolling In The Deep’ (#9) – both respectively certified four times platinum sales. Over in the UK, all three are gradually waning gracefully bowing out of the Top 20. Meanwhile in the US, ‘Someone Like You’ registers the biggest increase in radio plays this week.

Jessie J‘s new piece – ‘Domino’ – leaps into the Aussie Top 5 this week. The last time she was up this far in Australia was when the almighty ‘Price Tag’ reigned at #2 – the thing is now certified four times platinum here. Despite all the Top 5 success here and in New Zealand where it has already reached a peak of #3, ‘Domino’ has yet to chart in the US where it really counts. Meanwhile over in the UK, her fourth single ‘Who’s Laughing Now’ is perched at #18.

Gym Class Heroes and Adam Levine‘s ‘Stereo Hearts’ managed a sizeable leap from #45 to #21 this week while Nicki Minaj and Rihanna‘s newbie ‘Fly’ soars from #38 to #23. Over in the UK, ‘Fly’ rises to #26 while ‘Super Bass’ quickly exits the Top 40 altogether this week. Onika’s other UK Top 100 appearances are also steady heading south – ‘Where Them Girls At’ with Guetta and Flo Rida plummets to #53 while her other Guetta album track ‘Turn Me On’ drops drastically from #23 to #43.

The Wanted also manage to propel themselves up the charts with ‘Glad You Came’ ascending to a new peak of #36 – thanks to their first promo stopover here last week. The lads managed to score several typical high profile appearances like Sunrise, where they flogged ‘Glad You Came’, and also some notable press interviews including one with Australian gay magazine DNA. We haven’t seen the last of ‘Glad You Came’ yet, fellas. The song is currently placed at #16 on our Aussie iTunes chart and I have a feeling it’ll go Top 20 on the ARIA charts over the next two weeks.

Take a listen to The Wanted‘s next single ‘Lightning’ which drops in the UK on 31 October:


 
Kelly Clarkson‘s brilliant new single ‘Mr Know It All’ enters the ARIA chart at #25, making it the highest selling new track here this week. Over in the US, the track enters at #18 – the highest new entry there as well, raking in over 107,000 first week downloads. This is Clarkson’s highest single debut since ‘Never Again’ blew up at #8 back in 2007. ‘Mr Know It All’ is picking up significant airplay, competing well with other newcomers like David Guetta/Usher’s ‘Without You’ and Drake‘s ‘Headlines’. KFC (Kelly Fucking Clarkson) will premiere the ‘Mr Know It All’ video on her VeVo account on 26 September.

Havana Brown‘s utterly rancid follow up single ‘Get It’ debuts at #38 this week and becomes the fourth most added new song to Aussie radios. It’s such an uninspiring next step after something as defining as ‘We Run The Night’. I know that song technically shouldn’t have worked but Australia’s answer to Cascada really had me with that one. Y’all would be glad to know that the song’s writer – Cassie Davis (who did momentarily have a pop career) – is behind Natalie Bassingthwaighte‘s dance/pop comeback ‘All I Have’.

Listen to Havana Brown‘s ‘Get It (Krunk! Remix)’. PS – I love it that one can Google image “Havana Brown – Get It” and a bunch of cats will appear. Try it.


 
Gavin DeGraw‘s back on our airwaves and Top 50 with ‘Not Over You’ entering at #45 this week. The song has to date reached #76 on the US Billboard Hot 100 after four months on the digital shelves. Y’all should know that the single leapt to #8 on the New Zealand charts last week – somewhat of a surprise success but then again, aren’t most singles a surprise success on the Kiwi charts? [Editor’s note: Shaznay Lewis‘ flawless ‘Never Felt Like This Before’ made #19 there, dammit!]

Beyoncé‘s euphoric ‘Love On Top’ does a death drop on the US Billboard charts from #20 to #70, while here in Australia it excels as the most added new song to local radios. ‘Love On Top’ manages to rise a little on our ARIA Top 50, carving a new peak of #32 while her last official 4 single ‘Best Thing I Never Had’ plummets to #43. ‘BTINH’ bows out of the UK Top 30 and the only other track Bey’s got waiting in the Top 100 in ‘1+1’ at #72 this week. In the US Billboard R&B/Hip Hop charts – her urban single ‘Party’ leaps to #38.

Looking over at US radios, ‘Best Thing I Never Had’ is still #2 on urban airplay charts while its sister tracks ‘Party’ pull up at #35, ‘Countdown’ rises to #76 and ‘Love On Top’ picks it up to #83. It’s not significant but with the laurels resting on ‘Party’ and so many strong contenders rivaling to be the next 4 smash, it’s hard to predict how the next few months will pan out for this album.

Stan Walker‘s club-ready new single ‘Light It Up’ (featuring Static Revenger) becomes the second most added new song to Aussie radios this week. This isn’t even half the power pop corker that ‘Loud’ was and the uninspiring music video’s another strike the former Idol darling didn’t need. It’s such a shame to see a decent video concept dampened by lazy and repetitive shots.

Take a look at Stan‘s new ‘Light It Up’ clip:


 
Elen Levon‘s breakout debut ‘Naughty’ (featuring Israel Cruz) is the seventh most added new song to Aussie radios this week. I just caught up with the ravishing 17-year old pop sensation this morning. Y’all can hear our interview chat on Diff’rent Strokes this Wednesday 7pm. We’ll be discussing the single, boys and find out whether she prefers Young Divas or Scarlett Belle.

A slew of new albums start sprouting up in our ARIA Top 30 this week, leading the pack is The Kook‘s latest Junk of My Heart (#9, #10 in the UK), Laura Marling‘s A Creature I Don’t Know (#12, #4 in the UK), Example‘s Playing In The Shadow (#14), Dream Theatre‘s A Dramatic Turn of Events (#17, likewise in the UK) and Grouplove‘s Never Trust A Happy Song (#21).

Nicole Scherzinger manages to not only sustain album sales here in Australia but claim two spots up the charts to #26. How is she doing it without any promo and new single on radio? I mean, her label’s gonna have to release ‘Wet’ or some other fourth single pretty soon because ‘Right There’ just left the Top 30 and ‘Don’t Hold Your Breath’ is now all the way down at #91. US X Factor just started and so the world’s got their eyes fixed on her – for regions yet to properly experience the glory of ‘Don’t Hold Your Breath’ (like the US), this is your moment. Everyone else, twiddle your thumbs.

One Direction‘s ‘What Makes You Beautiful’ debuts straight in at #1 this week, simultaneously becoming the fastest selling single of 2011. The X Factor formed boy band managed to sell 82,000 copies in the first four days out and by the end of the week, they wrapped with a whopping 153,000 copies. It won’t be long before they achieve international success, I reckon. Meanwhile, other recent British chart toppers like Cher Lloyd‘s ‘Swagger Jagger’ and last week’s #1 Pixie Lott‘s ‘All About Tonight’ cop Aussie release dates. Cher’s amazing debut will arrive here on 14 October while Pixie’s party starter drops here this Friday. October, bitch? You have got to be kidding.

JoJo‘s long awaited comeback single ‘Disaster’ enters at #87 on the US Billboard Hot 100 this week. I can’t wait to hear this album of hers. Jumping Trains is currently slated for early 2012 release after countless set backs and returning to drawing boards.

Listen to JoJo‘s ‘Disaster’. She just shot the video last Wednesday in L.A., which was directed by Benny Boom – the man behind clips for Keyshia Cole and Busta Rhymes.


 
Kelly Rowland‘s ‘Lay It On Me’ continues to gain momentum on US urban and rhythmic stations – rising to #36 and #24 on their respective charts. Last week, the track was certified one of the fastest movers on the urban radio charts – y’all better watch out because this song has the potential to wipe out ‘Motivation’ with mass appeal.

Rihanna‘s ‘California King Bed’ ascends to #1 on the US Billboard Dance/Club charts. Something about this don’t sit right with me. None of the club cuts I’ve heard for this ballad has done it for me and I honestly think the gays have gone mad this time. Next thing you know Adele‘s ‘Set Fire To The Rain’ will become a massive rave anthem. Fuck me.

Other major movers in the dance/club Top 10 include: David Guetta‘s ‘Little Bad Girl’ (#2), Leona Lewis/Avicii‘s ‘Collide’ (her biggest club smash yet at #4), Luciana‘s ‘I’m Still Hot’ (#6) and Gloria Estefan‘s ‘Wepa’ (#8 – the greatest gainer).

Jennifer Lopez‘s ‘Papi’ makes a hot shot debut at #28 on the US Billboard Dance/Club charts. I’ll have you know the R3hab remix has been slaying my life for the past few weeks. Where the fuck is this video? Meanwhile, a few steps down, Lady Gaga‘s ‘You and I’ lands at #31. Wynter Gordon‘s ‘Til Death’ drops out of the US dance/club Top 40 after running its course for 15 weeks and other drastic drops on the floor also goes to Jason Derulo‘s heinous ‘Don’t Wanna Go Home’ (#46) and Britney‘s ‘I Wanna Go’, which sank from #8 to #21.

Chart Feed – 12.09.11

Kimbra lands the biggest selling new album in Australia this week with Vows debuting at #5 on our ARIA charts. The Kiwi indie pop siren kicked off her album tour last Friday with a show at Melbourne’s iconic Forum theatre and is set to take the country by storm over the coming weeks. On the ARIA singles chart – she’s still co-reigning on top with Gotye‘s ‘Somebody That I Used To Know’, which managed to once again keep Maroon 5 and Christina Aguilera‘s ‘Moves Like Jagger’ from claiming the crown. Kimbra‘s own new single ‘Good Intent’ creeps in at #98 this week but who gives when you’re selling that many albums?

If y’all are loving hard on Kimbra‘s Vows, you should treat yourself to this A-grade interview I did with her [Editor’s note: so modest] where she elaborated on the album’s art direction and creative processes.

Pete Murray‘s new album Blue Sky Blue debuts at #6 in Australia this week. The new single ‘Always A Winner’ [the title reeks of an Adam Reilly co-write that was rejected by Idol hopefuls circa 2005] may not be in Aussie radio’s overall Top 10 most played but it’s certainly getting love in Geelong where it’s the fourth most played track. Bless. Geelong also bumps a lot of Michael Paynter. Again – bless.

Nicole Scherzinger‘s Killer Love finally pops on our ARIA charts, entering at an underwhelming #28 this week. Is it because Universal Music Australia didn’t tell a soul that this album was finally hitting shelves? I know the situation confused a few queens because the album technically had been on sale via JB HiFi for months now, but now that it is officially out physically and digitally (with the 50 Cent remix of ‘Right There’) – there’s something chartworthy to report on. Said single exits our ARIA Top 20 this week while over in the UK, her sexy RedOne stomper ‘Wet’ sinks to #27.

Y’all know US X Factor is gonna premiere on 21 September – featuring Nicole’s fabulous self behind the judging panel alongside her idol Paula Abdul, Simon Cowell and L.A. Reid. Take a look at this dramatic extended preview here:


 
Sade‘s Ultimate Collection compilation re-enters our local chart at #35 this week, buoyed by excitement of their forthcoming Aussie tour in December. This will be the gang’s first trip to Australia in over 20 years, tickets are going on sale this Friday so expect for shit to be snapped up fast. Now just for comparison sake, here’s another tour/greatest hits package situation for you to chew on.

Roxette‘s Hits compilation enters our ARIA charts at #71 this week despite all this excitement about them finally touring Down Under for the first time in over 15 years. The ‘It Must Have Been Love’ pair recently added shows around the country for the month of February, so get with it. Speaking of flaming old duos getting down here – y’all can be Bananarama‘s back up dancers on stage when they play the Rewind 80’s Festival in Wollongong by simply entering this here JOY 94.9 competition. Trust the nation’s gay and lesbian radio station to be on board.

Jessie J‘s brand new single ‘Domino’ becomes the highest selling new single in Australia this week, debuting at #12. While stations all over the world continue to bump that, she’s still peddling the sinister ‘Who’s Laughing Now’ in the UK. The single dips to #21 this week. Check out her feisty performance on Red or Black?:


 
The girl’s ankle can now apparently tell when it’s going to rain, thanks to the foot injury she’s still nursing. Until X Factor peaks at its live show phase, Red or Black? really is the top-rating go-to show on UK telly if you got a single to flog. Leona Lewis premiered her first live performance of ‘Collide’ there last week and One Direction‘s also done a spot. We’ll address Leona’s little chart showdown further down the post so as they say in TV land – don’t go anywhere.

Adele‘s ‘Set Fire to The Rain’ bullets to #26 in Australia this week while the Moto Blanco remix re-enters our club charts at #25. Seriously, I wanna set fire to my scrotum every time I hear that housed up version. Why am I in such a foul mood over this? I mean, I should thank my lucky stars there weren’t any cheesy dance remixes commissioned for ‘Someone Like You’. Always try to look on the bright side, Limmy. Over in the States, ‘Someone Like You’ makes Billboard chart history for registering the biggest leap to #1 position ever on the Hot 100 (not including the obvious #1 debuts).

Dev‘s ‘In The Dark’ managed to debut at #64 here this week. For a more favourable outlook, it enters at #19 on our Australian dance charts and #20 on the US Billboard dance charts. Elsewhere, Israel Cruz‘s comeback single ‘Party Up’ sinks from #75 to #83 – perhaps a future as producer/record mogul will prove to be a more dignified option. The Potbelleez‘s ‘Midnight Midnight’ tumbles hard from its peak of #48 last week to #80. How embarrassment.

Sneaky Sound System‘s ‘Big’ remixes take a massive leap into the ARIA club charts Top 10 this week. The simple-yet-effective music video premiered sometime last week and it sees our Aussie dance duo hitting up Vegas. I started writing a blog post just for it but then I realised I only have approximately this much to say.

Let’s have Connie’s stunning sequined dress do all the talking for me:


 
Nicki Minaj and Rihanna‘s inspirational piece ‘Fly’ flutters in at #38 this week. I will allow you to roll your eyes discreetly re: pun. This really is one of my faves from the album and it’s just the kinda track you can bring home to meet mother, am I right? It highlights Nicki using rap for the powers of good and not evil. The latter is also perfectly acceptable if you’re down with tracks like ‘Did It On ‘Em’ and ‘Roman’s Revenge’. I secretly live for it when Mama Lim’s church prayer group aren’t watching. ‘Fly’ re-enters the US Billboard Hot 100 at #64.

Beyoncé‘s splendid ‘Love On Top’ cracks our ARIA charts at #40 this week thanks to the defining VMA’s performance and of course, swift radio additions. Somebody tell me what the fuck is going on with single number three campaign. I know ‘Party’ (featuring André 3000) is already clinking wine glasses with everyone on the US urban chart, so what about the rest of the world? Who’s gonna run this motha when ‘Best Thing I Never Had’ retires and the Queen Mother begins to seriously nurse her belleh? As much as I love ‘Countdown’ and ‘End of Time’ – and I see them waiting at the wings – I’m gonna have to let ‘Love On Top’ fly its course. How can you deny its excellence? The song managed to debut at #20 on the US Billboard chart on Thursday. This is evidently its time.

Watch part one of 4 Intimate Nights with Beyonce – Behind The Scenes. I am absolutely dying for the DVD:


 
Florence + The Machine is drowning a little with her new piece ‘What The Water Gave Me’. The song has yet to properly manifest itself on airwaves and on our charts, as it sinks to #43 this week. Meanwhile, past glories like ‘You’ve Got The Love’ and ‘Dog Days Are Over’ hit back at #51 and #60 respectively – the latter being the highest chart position recorded for ‘Dog Days Are Over’. I’mma chin stroke and say it might have something to do with X Factor Australia hopeful Tyla Bertolli‘s audition. If you’re following the series and are not already engaging with my wonderful corresponding blog postsdo you enjoy bashing puppies?

Speaking of the local X Factor touch, Usher‘s classic ‘U Got It Bad’ makes a comeback at #55 on this week’s ARIA singles chart and #16 over on the urban charts. Thanks again to another popular contestant – Josh Brookes – audition. Elsewhere, Tracy Chapman‘s ‘Talkin’ Bout A Revolution’ revisits at #66 after Zaachariaha Fielding‘s sublime performance. Meanwhile, X Factor judge Ronan Keating sees his compilation 10 Years of Hits leap from #81 to #66.

Wynter Gordon‘s ‘Buy My Love’ is nowhere to be seen, y’all. What the fuck is going on here? How can it be one of the Top 10 most added new songs to Aussie radio last week and not even see that reflected in an ARIA Top 100 entry? Gurl, it is not even in the iTunes Top 200. Now I’m pressed. Her Australian X Factor appearance (for two nights) presented a perfect opportunity to drum up some publicity but as far as I know, she hasn’t had any promo lined up for the local single release.

I recognise that my gurl is busy doing shows around the States right now but couldn’t her local label Warner/Neon have done something? I mean, Darren Hayes also got the same amount of time on X Factor but his team managed to put the word out and cross promote the Aussie single ‘Bloodstained Heart’. More could’ve been done to support ‘Buy My Love’.

Pixie Lott has earned herself another #1 smash with ‘All About Tonight’ pulling over 88,000 first week sales. Something tells me the devil was behind this. In fact, call it premonition but before the charts came in I received a random text from my ex with nothing but ‘All About Tonight’ lyrics. The song, which has been earmarked for an American release at some point, is Pixie’s third UK chart topper – following her first two releases ‘Mama Do’ and ‘Boys and Girls’.

Check out her performance of ‘All About Tonight’ on Red or Black? where she criminally tries to be The SaturdaysThe nerve!


 
The Saturdays take silver for this weeks epic chart showdown between Pixie, Leona Lewis and themselves. The girls’ ridiculously catchy new single ‘All Fired Up’ comes in at #3 in the UK, the second biggest new release of the week. The race was well documented on pop music forums – turning into something of a spectator sport, really – when the midweeks came in. ‘All Fired Up’ managed over 40,000 sales by last Wednesday and ended the week with over 70,000 copies. Easily their best first-week sales yet but y’all know The Saturdays have always been headfirst sellers – their manic fans pre-order everything and rush out with massive campaigns on the release day/week itself. The last monster first-week seller they had was the charity single ‘Just Can’t Get Enough’, pulling 65,000 copies.

Leona Lewis didn’t realistically have a chance against the former two female pop acts on this week’s chart. As much as I’m rooting for her Glassheart era, the diva is struggling to get adequate radio support for ‘Collide’ in the UK and honestly, if it weren’t for her legion of hardcore fans, the single wouldn’t even have come as far as #4 on this week’s charts.

Looking on the UK airplay charts – Pixie Lott‘s ‘All About Tonight’ edges up to #4, The Saturdays‘ ‘All Fired Up’ managed to climb to #18 but Leona/Avicii‘s ‘Collide’ is all the way down at #44. You see what I mean? ‘Collide’ becomes Leona’s seventh UK Top 5 smash – her biggest evidently being her #1 singles: ‘A Moment Like This’, ‘Bleeding Love’ and ‘Run’. Over on the US dance charts, ‘Collide’ ascends to a new peak of #6.

Melanie C‘s The Sea and accompanying single ‘Think About It’ was left choking in the dust this week with a debut of #45 and #95 respectively. Damn, #95 has to be her lowest chart effort yet, not far off from ‘This Time’ which floundered at #94. It’s no wonder the Spice memaw’s a little tentative about touring the UK with this album. I mean, she’s always gonna sell out random intimate shows here and there but I don’t think it’ll be anything as major as what we’d like.

The Sea was clinging to #35 at the midweeks but come Sunday, it finished outside the Top 40 with a total of 3,735 copies sold. The album washed in at #29 on the UK digital charts and #6 on the UK indie charts. ‘Think About It’ only managed to sell 2,630 copies.

Do yourselves a favour and look up her splendid G-A-Y set featuring acoustic and club-appropriate performances of her new material and classics. This is one of my faves of the night: ‘Burn’. Future single, anyone?


 
Will Young‘s Echoes slips under Joe McElderry‘s Classic this week, dropping to #5 while the latter moves up to #3. We really can’t compare the success of these two talent show pop stars, can we? Will’s ‘Jealousy’ picks up airplay to become the third most played song on UK radios this week but the single drops to #12. Meanwhile, Joe hasn’t got a single on the radios but like all covers album artists – think: Susan Boyle – he need not any to bring home bacon. Echoes managed over 24,890 copies this week while Classic picks up pace with over 29,700 sales.

Kelly Rowland is still surprising shoppers when they see her Here I Am album in stores, largely due to its under promotion over in the UK. How is it that Bey‘s barely there fetus can sell more records than a woman on prime time telly? The X Factor judge extraordinaire‘s album is nowhere in the UK Top 100 but across the Atlantic, it clings to #35 on the US Billboard Hot 200 and #8 on the R&B charts. Her latest single ‘Lay It On Me’ continues to pick up US rhythmic radio support and sees it fittingly slide up to #69 on the US Billboard R&B charts where ‘Motivation’ still holds tight to #2.

Kelendria is re-engaging the services of ‘Motivation’ director Sarah Chatfield for her next two videos: ‘Lay It On Me’ and ‘Down For Whatever’. Take a quick peek on the set of ‘Lay It On Me’ – Suzie the baby elephant is sadly not featured. The young pachyderm got to play with Kelly in another scene:


 
Cobra Starship‘s Night Shades debut at #50 in the US with a modest 9,000 first week sales. They’re faring a lot better in Australia and New Zealand where the lead single ‘You Make Me Feel’ reaches #6 and #1 respectively. Speaking of dance, Yoko Ono managed to smack Beyoncé well off the top of the US dance/club charts with ‘Talking To The Universe’ becoming her sixth consecutive #1 smash.

Here’s a lovely response from Yoko when Billboard asked about her connection to dance music and her recent slew of club chart toppers:

“Many of my songs were dance orientated from way back. That’s because I love dance! When I hear a dance number, just hearing the first eight bars, it immediately makes my bod start moving and dancing. That’s how I was from a long, long time ago. I can’t help it. But now that I am very involved with making dance tracks, I feel I finally came home!

One thing I didn’t know, and now I know: DJs are in incredible competition, musically. And they are the most musically creative and sensitive people in all the music charts. I am amazed how they are. Without their creativity, my songs could never have become #1. I have so much respect and love for the DJs on the dance chart, you just don’t know. One day, the dance charts will be the biggest chart in the music world. Because we all need to dance. This planet will be a fun planet when the judges in court will end the day with a dance!”

God I love her. Y’all noticed how I placed a Dolly Parton quote in last week’s post? I plan to keep planting these seeds of diva wisdom into my weekly Chart Feed because these memaws just have so much to offer. So much more than just their music.

Gloria Estefan‘s ‘Wepa’ continues to tear it up, moving to a new peak of #14 on the US dance/club charts – certified the “greatest gainer” of the week. The Latin pop mami’s comeback album Little Miss Havana will be released exclusively via Target in America on 27 September. I am slightly concerned to hear that she’s covered J.Lo‘s awful anthem ‘Let’s Get Loud’ for the deluxe edition. Speaking of old divas on the dance floor, Taylor Dayne‘s club comeback single ‘Floor On Fire’ bullets to #39 on the US dance charts. She has no business trying to sound like Cascada. In fact, no one does.

Jennifer Hudson has found herself a surprise dance smash in ‘No One Gonna Love You’. The single rises to #19 on the US dance/club charts, bettering what I thought would’ve been a stronger contender: ‘Night of Your Life’ (with David Guetta). It’s still early days for said track, given that the album just dropped two weeks ago. ‘No One Gonna Love You’ has had an enormous head start.

Elsewhere on the dance/club charts – Joe Jonas‘ fierce new piece ‘Love Slayer’ enters at #47, Taryn Manning‘s crunktastic comeback ‘Turn It Up’ breaks at #48 while Nicole Scherzinger‘s ‘Don’t Hold Your Breath’ bullets to #45.

Chart Feed – 05.09.11

Gotye featuring Kimbra‘s ‘Somebody That I Used To Know’ clocks its fourth week on top of the ARIA singles chart while the album drops to #3 after last week’s triumphant #1 entry. I spoke to Kimbra on the phone this arvo to check in on her own fantastic new album Vows and ask her about getting nekkid with Gotye etc., and was surprised to learn that she’s not pocketing as much you’d think with this hit single. Simple fact – she didn’t write ‘Somebody That I Used To Know’. She was merely invited to guest vocal on it. Having said that, her contribution to the track has been immense. Vocally she totally complements Gotye and I honestly don’t think the song would’ve done what it’s done without her input.

You can hear my interview with Kimbra on air this Wednesday 7pm on Diff’rent Strokes with Jade and Dave. As always, you can expect the full transcript to be posted on Feed Limmy after the radio premiere. There’s always an abundance of good shit we can’t fit on air that y’all can savour here. Kimbra‘s Vows is currently perched at #5 on our iTunes chart while the deluxe edition closes in at #10. Hello, Top 5 debut on the ARIA charts next week.

Watch Kimbra perform one of me album faves ‘Two Way Street’:

 

Red Hot Chilli Peppers has the biggest selling new album in the UK and Australia this week with I’m With You coming in at #1 and #2 respectively, beating off strong competition from David Guetta.

David Guetta sees his star-studded new album Nothing But The Beat debut at #2 in the UK and #4 in Australia this week. Over on the ARIA singles chart, the record spawns a whopping six Top 50 entries – ‘Titanium’ featuring Sia ascends to #5, ‘Little Bad Girl’ featuring Ludacris and Taio Cruz (#21), ‘Without You’ featuring Usher becomes the highest charting new single in Australia – entering at #25, ‘Where Them Girls At’ featuring Flo Rida and Nicki Minaj (#32), ‘Turn Me On’ featuring Nicki Minaj (#37) and last week’s charmer ‘Night of Your Life’ featuring Jennifer Hudson drops to #43.

The Usher aided ‘Without You’ happens to be the fifth most added song to national radios this week. Further demonstrating the label’s new game plan to service strong album tracks rather than just sticking to the designated singles. I mean, why not? ‘Titanium’ became an instant hit the minute it hit airwaves. Over in the UK, Guetta‘s new album serves seven Top 100 hits – ‘Little Bad Girl’ (#18), ‘Turn Me On’ (#20), ‘Where Them Girls At’ (#32), ‘Night of Your Life’ (#51), ‘Without You’ (#56), ‘Titanium’ (#93) and ‘Crank It Up’ (#96).

Beyoncé scores another US Billboard Dance/Club #1 with ‘Best Thing I Never Had’ displacing Kylie‘s ‘Put Your Hands Up’. Side bar: ‘Run The World (Girls)’ and club promo ‘Why Don’t You Love Me?’ were the two other recent solo Bey dance chart toppers. Meanwhile here in Australia, ‘Love On Top’ becomes the tenth most added new track to Australian radios this week. Obviously powered by the buzz from her stunning MTV VMA performance. The song is currently trekking at #35 on our local iTunes chart. Out in the UK, ‘Love On Top’ manages to debut at #75 and push the album 4 back up to #14. I think I speak for all of us when I say, Beysus is more likely to bag a global smash in ‘Love On Top’ right now than with ‘Party’, which by the way rose to a new peak of #50 on the US R&B charts this week.

Listen to ‘Best Thing I Never Had’ (Lil Jon and DJ Kontrol Remix) – a summery urban reimagination that slays over them generic house cuts in my opinion:

 

Florence + The Machine‘s ‘What The Water Gave Me’ debuts at #35 this week in Australia while over in the States, it emerges at #91 on the Billboard Hot 100. Elsewhere, The Wanted‘s ‘Glad You Came’ rises to #45 in Australia while The Potbelleez‘s ‘Midnight Midnight’ ascends to #48.

Wynter Gordon‘s brilliant third single ‘Buy My Love’ becomes the sixth most added new track to Aussie radios this week – racing ahead of Vanessa Amorosi‘s ‘Amazing’ (#7), Nicki Minaj/Rihanna‘s ‘Fly’ (#8) and Jessie J‘s ‘Domino (#9). ‘Buy My Love’ – the DJ Chuckie remix – finds its way back up the ARIA club charts this week, making a new peak of #38. I just got confirmation from a Warner Music Australia rep that the ‘Buy My Love’ video will premiere in Australia this Thursday. In the meantime, check out a few teaser snaps on the Wynter Warriors Tumblr fan page, which may or may not be run by someone you know.

Nervo sees their debut mainstream single – ‘We’re All No One’ – crack our ARIA club charts at #20, making it the biggest new track on the dance floor this week. The Australian twins have spent years writing smashes for the likes of David GuettaKelly Rowland and Kylie, and now comes their moment. Elsewhere, Sneaky Sound System‘s ‘Big’ remixes sashay into the local club charts at #24.

Melanie C‘s The Sea is currently reigning at #51 on our Australian iTunes chart. Pretty impressive given that she hasn’t got any singles on commercial radios at the minute and her local X Factor appearance isn’t scheduled to air until Wednesday or Thursday. This is just growing off the love of her fans Down Under. I made my purchase yesterday and I have to say, the standouts were as I called it: ‘Think About It’, ‘Stupid Game’ and ‘Burn’. Although, the ‘Think About It’ b-side ‘Cruel Intention’ is also quality. Probably more so than half the album.

The Saturdays‘ ‘All Fired Up’ rapidly scorched up the digital charts after it was released yesterday, reaching #2 on UK iTunes. This whole single campaign felt so dragged out, I can’t believe it’s only hitting retailers now. The video premiered almost a month ago and they’ve even flogged a performance or two on prime time telly. It seems like all that hype was probably designed to garner some decent pre-orders to ensure a chart blitz the minute the song is released. Mission accomplished.

Watch the ladies turn out ‘All Fired Up’ on This Morning in the lead up to the single release:

 

Expect for the midweeks to bear an interesting chart battle between The Saturdays‘ ‘All Fired Up’, Leona‘s ‘Collide’ and Pixie Lott‘s ‘All About Tonight’. Where last week was all about the British lads – Olly Murs, Will Young and Joe McElderry – simultaneously rushing out releases, next Monday should be all about them girls.

Nicole Scherzinger‘s Killer Love album is charting at #78 on our Aussie iTunes at the moment. Can she manage an ARIA Top 30 entry by this time next week? Over in the UK, her latest single ‘Wet’ finds itself knocking on the Top 20’s door again. I seriously wonder if it’ll ever cross the #21 mark.

Will Young‘s Echoes slips to #3 this week to make way for two titan new releases but the man is still sustaining well, especially if you consider that his Hits compilation’s re-entered the Top 40 thanks to the ITV special A Night With Will Young. The one-off television special – similar to one staged for Cheryl Cole‘s 3 Words album launch – sees the suave Pop Idol performing smashes from his back catalogue and material from Echoes, mingled with a bit of question time. The program strategically aired after X Factor, no doubt harvesting the bulk of its viewers who have long built a relationship with the beloved singer/songwriter.

Watch Will’s stunning performance of ‘Jealousy’ on the ITV special. I like to think he was winking at me at the 1:02 mark:

 

Dolly Parton‘s Better Day debuts at #9 in the UK this week, making it her highest charting album there to date. Maybe this really is what the world needs after all – an inspirational Dolly Parton album. If this quote about why she made the record doesn’t inspire you to find solace in her music then I don’t know what will.

“I don’t write just to relieve my own anxieties, I write for the people who can’t express themselves. I can’t save the world, but I might be able to save someone today if I can put them in a better mood. The music’s designed to be like a ray of sunshine for all those folks in the dark.” Oh Saint Dolly, you are precious.

Christina Aguilera scored her first US #1 hit in 10 years when her Maroon 5 collabo ‘Moves Like Jagger’ ascended to the top of the Billboard charts last Thursday. The last time Aggie kissed the crown was with her Grammy-winning smash ‘Lady Marmalade’ (with Pink, Mya and Lil Kim), which spent five weeks at #1. Her last solo US chart topper was 2000’s ‘Come On Over (All I Want Is You)’ – damn, gurl. I feel like a whole generation has slipped by since.

‘Moves Like Jagger’ owes its #1 Billboard Hot 100 success to the obvious two factors: consistent digital downloads and growing radio airplay. The track clocked its second consecutive week on top of the American digital charts, selling 217,000 downloads, which worked out to be a 6% sales increase. ‘Moves Like Jagger’ also earned “biggest airplay gainer” for three weeks in a row. Here in Australia, the single has gone double platinum but has yet to ascend beyond its current peak of #2. It remains as the biggest song on Australian radios with #1 placements in Melbourne, Brisbane and Perth airwaves.

If you care for an obscure chart achievement, which I know you do: Adam Levine became the first artist in Billboard history to achieve a #1 single with a band and also debut in the Top 10 as a soloist in the same week (see his appearance on Gym Class Heroes‘ ‘Stereo Hearts’). Golf claps all around.

Leona Lewis‘ much-hyped dance single ‘Collide’ rises to #13 on the US Billboard Dance/Club charts while over in the UK, the song’s struggling to compete with The Saturdays‘ ‘All Fired Up’ – another equally big new release that came out yesterday. Some early reviews have arrived for Leona’s forthcoming Glassheart album and it’s positively exciting shit. I mean, I’m hearing comparisons to Kate Bush, Massive Attack and one reviewer has even earmarked an epic ballad (‘Blank Page’) to be her very own ‘Someone Like You’. If this album is that foray into lush dance pop balladry that I hope it is, Glassheart should automatically assume a position in my Top 10 albums of the year. I have good reasons to jump the gun.

Check out Leona premiering ‘Glassheart’ live at G-A-Y. The track was written by loyal collaborator Ryan Tedder (who did her hit singles ‘Bleeding Love’ and Happy’). Hold on to your arm rest at the 0:53 mark because that bass is slamming!

 

Kelly Rowland‘s Here I Am exits the US Top 30 this week after five weeks. Her surprise smash ‘Motivation’ is still #2 on the American R&B charts, which really baffles me. But I can’t wait to see what happens when the more radio friendly follow up ‘Lay It On Me’ (featuring Big Sean) starts picking up momentum. The song rose to #70 on the R&B charts this week.

Lady Gaga‘s ‘Yoü and I’ makes a Top 20 breakthrough in Australia and the US – rising to #14 and #16 respectively. Over in the UK, the uptake has been a little slow but it’s definitely heading in the right direction, finally reaching #54. I was totally living when they bumped the Mark Taylor remix at my resident gay club on Saturday. Check out a bunch of new official ‘Yoü and I’ remixes here on Pop On and On. As expected, them Gaga remixes waver from the really experimental and dark through to the more commercial reimaginations. I personally prefer the aforementioned “Shania Twain” remix, which dare I say, trumps the original album version.