Feed Limmy’s 40 Songs of 2016

In keeping with this annual tradition that stretches back to a land before Snapchat and Gigi Hadid, I am here to present you Feed Limmy’s Songs of The Year.

Over the years it has become more of a documentation of songs released in the past 12 months that I have really enjoyed or have soundtracked a special memory. I think for that reason, these lists of the more intimate nature perhaps carry a bit more meaning and weight, as they’re not critically-inclined but are measured by the standard of one’s enjoyment and personal connection. Which after all, is what music is all about.

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Limmy’s Hot Take: Tove Lo’s sweariness, Destiny’s Child “reunion” and Paulini on The Bodyguard

This week on Limmy’s Hot Take, while you embark on the annual adventure of reaching into the back of your closet to fish out that Poundland shake-and-go wig that looks like it should be read its last rites but is still holding on to some fake blood from three Halloweens ago, we are recapping shit that went down in pop.

Some people can’t help but notice there is swearing and real shit going on in Tove Lo’s new album.

The Guardian summarises in the title of their review: “Joyful sexual liberation and lots of swearing”. The Evening Standard muses, “could do with fewer F-words and more bulls-eye choruses”. “Once more, she flaunts words that would be bleeped on the radio,” pointed out the New York Times. “There’s one in the first line of the album’s opening song”, the reviewer gasped. Blimey! Won’t somebody think of the children?

I mean, you’d think they were clutching their pearls at some BBC children’s show presenter, but no, this is Swedish pop sensation Tove Lo who has made her mark for being wonderfully real and uncensored about sex, drugs and fuck-ups in irresistible electro pop feasts. Where she comes from, they don’t censor nudity or swearing on television. The realism and emotional honesty she bares in her work continues to make some people slightly uncomfortable – and dare I say, I’m slightly more intrigued by that than this album.

“We’re so terrified of emotions,” she tells GQ. “We live on top of each other in cities like this [The chat took place in New York but you get the picture]. We all make ourselves smaller so that we don’t annoy each other. You can say ‘Oh, we’re being respectful of each other’ but why is it so? ‘Don’t laugh too loud. Don’t lash out. Don’t be angry. Don’t be sad.’ I think it hurts us. I think it makes us sick, really. To be able to have your lash-outs or crying, being an emotional person, that’s what a real, strong person is.”

I think we’re entering a new phase in the pop cycle right now and 2017 is going to look a whole lot more like Tove Lo than you’d think. Not saying swapping ‘O’s for vaginas on album covers are gonna be the new thing, but more like, we’re gonna experience more realism and rawness in mainstream art, and it’s not just because we’re in a post-Lemonade world. People are going to respond more to records that are honest, that reflect the pain and confusion they’re trying to calmly mask while they carry on their 9-to-5. We’re in a bit of a shitty place right now – there is a lot uncertainty particularly with people in our generation, Brexit is looming, there is financial turmoil and a tide turning with conservatism.

And that was probably a touch too deep for a Saturday afternoon from someone who wrote about Little Mix last week, but if I haven’t lost you…

 

Destiny’s Child is officially on Instagram and people are losing their shit

For some reason, there is now a verified Destiny’s Child Instagram account and people, INCLUDING MYSELF, are getting flustered at the slight chance of a reunion. Beyoncé’s is probably thinking, ‘I did not sign off on this. Who let my father on Instagram?’.

Honestly, whatever reunion there is will probably never happen on the scale we want (album of new material, world tour, HBO documentary, another McDonald’s advert, merch, line of wigs) but, like, there’s probably some contractually-obligated ‘best of’ in the pipeline.

If we had a brand new Destiny’s Child single, it better be a sultry, urban low-key banger in the vein of Tinashe/DJ Mustard production/’Motivation’-meets-‘Drunk in Love’-meets-‘2 On’.

 

Paulini is doing The Bodyguard Musical in Australia!

The musical theatre production has already done wonders for reviving Beverley Knight and Alexandra Burke’s careers here in the UK, so I’m bloody excited to see what it’s going to do for Paulini.

I mean, I really hope Australia gets behind our girl in this exciting new role, but not so much that it gives her the courage to release some strawberry daiquiri Eurodance covers album of Whitney’s hits. We mustn’t let it go to her head because, remember, somebody let this happen.

 

Top tunes of the week

Ray BLK ‘Baby Girlz’

South London singer-rapper Ray BLK is 100% compulsory listening for every single one of you. I was immediately won over when I heard her singles ‘My Hood’ with Stormzy and ‘Chill Out’. Her seven-track album Durt, which hears her pair velvety vocals that would sound at home on American urban music airwaves with truthful lyrics about her life, relationships and struggles in London, is my favourite new release this week.

‘Baby Girlz’ sets the scene telling a story of a girl named ‘Keisha’ who fell pregnant in her teens and turns into a wider commentary on the cycle of hardship Ray sees in her community.

“You know the Tories wanna trap you in the cycle, either you’re carrying a baby or got a rifle. And you know the streets always looking for disciples to follow the roads and have your growth stifled.”

 

 

Ralph ‘Busy Man’

Rocking a slightly more laid-back groove this time is electropop chanteuse Ralph, who of course dazzled us all with the rather brilliant ‘Cold to The Touch’. There is something quite alluring about her desire and steely determination to get her message through to this bloke. I can imagine myself trying to slow dance my way out of the Friend Zone with this one.

 

Alex Maxwell ‘Ghost’

London alt-pop singer songwriter Alex Maxwell is giving me throwback to the dreamy 90s psychedelica of Mazzy Star here with ‘Ghost’. It’s totally one for laying on the grass in the countryside with a joint, definitely not wearing a flower crown because that shit is lame, and staring at the stars. The track, which Alex co-wrote with Carey Willett from Athlete, is on her debut EP Signs.

 

Ryland Rose ‘Polaroids’

Independent Australian rapper Ryland Rose sounds ready for prime time slot after the 7 o’clock news on this polished production of swishy synths and urban beats.

 

For more of my favourite tunes, check out my NEWEST playlist.

And finally…

Turns out, the Sugababes were #1 on this day 13 years ago with ‘Hole in The Head’ (Mutya’s look in this video is so Halloween goals) and nine years ago with ‘About You Now’. What. Major. Tunes.

If you haven’t already lost hope <insert Titanic ‘It’s Been 84 Years’ gif>, apparently very early 2017 will finally bring us the long awaited new album by Mutya Keisha Siobhan.

Let’s talk shit and share playlists on Twitter. Follow me on @feedlimmy.

Various Artists “Hunger Games: Mockingjay Part 1” Soundtrack

Lorde is probably one of the most in-demand and untouchable young talents in the music industry right now. The 18-year old alternative-pop savant from New Zealand has been given the honour of curating the new Hunger Games soundtrack and boy, did she turn it the hell out.

Hunger Games soundtrack Lorde

Mockingjay Part 1 is the third soundtrack of the popular anthology and is, quite rightly so, the most hyped one yet. Just like the movie, you get a sense that each artist selected for the soundtrack needs to breathe some level of cool, youthful rebellion. Lorde herself would fit the bill quite well but this isn’t a Lorde album in disguise, per se.

Sonically, the album is a cohesive and magnetic mix of hip hop and alternative electro pop. The album opener ‘Meltdown’ is probably the best summary of the different influences at play here. Belgian producer Stromae cuts a mean, strutting electro beat while Q-Tip and Pusha T throw punchy rap verses and Lorde owns the hook with HAIM on backing vocals.

As well as securing in-demand figures in the industry like Kanye West, Charli XCX and others for the project, Lorde has also submitted a new track ‘Yellow Flicker Beat’, produced by Paul Epworth who was behind Adele‘s monumental album 21, and a spine-tingling cover of Bright Eyes‘ ‘Ladder Song’.

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Four Feed Limmy playlists you will adore

I am obsessed with creating themed playlists on Spotify. I don’t go more than two days without some form of alcohol touching my lips and I don’t go more than two days without updating a playlist.

YONCE

So here are four of my favourite and, I suppose, well liked Spotify playlists.

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Cher Lloyd “Sorry I’m Late”

Brat princess Cher Lloyd spreads her wings and reveals a more grown up side on her second album: Sorry I’m Late.

Cher Lloyd Sorry I'm Late album cover

The Malvern-born star rose to fame on The X Factor four years ago when she was just 16. It was clear from the get-go that Cher’s feisty personality and unflappable ability to pour herself into both rap and sung verses would earn her young fans around the world.

Her debut album Sticks and Stones pitched her as a petulant teen star, spoon fed on power pop melodies of Spice Girls and B*Witched. It was an expertly masterminded project with rock solid hits that catapulted Cher to the Top 10 on both sides of the Atlantic and sold over 700,000 albums worldwide.

Where Sticks and Stones sounded too eager to please with its bratty persona, Cher’s sophomore effort doesn’t try as hard.

Since we last heard from her, Lloyd has not only entered her 20s – she has gotten married, parted ways with Simon Cowell‘s Syco label, and toured the UK and America. You can hear the impact and challenges of these new experiences reflected in Sorry I’m Late.

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Tove Lo “Truth Serum”

Pop music lovers with ears to the ground have been hearing whispers of Tove Lo‘s name for months now, but is her debut EP – Truth Serum – worth a shout?

Tove Lo Truth Serum

The Swedish pop artist’s breakthrough single ‘Habits’ was one of my absolute favourite songs of 2013, so you know the bar is set somewhere up in the stratosphere.

Truth Serum is a concise collection of five originals, all written by Tove Lo and produced by The Struts. While ‘Habits’ pitched her as a convincing purveyor of murky, tear-streaked electro pop, she also offers a taste of cheerier, underground club fillers.

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Feed Limmy Top Songs of 2013: Tove Lo ‘Habits’

“Spend my days locked in a haze, trying to forget you babe.”

Tove Lo Habits

You know me, I go weak for a good tear-streaked electro pop ballad but there is something about ‘Habits’ and the way it draws you into its numbing cloud of tragedy. Why am I addicted to a song that makes me feel so sad?

Swedish pop artist Tove Lo’s despondent lyrics about cycling through different activities to feel something other than soul-destroying loneliness struck a nerve.

The random hook-ups, the sex club visits, getting high, the excessive alcohol consumption – I love how the account plays like a fast-flicking and blurring montage, tinged with pain and denial.

“Staying in my play pretend where the fun ain’t got no end. Can’t go home alone again, need someone to numb the pain.” We can all more or less relate, yeah?