Chart Feed – 20.08.12

Remember back when it was kinda uncool to be “launched from a reality TV show”?

CHART

Well, it would seem that if you can escape that stigma with class and some bloody awesome creative ventures, you’re guaranteed to be embraced by the masses in the way Guy Sebastian and Jessica Mauboy were this week.

Elsewhere on this Chart Feed, it has also been a good week for the Spice Girls, Emeli Sande, Rita Ora and Flo Rida.

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Chart Feed – 19.12.11

Reece Mastin was almost licking it on both sides this week with his winning single ‘Good Night’ returning to #1 and album debuting at #2 on our ARIA charts. Reece Mastin – a compilation of choons the kid purveyed on X Factor Australia – is the biggest new album in the country, instantly certified platinum for shipments of over 70,000 copies.

Needless to say, the fastest selling artist to ever come out of the local talent show franchise. The kid rocker’s cover of Maroon 5‘s ‘She Will Be Loved’ managed to break the ARIA Top 100 at #87 based on track downloads alone.

Timomatic‘s ‘Set It Off’ skyrockets to a new peak of #22 on our ARIA charts, marking another key success for Aussie pop this year. The man, who’s best known as the singer/dancer who came second on this year’s Australia’s Got Talent series, co-wrote ‘Set It Off’ with DNA – the same Sydney songwriting/production duo who’s responsible for Marvin Priest‘s ‘Own This Club’. DNA also currently has two songs in the ARIA Top 10 in Reece Mastin‘s ‘Good Night’ and Guy Sebastian‘s ‘Don’t Worry Be Happy’.

Matt Corby‘s experiencing some chart wonder with his EP Into The Flame climbing to a new peak of #33. This is the strummy la la artist’s biggest commercial success yet. He really is the new Lisa Mitchell-style success story from our Idol franchise.

Watch Matt‘s video for ‘Untitled’, a track featured on his Into The Flame EP. Side bar: I would totally do him.


 
Pink‘s beige ballad ‘Bridge of Light’ plummets to #34 on our ARIA charts – not surprising given its diminishing radio rotation. Her last single to miss our Top 20 was ‘I Don’t Believe You’, which peaked at #23 back in 2009.

Ricki-Lee‘s glorious ‘Raining Diamonds’ is probably set to retire soon. The underrated smash falls to #39 this week after clocking six weeks in our ARIA Top 50. Our gurl can still probably treat herself to a few Gasp dresses this Christmas – ‘Raining Diamonds’ has been certified gold sales for selling over 35,000 copies.

Cher Lloyd‘s summery smash ‘With Ur Love’ rises to a new peak of #43 on our Aussie charts. Snaps to the ‘Swagger Jagger’ singer for snagging herself an American recording contract with L.A. Reid‘s label Epic Records. I’m sure you’ll agree that her seriously on point debut album Sticks + Stones deserve some proper Stateside attention – check out where it lands on my Feed Limmy Top 30 Albums of 2011 list.

Watch Cher Lloyd do one of my favourite tracks ‘Want U Back’ acoustic style:


 
will.i.am‘s ‘T.H.E. (The Hardest Ever)’ blasts back into the ARIA Top 100 at #57 this week, thanks to interest surrounding the A-grade music video. Over in the States, ‘T.H.E.’ sinks to #193 on the Hot Digital Songs chart but we’ll see this Thursday if it cops a resurrection there too.

Lady Gaga‘s Born This Way album returns to our ARIA Top 50, probably thanks to the Christmas rush. Same goes for Katy Perry‘s Teenage Dream. Y’all know there are loads of unimaginative grown ups buying these records for their nieces and daughters. Meanwhile at the singles bar, Gaga’s two recent singles ‘You and I’ and ‘Marry The Night’ exit the Top 100 while ‘Born This Way’ and ‘The Edge of Glory’ keep selling. Born This Way: The Remix sinks to #100 on our ARIA Top 100.

Little Mix‘s winner’s single ‘Cannonball’ debuts at #1 in the UK, clocking 210,000 opening week sales to become the fastest selling single of 2011. The recently crowned British X Factor champs made history this week as the first girl group to go #1 in the UK since Girls Aloud‘s ‘The Promise’ in 2008. Damien Rice‘s original ‘Cannonball’ rides on the coattails back to #19 on the UK charts this week.

Leona Lewis‘ new single EP ‘Hurt’ enters at #8 in the UK, making it the second biggest new release there this week. It is also incidentally Leona‘s eighth UK Top 10 placement.

Watch an acoustic performance ‘Hurt’, which was recorded on the star’s recent webchat:


 
Jessie J‘s ‘Who You Are’ is bowled out of the UK Top 20 this week, tumbling from #9 to #21. Speaking of drastic drops – the latest X Factor charity single ‘Wishing On A Star’ sinks from #2 to #17, and Emeli Sandé‘s ‘Daddy’ falls from #43 to #76.

Kelendria Trene Rowland‘s Here I Am nosedives from a tepid peak of #43 to #63 on the UK charts this week. Totally not surprised to see it go down that hard. Meanwhile, the smash single ‘Down For Whatever’ leaves the UK Top 20.

Take That‘s Progress Live tour DVD is still the biggest selling music DVD in the UK but over in the US and Australia, Adele‘s Live at The Royal Albert Hall continues to reign on top. Lady Gaga‘s The Monster Ball tour sits at #13 on the UK music DVD charts but does better at #2 in Australia and #3 in the US. Beyoncé’s Live at Roseland DVD falls from #8 to #18 in the UK and from #4 to #6 in Australia but stays strong at #2 in the US.

Check out Queen Bey performing the life-defining ‘I Was Here’:


 
Michael Buble‘s Christmas album continues to rake in the chips with a 64% sales increase in its third week on top of the US Billboard 200. The lucrative seasonal album sold 479,000 copies in America in the last week, making it the crooner’s biggest #1 album yet. You really wonder why he hadn’t put out a Christmas album before. Buble‘s Christmas is also simultaneously topping the UK and Australian album charts.

The Black Keys have the highest selling new album in America with El Camino debuting at #2. It’s remarkably the rock band’s biggest commercial success yet – clocking over 206,000 first week sales. This is very much an improvement on last year’s Brothers, which entered at #3 with 73,000 copies.

Amy Winehouse‘s posthumous album Lioness: Hidden Treasures debuts at #5 in the US, off the back of 114,000 opening week sales. This is the late soul singer’s biggest chart debut ever. Mind you, Back to Black entered at #7 but eventually climbed to #2 on the Billboard 200.

Watch a mini doco about Amy Winehouse‘s Hidden Treasures:


 
Glee‘s season three Volume 7 album gives the franchise their lowest first-week sales yet for a regular compilation (ie. Volumes 1 – 7). The record comes in at #9 on the US Billboard 200 with 58,000 copies sold. The only other Glee releases to have opened with fewer copies were the Rocky Horror Glee EP (48,00) and The 3D Concert Movie soundtrack (20,000). We done here.

Robin Thicke‘s Love After War album debuts at #22 on the US Billboard 200, making this the sexy soul man’s first album to miss the Top 20 since his 2006 breakthrough. Love After War opened with 42,000 first week sales – a far cry from his last album Sex Therapy, which opened with 123,000 copies almost exactly two years ago.

Katy Perry‘s ‘The One That Got Away’ is starting to show its desperation to go #1. There’s the introduction of a rent-a-rapper remix featuring B.o.B. now impacting media – a trick she’s run up on with the last two singles (see: ‘Last Friday Night’ with Missy Elliott and ‘E.T.’ with Kanye West).

But then there’s also a drastic price slash on iTunes! All up, the discounted price managed to only push ‘The One That Got Away’ up to #6 on the US Digital Song chart with a 24% sales increase (117,000 copies). In the UK, ‘The One That Got Away’ rises to #20 but remains at its current peak of #27 in Australia for the second week in a row.

Listen to the odd new B.o.B remix of ‘The One That Got Away’:


 
Kelly Clarkson‘s ‘I’ll Be Home For Christmas’ enters the US Billboard 100 at #93. Meanwhile her next actual smash ‘What Doesn’t Kill You (Stronger)’ drops to #200 on the US Digital Song charts.

That kinda fuckery’s not tolerated here in Australia because we evidently can’t get enough of the song. ‘Stronger’ has been all over radios and it’s also thankfully rising up the ARIA charts to a new peak of #37.

Estelle‘s ‘Thank You’ leaps to #47 on the US R&B/Hip Hop song chart. It’s obvious that the British hip hop/soul siren’s been struggling to make an impact recently. Her last few singles ‘Freak’, ‘Fall in Love’ and ‘Break My Heart’ have all flopped, relegating the album to be pushed back for a February 2012 release.

Listen to Estelle‘s amazingly personal ‘Thank You’:


 
Jennifer Hudson‘s uplifting new single ‘I Got This’ plonks itself at #91 on the US R&B/Hip Hop song chart this week. Apart from ‘Where You At’ which made a meagre #64, none of the other I Remember Me singles have cracked the US Billboard Hot 100. Don’t hold your breath for this one. At least she can lay claim to one more appearance in ‘Night of Your Life’ (with David Guetta), which peaked at #81 a few months ago.

Beyoncé‘s ‘Countdown’ reigns wild at #1 on the US Billboard Dance/Club play charts. I sense that this single – as amazing as it truly is – will never see the mainstream success it deserves. ‘Countdown’ is out of the US Billboard Hot 100, overshadowed by ‘Party’ which is placed at #55. Over in the UK and Australia, ‘Love On Top’ takes precedence.

Wynter Gordon‘s flawless ‘Buy My Love’ has risen to an exciting new peak of #2 on the US Dance/Club play charts. Fuck me, this is gonna be bigger than ‘Til Death’. I am so happy for my gurl. Hopefully this will lead to some long awaited mainstream crossover in the States. Over in the UK, ‘Dirty Talk’ moves up to #35 on the dance charts this week. Very interesting belated development given that the song’s already been moving all year round.

Gloria Estefan‘s ‘Hotel Nacional’ debuts at #29 on the US Dance/Club play charts – making it the highest new entry there this week. I am so glad they went with this as her next single. It should speak to lovers of ‘We Speak No Americano’ and hopefully drive more people to check out Miss Little Havana, which made Feed Limmy’s Top 30 Albums of 2011.

Listen to a preview of ‘Hotel Nacional (Ralphi Rosario Club Mix)’:

Chart Feed – 05.12.11

Reece Mastin‘s ‘Good Night’ checks off its second week on top of our ARIA singles chart, now clocking over 70,000 sales to become one of the fastest selling singles here this year. ‘Good Night’ is unsurprisingly also the biggest gainer on our Aussie airplay chart (between 24 to 30 November), rising to #23.

Guy Sebastian‘s ‘Don’t Worry Be Happy’ improves on last week’s debut, now rising to #4 on the ARIA chart in its second week. Probably thanks to some decent radio rotation too. ‘Don’t Worry Be Happy’ leaps from #54 to #27 on the Australian airplay chart.

Adele has the biggest selling music DVD in Australia this week with Live at Royal Albert Hall debuting on top of the charts, beating off two other new tour DVD releases: Lady Gaga‘s Monster Ball Tour (#2) and Kylie‘s Aphrodite Les Folies (#3). I suppose someone should mention that Britney‘s Femme Fatale tour DVD arrived at #8? Such a non-factor.

Over in the UK, Kylie‘s Aphrodite Les Folies Live in London debuts at #72 on the album charts. It should show up on the DVD charts next week.

Watch Adele performing ‘Turning Tables’ live at The Royal Albert Hall:


 
Hilltop Hoods featuring Sia‘s ‘I Love It’ is the biggest new single in Australia this week, debuting at #18. It is also the second most added new song to local radios. This is now Sia‘s second appearance in the ARIA Top 20 this year, following her other smash guest appearance ‘Titanium’ with David Guetta.

Jessica Mauboy and Stan Walker‘s redundant ballad ‘Galaxy’ sits at #20 on the ARIA Top 50 and registers the biggest drop on the Australian airplay chart in the last week, sinking from #17 to #31. The song has strangely appeared on the UK release schedule with a tentative 12 December launch date. Meanwhile, Stan‘s new album Let The Music Play worringly drops from #18 to #27 in its second week here.

Kelly Clarkson‘s ‘What Doesn’t Kill You (Stronger)’ leaps to #44 on our ARIA singles chart this week, while its predecessor ‘Mr Know It All’ falls to #29. All these lesser songs need to take note and move out of the way too. Kelly‘s hit album Stronger falls to #20 in its sixth week here.

Lana Del Rey‘s ‘Video Games’ breaks into a new peak of #56 on our ARIA charts. The gospel of Del Rey continues to spread across Europe – in fact, ‘Video Games’ is currently reigning in the iTunes Top 10 in Germany, Austria and the Netherlands.

Watch Lana perform ‘Blue Jeans’ – a track featured on her ‘Video Games’ EP:


 
One Direction has the biggest selling new album in Australia this week with Up All Night making a strong debut at #5, simultaneously certifying gold sales of 35,000 copies shipped.

Olly Murs finally gets a UK #1 album with In Case You Didn’t Know debuting on top, selling 148,000 copies in its first week. His first album Olly Murs arrived at roughly the same time last year but only managed to sell 108,000 copies to debut at #2. Well done, you.

Take That’s Progress Live album enters at #12 in the UK this week, making sure Gary Barlow‘s not left penniless this Christmas while his X Factor cohorts all manage chart appearances. Progress Live remains as the biggest selling music DVD in the UK for the second week in a row, keeping Adele‘s Live At Royal Hall from claiming the throne.

Watch Take That performing one of my faves ‘Kidz’ live on their Progress tour:


 
Joe McElderry‘s Classic Christmas album debuts at #15 in the UK this week. This time next year, Craig Colton will be doing the same.

N-Dubz‘s Greatest Hits debuts at a humble #38 this week. It was such a pointless cash grab to coincide with Tulisa‘s X Factor gig and Dappy’s recent solo success. Tulisa‘s own solo album’s not slated for release until the first quarter of next year.

Kelly Rowland‘s Here I Am (International Version) cops a red-faced flop in the UK this week, entering at #56 despite all the promo she’s put in during the week including a mini concert for BBC 1Xtra – which was an utter hot mess, by the way. The album turns up at #23 on the UK digital charts, which doesn’t look too bad I guess. Kelendria‘s current single ‘Down For Whatever’ drops to #9 there while the sexy American urban smash ‘Lay It On Me’ starts charting at #81 in the UK.

Here I Am has a slight chance of faring better in its second week, especially after today’s X Factor performance. Look, I really don’t think it’s gonna significantly turn fortunes around for the diva but kudos for trying anyway.

Watch Ms Kelly turn out a medley performance of ‘When Love Takes Over/Down For Whatever’ on UK X Factor:


 
The SaturdaysOn Your Radar sinks from its disappointing #23 debut to #53 this week. It’s officially a success of Sweet 7 proportions now, am I right – guys? The pop quintet has just kicked off their All Fired Up tour so with any luck, this should support sales a little.

X Factor Finalists‘ woeful charity single ‘Wishing On A Star’ did go #1 after all, making this the fourth consecutive year where the show has slapped a benefit release on top of the charts.

Jessie J‘s defining ballad ‘Who You Are’ races from #37 to #8 this week, thanks to her performance on the UK X Factor and not to mention a complimentary warble by axed contestant Misha B.

Rebecca Ferguson‘s debut album Heaven arrives in UK storefronts today and it’ll be interesting to see where it ends up given the lukewarm chart response to ‘Nothing’s Real But Love’. The slow-burning single does a death drop from #10 to #30 this week.

Emeli Sandé‘s second solo single ‘Daddy’ debuts at #21 this week, obviously gonna be a hard match for ‘Heaven’s peak at #2. The flawless singer/songwriter will drop her debut album Our Version of Events on 6 February.

Watch Emeli‘s video for ‘Daddy’:


 
Beyoncé‘s ‘Love On Top’ flies to #28 in the UK this week, making this Queen Bey‘s 19th solo Top 30 smash in the country. The last closest reach she had was with ‘Countdown’ just a few weeks ago, peaking at #35.

Michael Buble‘s Christmas album squeezes to the #1 spot on the US Billboard 200 with a marginal 0.18% lead over Nickelback‘s Here and Now, which debuted at #2. This is said to be the closest race to the top since November 2007.

Christmas is Buble‘s third US #1 album and with 227,000 copies sold, this is actually the biggest weekly sales he’s ever clocked. I’m thinking he’s gonna be doing seasonal records more often now. Interestingly enough with Justin Bieber‘s Under The Mistletoe and Michael Buble‘s Christmas going #1, 2011 is now the first year to yield two US #1 Christmas albums since 1957, when Elvis and Bing Crosby scaled such heights.

Watch Michael Buble recording ‘All I Want For Christmas Is You’:


 
Nickelback‘s Here and Now is the band’s third consecutive album to make the US top two. Although, the opening week sales don’t quite match that of 2005’s All The Right Reasons (325,000) and 2008’s Dark Horse (326,000).

Rihanna‘s Talk That Talk debuts at #3 in the US, nabbing 197,000 first week sales. Last year’s blockbuster album Loud managed to debut at #2 with 207,000 copies sold. Over at the singles bar, ‘We Found Love’ continues to reign on top of the US Billboard Hot 100 while ‘Talk That Talk’ becomes the biggest new single in the country, debuting at #31. Elsewhere, ‘You Da One’ drops from #14 to #22 while ‘Where Have You Been’ cracks the Top 100 at #65.

In the UK, Talk That Talk drops to #3 in its second week. The pull downwards is also reflected on the singles chart with ‘We Found Love’ slipping to #3 and ‘You Da One’ dipping one spot to #40. The more drastic drops were felt by album tracks: ‘Talk That Talk’ (#25 to #47) and ‘Where Have You Been’ (#61 to #94).

Here in Australia, ‘We Found Love’ is still securely seated in the ARIA Top 5 while its predecessor ‘You Da One’ ascends to a new peak of #31. Its other sister tracks ‘Where Have You Been’ and ‘Talk That Talk’ drop to #63 and #73 respectively, while the new album slides to #7 in its second week. Talk That Talk has now been certified gold sales for shipments of 35,000 copies in Australia.

Listen to Rihanna‘s fierce as fuck ‘Cockiness (Love It)’:


 
Lady Gaga‘s Monster Ball Tour at Madison Square Garden is the biggest selling music DVD in the US, debuting straight at #1 ahead of two other major titles out in the same week: Britney‘s The Femme Fatale Tour (#2) and Beyoncé‘s Live at Roseland (#3).

A Very Gaga Holiday EP debuts at #52 on the US Billboard 200 while Born This Way – The Remix enters at a lowly #105. Over at the singles chart, ‘You and I’ sits at #29 while ‘Marry The Night’ ascends from #97 to #59.

In the UK, Born This Way – The Remix debuts at #77 while ‘Marry The Night’ edges to a new peak of #16. Here in Australia, Born This Way – The Remix debuts at #62 on our ARIA charts but ‘Marry The Night’ has yet to return to our ARIA Top 100.

Watch the hilarious Cooking with Gaga segment on Alan Carr‘s Chatty Man:


 
will.i.am‘s new single ‘T.H.E. (The Hardest Ever)’ featuring Mick Jagger and Jennifer Lopez debuts at #36 on the US Billboard Hot 100, selling 70,000 first week downloads. Meanwhile here in Australia, ‘T.H.E.’ enters our ARIA charts at #68. The Black Eyed Peas frontman’s last solo hit here was last year’s ‘Check It Out’ (featuring Nicki Minaj), which made #21.

Monica‘s new ballad ‘Until It’s Gone’ moves up to a new peak of #26 on the US R&B/Hip Hop charts. There hasn’t been as much of a buzz with this new era for Mo so let’s hope things pick up in the new year. Her seventh studio album New Life is slated for a 21 February release in the States.

Selena Gomez & The Scene‘s ‘Love You Like A Love Song’ finally tops the US Billboard Dance/Club play charts with Beyoncé‘s ‘Countdown’ closing in at #2. Shout out to these key risers: Wynter Gordon‘s amazing ‘Buy My Love’ (#7), Nervo‘s ‘We’re All No One’ (#8) and Katy Perry‘s ‘The One That Got Away’ (#13).

Chart Feed – 20.06.11

Sophie Ellis-Bextor‘s Make A Scene debuts at #33 on the main UK charts and #8 on the UK independent charts this week. After being notoriously delayed for over a year, the record finally arrives on Sophie’s own label but despite fervent TV and radio promo, I don’t think her stunning new single ‘Starlight’ is connecting very much. The absence of an actual hit UK single might’ve hindered the album’s chart performance but I reckon her fans are just happy to finally have it. All matters considered, #33 is really not that woeful.

Read this awesome interview SEB did with Digital Spy where she opens up about leaving Universal Music, plans to release ‘Off & On’ as the next single (yes, that ancient Calvin Harris collabo Roisin Murphy rejected) and her approach to songwriting. “I don’t think writing or co-writing my songs makes me a better singer, but I haven’t really got an excuse not to do it as I’ve got too many opinions!” she says. Check, pop star realist. To every singer that clings on in vain to a shit track they’ve written for egotistical reason and rejects a far superior song that was written for them, I ask this: do actors write their own scripts?

City and Colour‘s Little Hell debuts at #2 in Australia, making it the highest selling new entry here this week. This is the Alexisonfire singer’s third solo album and his highest charting record to date. I have yet to properly inspect Dallas Green‘s discography but I am well aware of his stunning vocals and his growing fan base. Major kudos for the runaway success of this album. Little Hell debuts at #1 in Canada, #28 on the US Billboard Hot 100 and #43 in the UK.

Carrie Underwood‘s promo trip here has done some good in seeing Play On debut at #14. I mean, the album first came out in November 2009 so it’s technically as old as Vanessa Amorosi‘s Hazardous [Editor’s note: oh god, if you put like that…] but most Aussies are none the wiser. The local/New Zealand edition of Play On is padded out with Carrie’s previous hits like ‘Jesus, Take The Wheel’, ‘Before He Cheats’ and ‘Last Name’. Check out Pop Trash Addict’s review of her Sydney showcase. The country pop diva never fails to look stunning.

Stan Walker‘s ‘Loud’ breaks through to a new peak of #9 this week and along with the ascendance is Christina Perri‘s ‘Jar of Hearts’ moving up to #12 in Australia. Elsewhere, Benny Benassi‘s ‘Cinema’ cracks the main charts at #46 this week. The track has been living it up on the Australian club charts for over two months now and from what I’ve heard, all its accompanying remixes (courtesy of Laidback Luke, Skrillex, Alex Gaudino etc.) are fierce. Over in the States, Benny’s killer new album Electroman debuts at #11 on the dance/electronic charts.

Bass Kleph‘s ‘$pend My Money’ is buying itself back into the club charts with a 2011 mix entering at #30 this week. I first came across the fun track when it was serviced to radios two years ago but from what I can remember, the single didn’t really impact in the right way. I would actually like to see this re-serviced to the airwaves because where the timing and the market might not have been overly receptive then, it certainly is now for this brand of sinister electro pop.

Wynter Gordon‘s ‘Til Death’ picks up two spots to chart at #24 in Australia this week. Brace yourself for next Monday’s placement because she’s been working hard on her current week-long album promo trip. Ms Gordon has secured a feature in mX, the Herald’s Hit! Entertainment Guide, several commercial radio interviews as well as a stellar coup performing on Dancing With The Stars last night, so this should create plenty of mainstream awareness. Where possible, she has also been doing acoustic performances of ‘Til Death’ and ‘Dirty Talk’ around town.

I just got back from her exclusive SameSame showcase in Sydney over the weekend and she was stunning! Wynter performed a short acoustic set of three originals (‘Dirty Talk’, ‘Til Death’ and the next single ‘Buy My Love’) and three covers – a rendition of ‘My Boy’, Katy Perry‘s ‘ET’ and Arcade Fire‘s ‘Wake Up’. Y’know, I think I must be one of the first to formally review her album With The Music I Die. As you can tell by my constant fangurling and review, I was well impressed with it. Fingers crossed for a strong chart debut and for ‘Til Death’ to finally break Top 10 next week! With The Music I Die (Deluxe Edition) is currently #18 on our Aussie iTunes chart.

Watch Wynter do ‘My Boy’ at her acoustic showcase as a “warm up” song. She says ‘hey’ to me at the 0:08 mark. Bless!:

 

Calvin Harris and Kelis‘ collabo ‘Bounce’ enters at #2 in the UK, making it the highest charting new entry there this week. Coming in close competition is Ed Sheeran’s ‘The A Team’ debuting at #3 and Tinchy Stryder and Dappy’s ‘Spaceship’ at #5.

Coldplay‘s ‘Every Teardrop is a Waterfall’ sinks to #28 in Australia on its second week. That’s understandable given that they haven’t started promoting it and there’s only so much the initial buzz can achieve. The single also sinks from #6 to #22 in the UK.

Take That returns to the top of the album charts this week thanks to the tour and Progressed repackage. The new single ‘Love Love’ also jumps back up the charts from #41 to #28.

Alex Gaudino and Kelly Rowland‘s ‘What A Feeling’ tumbles to #33 in the UK this week. Has the DC glamazon actually done any actual promo for the single? All this X Factor fuckery is distracting her from the big picture here. Elsewhere, ‘Motivation’ clocks it’s fourth week on top of the US R&B charts and starts moving up the American digital charts. It’ll be interesting to see how her next urban offering ‘Lay It On Me’ fares.

Britney is set to unveil the video for her third Femme Fatale single ‘I Wanna Go’ this Wednesday. The video is promising more “action” than the heavily choreographed performances of its predecessor ‘Till The World Ends’. Check out the video teaser here, retelling the same old folklore of Brit vs the paps again. Mami Spears dressing like an Avril fan from 2002 is a whole different kind of cringe we need to address later:

 

Lady Gaga‘s ‘The Edge of Glory’ picks up pace on the UK charts this week, rising back up to #16. Can we attribute this to the growing TV performances and to a lesser degree, the video premiere? Over here in Australia, the single goes from #33 to #26. Back in the US, ‘The Edge of Glory’ rises to #6 on the Billboard Hot 100, picking up more radio airplay along the way.

Nicki Minaj‘s ‘Super Bass’ is still in the running to become the debutantess of hip hop’s biggest commercial success yet. The single is steady climbing reaching a new peak of #10 on the US Billboard Hot 100, #23 in Australia and #17 in the UK. It’s now officially her highest charting solo single on the Billboard 100 – shooting past ‘Moment 4 Life’ featuring Drake (#13) and ‘Your Love’ (#14). It’ll be interesting to see how Barbie’s Femme Fatale support gig will upgrade mainstream awareness of her music.

Katy Perry‘s ‘Last Friday Night (T.G.I.F.)’ cops a sale boost thanks to the video premiere and accompanying digital campaign. The fourth Teenage Dream single rises to a new peak of #31 on the US Billboard Hot 100. Looking further down, Nicole Scherzinger‘s ‘Right There’ moves back up the chart to #80. All this press surrounding her stint on US X Factor can only be good news for the single. Speaking of milking your talent show gig, The Voice judges Adam Levine and Christina Aguilera will be duetting on the new Maroon 5 single ‘Moves Like Jagger’, which will premiere tomorrow on their program. The single will hit iTunes after the episode airs at 11pm EDT.

Jennifer Lopez‘s recent UK/Europe promo trip is reaping rewards. Her Love? album leaps back up the charts to #25 in the UK this week following a serving of hot tamale diva realness on So You Think You Can Dance and Alan Carr’s Chatty Man. Now that American Idol‘s done, she can actually hit the road and start flogging the record right. Here she is at Germany’s Wetten Dass – such an epic fest featuring a congratulating Heidi Klum and Cameron Diaz at the end:

 

Beyonce‘s ‘Best Thing I Never Had’ leaps to #75 on the US Billboard Hot 100 this week. Billboard.com published an interesting interview with an upcoming recording engineer who worked on her forthcoming 4 opus. DJ Swivel who is responsible for cuts like ‘Party’ – produced by Kanye West and featuring Andre 3000 – said the Queen Mother is “authoritative” but is a “sweetheart to work with when you’re on your shit”. He adds, “she’s on her shit, if you’re not, she’s gonna find somebody who is”. You don’t get to running the world by only being half on point. ‘School and Life’ – a track on the deluxe edition of 4 – is said to be rocking a Prince vibe. Can you believe the album drops in Australia this Friday?

Nerina Pallot‘s Year of The Wolf enters at #31 in the UK this week. She’s gotten much love and kudos on the blogosphere for a while now and yet, the closest I’ve come to her music is acknowledging that Joe McElderry covered her smash ‘Real Late Starter’ and Kylie‘s ‘Aphrodite’ was co-written by her and her producer husband Andy Chatterley.

Watch Nerina do an acoustic version of the album’s lead single ‘Put Your Hands Up’:

 

Selena Gomez & The Scene‘s iTunes promo single ‘Bang Bang Bang’ debuts at #94 on the Billboard Hot 100 this week. It’s sultry as hell and I can’t believe I’m actually saying this but, what time do y’all begin praise and worship in the Church of Selena? I’m converting. Heavily anticipating on her When The Sun Goes Down album, which features a fierce Britney Spears and Nicole Morier (writer behind Femme Fatale‘s ‘How I Roll’) co-write titled ‘Whiplash’.

Robyn‘s ‘Call Your Girlfriend’ accelerates to #2 on the US Billboard Dance charts this week, beating the #3 ranking of ‘Dancing On My Own’ and #5 peak of ‘With Every Heartbeat’ (her two mega dance hits in recent time). Another surprise mover there is actually Beyonce‘s ‘Run The World (Girls)’, rising to a new peak of #4. I mean, the slew of remixes are actually all pretty decent.

Jennifer Hudson‘s ‘No One’s Gonna Love You’ breaks through to #50 on the US R&B/Hip Hop charts this week while the new album I Remember Me moves up slightly to #72. Another stunning album track and major favourite of mine – ‘Don’t Look Down’ (written by Alicia Keys) – is currently placed at #75 on the R&B charts.

Chart snack of the week:

We heard that independent pop sensation Florrie‘s Experiments EP managed to chart at #71 on UK iTunes when it came out last Wednesday. Major kudos! Take a listen to this set of dance remixes she has issued for one of the new tracks ‘I Took A Little Something’:

 

The song is definitely a fan favourite and it’s nice to see it reimagined with these Fred Falke and Loverush club-ready cuts.

Take That ‘Love Love’ Music Video

These men are pure class. First class, even. [Editor’s note: nice reference to the soundtrack, Limmy. Good for you.]

Take That is such a prime example of man band done right. I don’t see NKOTBSB coming nearly as correct as these five. The styling and sonics in this Progress era is revolutionary in a period where 90s boy bands reform and struggle to move forward appropriately to justify their relevance.

 

‘Love Love’ is Take That‘s latest offering, which serves as the lead single for the X Men: First Class soundtrack as well as their own forthcoming Progressed EP. The video is a simple and minimalist affair of lights, camera tech effects and slick choreography action – the latter being relegated to an entourage of rather capable dancers.

Take a look at three moments of glory in the ‘Love Love’ promo:

1) Robbie inspects dancer, dancer about to crack up.

She is already doing so well to be standing upright in such close proximity to Robbie. I know so many queens would’ve dropped dead by now. Just the sheer thought of sharing the same air as Robbie, much less locking eyes with him. I can’t even.

2) Tech vision.

I’m appreciating the fractured camera effects that interject this slick, minimalist production. Think of it as giving the project an ever present “technological” feel that complements its mildly futuristic vision. Big words, Dave. Big words.

3) Sing.

They could’ve gotten these men to do a whole lot more in the video but that would’ve detracted from the cool demeanour, wouldn’t it? Plus, the Progress tour is happening now so seeing them behind the mic wailing is like a subtle nod to that.

Footnotes:

Take That‘s ‘Love Love’ is now out on iTunes here. No word on when the Progressed EP/album repackage arrives in Australia but UK fans, it’s coming out at your end on 13 June.

Take That “Progressed” Album Details and Tracklisting

Here comes the official confirmation I’ve been waiting on.

You know I love fans who take time to comment and alert me on future releases that have been heavily discussed on pop music forums because frankly, I don’t lurk those digital corridors. But after a tip off left on my ‘Love Love’ post about a certain Take That album repackage, I knew some kind of announcement was just around the corner.

Voila! Just in time for their massive Progress tour, which kicks off in the UK later this month, comes Progressed – a delicious two-disc package featuring eight new tracks. Take a peek:

Disc One:

1 – When We Were Young
2 – Man
3 – Love Love
4 – The Day The Work Is Done
5 – Beautiful
6 – Don’t Say Goodbye
7 – Aliens
8 – Wonderful World

Disc Two: the original Progress album.

Footnotes:

Progressed drops in the UK on 13 June and can be purchased as a two-disc unit or, if you’re one of the millions who have already purchased the original album, you can also just grab the eight new tracks on a separate individual disc.

The album’s latest single ‘Love Love’ debuted at #15 in the UK this week and is now released on iTunes Australia.

Chart Feed – 16.05.11

Lady Gaga’s utterly triumphant ‘The Edge of Glory’ debuts at #6 in the UK and #11 in Australia after topping them iTunes charts for most of the week. While it was initially launched as just a digital promo to countdown the album, the track ended up pulling such tidal critical and commercial love that they decided to launch it as the official third Born This Way single.

Watch Gaga perform a heartfelt, acoustic rendition of ‘The Edge of Glory’ at Radio 1’s Big Weekend:

 

It really hits home when you see her take it back to just her raw emotions and a piano. I could fucking cry. Elsewhere, ‘Judas’ comes bolting back up in the UK from #20 to #11 and Australia from #26 to #13. Gaga’s The Fame Monster manages to re-enter our Top 50 this week at #34. All signs point to a mightly record-breaking arrival for Born This Way next Monday. The world is hungrier than ever before.

Adele’s chart-ripping 21 spends its third consecutive week at #1 in Australia rivalled by two covers album all up in its grill. Ex-Idol winner Damien Leith’s Roy Orbison tribute filler Roy is reigning at #2 while Ronan Keating and Burt Bacharach’s duet album When Ronan Met Burt [Editor: found bromance] rises to a new peak of #3 this week. But back to Adelegend, her defining debut album #19 also copped a sales surge last week, bringing it to a new peak of #27 on our ARIA album chart.

David Guetta’s new ménage-a-trois of a single ‘Where Them Girls At’ with Flo Rida and Nicki Minaj jumps to #6 in Australia, registering one of the biggest chart leaps of the week. I know it’s crunk dance for kidz but this shit is made so much more appealing just with the added presence of Nicki Minaj. Your faves could never name check Peabo Bryson in such a sick’ning way.

Jessie J’s soulful ‘Nobody’s Perfect’ debuts at #24 in Australia this week. This song is so raw, it aches with every listen. I really hope the world opens its heart and ears to this gem because while ‘Price Tag’ and the swaggerific ‘Do It Like A Dude’ came chart correct. The real loaded guns are stashed away in Jessie’s ballads [Editor’s note: see also – ‘Big White Room’ and ‘Who You Are’]. La Cornish’s album Who You Are jumps to a new peak of #15 here in Australia this week.

Enrique Iglesias’ new single ‘Dirty Dancer’ – featuring Usher and Lil Wayne – debuts at #36 here this week. The song is exactly as you imagine it to be. Sleazy dance pop with fluorescent synths, lyrical content surrounding seductive choreography – gawsh, this shit has been flogged to death, ya’ll. It’s already old. The line was way back at ‘Tonight (I’m Fucking You).

Stan Walker’s exciting new single ‘Loud’ enters at #38 this week. Watch this climb as radio and TV support for the jam crescendos in the coming weeks. Australians, aren’t we proud of our urban gems? Round of applause for Stan, Jessica Mauboy, Paris Wells, Bliss N Eso, 360 and Shakaya.

Jennifer Lopez and Lil Wayne’s ‘I’m Into You’ finally penetrates the Australian Top 50 this week at #47. Mami’s Love? album made a surprisingly decent debut at #5 in the US. Meanwhile, reviewing its second-week performances in the UK and Australia, the album has expectedly taken a slight dip – dropping from #6 to #14 in the UK and #9 to #11 in Australia. Can we have ‘Papi’ on the radio every hour now? Thanks.

Stevie Nicks’ new studio album In Your Dreams debuts at #6 in the US, registering over 52,000 first-week copies to become her fifth Top 10 album. Down here in Australia the record starts charting at #24 this week. The new album was written with and produced almost entirely by Dave Stewart of Eurythmics’ fame. You know you ain’t got shit on Stevie. Her crusty Tasman region can ooze more talent than all the seasons of Idol put together.

The WombatsThis Modern Glitch is tumbling down the charts fast, landing at #27 in the UK after just three weeks on the shelf. It’s thankfully faring a bit better in Australia, clinging to the Top 10 at #7 this week. Elsewhere, speaking of British bands, Metronomy’s The English Riviera debuts at #49 on our Aussie digital album charts this week.

Take That’s new single ‘Love Love’ debuts at #15 in the UK. You know you’re the ish when Pet Shop Boys is opening for you on tour.

Beyonce’s ‘Run The World’ continues its freefalling floppage, plummeting to #37 in the UK this week. Here’s a little light reading while we wait for that life changing video to drop: B has been honoured with Billboard’s inaugural Millennium Award, check out this Q&A where she talks about the influences behind her forthcoming 4 studio album and what life experiences she enjoyed during her mini-hiatus.

Kelly Rowland’s ‘Motivation’ is positively winning. The track continues its climb up the US R&B charts, this week reaching a new peak of #3. The slow jam is currently placed at #51 on the Australian iTunes R&B charts. Ms Rowland recently revealed the title of her much-delayed third studio album – Here I Am – and names the producers on board. Kelly’s stunning dance collabo with Alex Gaudino – ‘What A Feeling’ – is the eighth most added new song to Australian radios this week. Please let this be fucking huge here, you know I’ve pleaded.

Nicole Scherzinger’s newest Killer Love single is decent but it’s still no ‘Killer Love’. The latest jam ‘Right There’ debuts at #58 in the UK this week while the 50 Cent version will be released in the States on 5 June. Looks like Nicole has managed to lock in some amazing promo to properly relaunch her solo career back home. She’s set to perform ‘Right There’ on American Idol this week with 50, and she’s also nabbed a gig as the host of US X Factor.

Nicki Minaj’s ‘Super Bass’ bolts up to #46 in the UK this week. I reckon it’ll grow to outperform its preceding singles ‘Moment 4 Life’ and ‘Girls Fall Like Dominoes’, which were both at the cusp of cracking the UK Top 20. She’s had plenty of feature credits and singles that never scaled the mainstream chart stratospheres, but with the prominent feature on David Guetta‘s newest Top 3 smash ‘Where Them Girls At’, things could well blow out now.

Britney Spears Femme Fatale keeps plummeting and I don’t get it. The album, which I will eternally defend as one of the most important records in her discography, has been freefalling ever since it came out. Femme Fatale sinks to #42 in Australia and #47 in the UK this week. It’s definitely fared far better in the US but even then, this week we saw it drop from #4 to #20. Gurl, you’re gonna have to work harder to keep our attention now with Gaga, RiRi and Katy running the game. It’s rumoured that Brit will film the video for her third single ‘I Wanna Go’ later this month.

Interesting chart snack of the week:

Shontelle‘s stunning ballad ‘Say Hello to Goodbye’ is enjoying some form of radio rotation in Malaysia. Yes, huntee. The third single off her underrated No Gravity album made the uber popular commercial station Hitz FM’s Top 40 countdown – a chart based on listener requests. Gurl, throw that in with your royalty cheque from RiRi‘s ‘Man Down’ and you can retire happy in Bermuda!