Limmy’s Hot Take: What we can learn from Vanessa Amorosi’s comeback in a Trump PTSD week, Alicia Keys and Turning 30 with T-ARA

This week on Limmy’s Hot Take: I have been thinking a lot about fear over the past few days. I mean, where do we even begin with a week that left us with Donald Trump as the new President of the United States?

Fear is such a powerful feeling. Fear changes people; it cripples you and cuts you down. It eats away at your self-confidence. They are the words that put you back in your box and keep you in your place; from progressing, from changing, from becoming a better version of yourself, and from making moves that you know are ultimately right for you.

After awhile that fear becomes real comfortable and familiar. It might even start to sound like common sense to you. “If it ain’t broke, don’t fix it.” “Why would you leave all this behind and start over?” “You can’t stop now! If you do, your fans will forget about you.” “‘You know it’s true what they say, it’s better the devil you know!” Nope. Maybe that last one was Kylie.

One who has grabbed fear by the ball sack and given it a firm-but-threatening squeeze is Aussie popstar Vanessa Amorosi, who shortly after the height of her 2009 comeback decided to change direction and give up the comfort of Australia for a new life in Los Angeles.

Widely regarded, yet lately often forgotten, as one of Australia’s most powerful vocalists of this generation (even Mary J. Blige fucks with her), Vanessa reached national treasure status by the time she was 18. Mostly thanks to the ubiquitous banger ‘Absolutely Everybody’, which probably still haunts regional community centre aerobics classes frequented by about five retirees.

Even better yet, Vanessa came smashing back A DECADE after with a multi-platinum-selling #1 hit ‘This Is Who I Am’ and an equally popular album. That was her last album.

 

In the seven years that passed, she could have remained in Australia where she would have been guaranteed work for a lifetime to keep her profile up as a minor celebrity. She could have appeared on Dancing With The Stars (Down Under’s version of Strictly), she could have been a judge on The Voice (imagine the tabloids jizzing over a rivalry between two of Australia’s greatest pop divas! ARE YOU TEAM DELTA OR TEAM VANESSA? *Cuts to cleverly edited side eyes and stony-faced hair flicks*). Vanessa Amorosi could have even gone into the jungle! Because we now have I’m A Celebrity… Get Me Out of Here! in Oz too. But instead, she followed her gut and took a massive risk by moving to L.A. and disappearing from the limelight. In the entire time Vanessa Amorosi had been away from the public eye – Snapchat was launched, One Direction was created and disintegrated, “Tindering” had become a thing, and humans have now evolved to screen grab at lightning speed.

This week she emerged to announce a soul gospel album due for 2017, which she has worked on for the past five years with Dave Stewart of the Eurythmics (!!). By the sounds of things, it’s a labour of love she is very proud of. Will it be a massive success? Will she top the charts again and sell out arenas? Maybe! But that almost doesn’t matter. Perhaps, quite admirably, what we can take away from her story in this Trump PTSD week where many of us feel perhaps quite helpless and uncertain of the future, is that we need to have courage to rebuild. Change is inevitable, and life is too short to stay unhappy and comfortable in the fear of the unknown.

The Gospel according to Alicia Keys

I’ve been massively impressed with the new Alicia Keys album. Listened to it from start to finish and again yesterday. I said a couple of weeks ago, in relation to Tove Lo’s album, that there’s a wave of realism coming to mainstream music and that is what we are all connecting with right now, and it couldn’t be truer of HERE.

Alicia’s musical output has always remained very close to her Harlem roots but this particular album just feels more like home. It is almost quite documentary-like in its execution, in the way it invites you in and has you completely immersed in its world without leaving your seat. The beauty of which is brought to life visually in this mini-movie that accompanies the record. It won’t take up as much time as the Lemonade movie but it is just as important viewing.

 

Top Tunes of The Week

St. Beauty ‘Borders’

Is anyone else watching the Issa Rae HBO series Insecure? Solange has done an A+ job curating music for this because I swear I’ve got Shazam running every episode. One of the gems uncovered through the show this week was St. Beauty, an American soul duo signed to Janelle Monae‘s Wondaland Records. ‘Borders’ is one for the midnight drives.

 

Washington ‘Saint Lo’

Australian singer-songwriter Megan Washington is back with her first new material in two years, ‘Saint Lo’. The whispy electronic pop piece came about from her songwriting sessions in the States. This actually sounds like it could slot quite nicely between Tegan & Sara and Shura‘s latest albums!

 

 

Gabrielle Aplin ‘Miss You’

Okay, there’s definitely a theme emerging with this week’s Top Tunes. Gabrielle Aplin is not one I thought I’d be checking for but since the surprisingly good deep house remix of her 2013 single ‘Salvation’ that dropped earlier this year, it shouldn’t come as a shock that she’s headed in a dancier direction. ‘Miss You’ still bears the signature of her piano-based singer-songwriter brand but just every so lightly sprayed with a mist of bubblegum-flavoured, tropical house production.

 

047 feat. Linn Öberg ‘Wilderness’

Here come the Swedes, in their element with a frosty and folky electronic pop moment. Melancholy folk singer-songwriter Linn Öberg is giving us all a bit of raw, earnest vocals for the dance floor and I can’t even pretend that I haven’t already fantasised about figure skating to this. (I do not skate. I normally even hate the thought of skating. I avoid Winter Wonderlands all together because I know there are people ice skating.)

For more of my favourite tunes, check out my NEWEST playlist.

And finally…

To kinda cheer myself up this week, I’ve made a playlist of T-ARA bangers you never thought you needed. So if you are in need of a lift with high-fructose K-pop – I got you. This was partly prompted by this lite shade interview where the band was asked about turning the ripe old age of 30!

“We do not feel pressured about entering our 30s. It does not really strike us that we are near our 30s since we live in a group rather than living alone.” – Some comfort to the hundreds of 30 somethings flat-sharing in London, I guess.

 

Tweet me shady memes about Trump on @feedlimmy.

Quick Feed: Calvin Harris, Leona Lewis and Colton Haynes, Vanessa Amorosi and Nelly Furtado

Who isn’t on the new Calvin Harris album?

CALVIN HARRIS

After four consecutive UK #2 hits in the last 14 months and a string of smash productions for other artists, it dance/pop producer Calvin Harris is finally ready to unveil his third studio album.

The Scottish DJ announced over Twitter that the new album titled 18 Months will arrive on 29 October, which would be preceded closely by the project’s fifth single ‘Sweet Nothing’ (featuring Florence + The Machine).

Harris also confirmed that the album will feature collaborations with Kelis, Rihanna, Example, Nicky Romero, Ellie Goulding, Tinie Tempah, Florence Welch, Dizzee Rascal, Ne-Yo, Ayah and Dillon Francis.

Make no mistake about it – 2012 and 2013 is definitely the era of Calvin Harris. This rising super producer is totally gonna be the authority on dance/pop sounds in the same influential manner as past hitmakers David Guetta and RedOne.

Continue reading

Chart Feed – 31.10.11

Darren Hayes has the biggest selling new Aussie album here this week with Secret Codes & Battleships debuting at #10 on our ARIA charts. This is the ex-Savage Gardener’s first Top 10 placement since 2004’s The Tension & The Spark. Darren‘s current Aussie single ‘Bloodstained Heart’ also finally cracks our ARIA Top 100 this week at #80, after two months of languishing on the digital shelves. The man is set to kick off his three-date Australian Secret Tour this Wednesday in Melbourne and I absolutely can’t wait to be there, finally seeing my idol live and in the flesh. Over in the UK, Darren‘s Secret Codes & Battleships debuts at #29 this week, despite a promising placement of #11 in the mid-weeks.

Watch Darren Hayes performing ‘Bloodstained Heart’ on Sunrise last week:


 

Coldplay effortlessly topped the Australian and UK charts this week with Mylo Xyloto. The album was instantly certified gold sales in Australia (for shipments of over 35,000 copies – whatever that means) while over in the UK, Mylo Xyloto managed to pull 208,000 copies in its first week. This means that Coldplay now has the second biggest opening week sales of 2011 – only marginally trumped by Lady Gaga‘s Born This Way, which debuted with 215,639 copies. Mylo Xyloto is expected to also debut at #1 in the US later this week, scaling sales north of 450,000 copies. The album’s currently #1 on every iTunes store in the world – except Denmark, they just don’t get it.

Meanwhile over at the singles bar, Coldplay‘s current hit ‘Paradise’ leaps to a new peak of #18 on the Australian ARIA chart and ‘Every Tear Drop Is A Waterfall’ re-enters at #32. Over in the UK, ‘Paradise’ belatedly debuts at #14. Even though it’s been released since mid-September, it wasn’t eligible to chart because the song was sold as a free download when you pre-ordered the album. The next Coldplay single – ‘Princess of China’ (featuring Rihanna) – debuts at #33 in the UK this week, making this RiRi‘s 27th UK Top 40 single all up.

Listen to Coldplay‘s ‘Paradise (Electrolightz Remix)’:


 
Kelly Clarkson‘s Stronger is the second biggest new album in Australia this week, debuting at #3. This is now Clarko’s fourth consecutive Top 5 album in this country, the only one to never chart as favourably was her debut album Thankful (which only made #33). Over in the UK, Kelly Clarkson‘s Stronger enters at #5 and later this week, we can expect for it to debut well in the US Top 10.

Washington‘s Insomnia EP debuts at #24 in Australia this week. A pretty unsurprising entrance, given the minimal promo and airplay for her stunning new single ‘Holy Moses’. Insomnia, the collection of eight new tracks, is meant to appease her Aussies while the Brisbane-born singer sets off to do an international release of her massive I Believe You Liar album. The international version of I Believe You Liar (featuring ‘Holy Moses’) will arrive in the UK on 7 November.

Watch Washington‘s defining ‘Holy Moses’ video, if you haven’t already:


 
Ricki-Lee‘s wig-snatching ‘Raining Diamonds’ rises to #55 in its second week. I think what’s obviously missing now is some well-placed television promo for the girl. She’s already started doing the odd live performances here and there for ‘Raining Diamonds’ – the word is well and truly out by now. In fact, if you’re not doing anything this Friday night, come join me at the GH Hotel to watch the ex-Young Diva perform this song with full force eleganza.

Havana Brown‘s ‘Get It’ rises to #57 this week on our ARIA charts, demonstrating surprising staying power beyond the realms of my comprehension. I suppose we can expect for it to go back into the Top 50 next week after this Tuesday’s X Factor performance? Hovana will be sharing the elimination episode line up with fellow Aussie popstars Jessica Mauboy and Stan Walker, who will both warble their new single ‘Galaxy’.

Altiyan Childs‘ new single ‘Ordinary Man’ drops to #61 after only two weeks in our ARIA Top 100. Is there no returning this man to the Top 50? Elsewhere, other Aussies on the way out include Shannon Noll‘s ‘Switch Me On’ (#59) and 360‘s ‘Killer’ (#91), while all of the following fall out of the ARIA Top 100 altogether: Elen Levon ‘Naughty’, Vanessa Amorosi ‘Amazing’, Short Stack ‘Bang Bang Sexy’, Stan Walker ‘Loud’ and Israel Cruz ‘Party Up’.

The Wanted‘s ‘Lightning’ impressively debuts at #99 in Australia this week sans any promo or rapid radio addition. All I know is, they’ve now got a captive audience of teenage girls and the EP was plastered all over the iTunes home page. You do the math. Over in the UK, ‘Lightning’ drops from #2 to #9.

Check out The Wanted‘s ‘Lightning (Chuckie Remix)’:


 
Professor Green scores his first ever UK #1 smash this week with ‘Read All About It’ (featuring Emeli Sandé). The song managed opening week sales of 153,000 copies – just one per cent shy of One Direction‘s ‘What Makes You Beautiful’, which is currently the UK’s fastest-selling single of 2011. This is singer/songwriter Emeli Sandé‘s fourth UK chart appearance (third as a featured artist). The divine Ms Sandé will release her second solo single ‘Daddy’ (featuring Naughty Boy) in the UK on 21 November and her long-awaited album Our Version of Events will drop on 30 January.

Lana Del Rey‘s flawless ‘Video Games’ sinks from #9 to #15 in the UK this week. Amidst all the excitement surrounding her recent signing to Interscope Records, it would seem that her debut album and next single ‘Born To Die’ is now etched for an early 2012 release. Could she be the Adele of 2012? Or will she end up as a basic success like Rumer or Clare Maguire? ‘Video Games’ is in the iTunes Top 10 in three different countries right now.

Watch Lana Del Rey performing ‘Video Games’ live at The Premises:


 
Matt Cardle‘s ‘Run For Your Life’ continues its rapid exit from the charts, plummeting from #23 to #52 in its third week. Meanwhile, his album Letters slips from #2 to #6. You can see why his label is anxious to rush out another single before the year’s end, right? ‘Starlight’ is scheduled to drop in the UK on 5 December.

Florence + The Machine‘s ‘Shake It Out’ sinks to #57 after just four weeks on the UK charts. The flame-haired diva is expected to launch her third Ceremonials single – ‘No Light No Light’ – on 16 January in the UK. Fingers crossed for a favourable album chart entry on Monday.

Adele‘s back to ruling both the US singles and albums chart with ‘Someone Like You’ retaining the top spot and album 21 returning to #1. In the last week, Adele managed to sell 106,000 copies of 21 in America – pushing its total sales to 4.1 million. Most definitely the biggest album of the year now. Next in line is Lady Gaga‘s Born This Way, managing 1.9 million sales to date. That’s quite a gap there.

The British warbler will release her next single – ‘Rumour Has It’ – on 21 November in the UK. The song has already impacted Aussie radios to coincide with her first live CD/DVD set – Adele: Live at The Royal Albert Hall – which will arrive here on 25 November and 28 November in the UK.

Watch Adele performing ‘Rumour Has It’ – fuck, I love her banter:


 
Rihanna could actually lynch the US #1 spot from Adele this coming week. ‘We Found Love’ is currently the most downloaded song in America, racking up 231,000 digital sales in its fifth week. On the overall US Billboard Hot 100, ‘We Found Love’ has ascended to a new peak of #2 – the only thing realistically preventing it from toppling Adele‘s ‘Someone Like You’ is radio airplay. Here is where the gap widens between these two hits. ‘Someone Like You’ is the second most played song on American radios while ‘We Found Love’ is placed at #11 on the airplay charts. ‘We Found Love’ is currently the #1 iTunes single in 11 different countries including US, UK, France and Canada.

Justin Bieber‘s ‘Mistletoe’ is the biggest new single in the US, debuting at #11 on the Billboard Hot 100 with 164,000 first week downloads. The teen pop sensation is set to film the music video for ‘All I Want For Christmas Is You’ with Mariah Carey this week in New York City. This’ll be Mimi‘s first music video appearance since she had her gorgeous twins.

Beyoncé‘s ‘Countdown’ rises to #77 on the US Billboard Hot 100 while the urban single ‘Party’ (featuring André 3000) fares better at #75. Meanwhile over in the UK, ‘Countdown’ flies to #39, making this the megastar’s 21st UK Top 40 smash (not counting the ones with Destiny’s Child).

Beysus‘ brand new live DVD package – Live in Roseland: Elements of 4 – lands in Australia on 2 December. Just in time for Christmas. On top of the live tour show, there’ll also be a bonus disc containing seven music videos – including one of the deluxe edition album track, ‘Dance For You’. Santa better come correct for me this year.

Listen to Beyoncé‘s ‘Countdown (Jochen Simms Club Remix)’:


 
Kelly Rowland‘s ‘Down For Whatever’ drops in Australia and some European nations today, complete with a slew of A-grade remixes. At the moment, this new release is not publicised anywhere on our iTunes store. I’ve checked the pop, dance/electronic and even R&B sections – tumbleweeds. Even Estelle‘s got a single on display but not Kelendria. ‘Down For Whatever’ is currently in the iTunes Top 10 R&B/Soul songs chart in Denmark and Norway.

It’ll be interesting to see if ‘Down For Whatever’ fares any better than her last solo single (‘Commander’) and whether people are any more motivated to buy her album. The international edition of Here I Am – which should technically contain more pop/dance inflected material – is set to drop on 2 December in Australia. Over in the UK, Kelendria will release ‘Down For Whatever’ on 21 November and the album will drop the following week. Seriously gagging to see how big they’ll make her X Factor performance. Trust me, you don’t wanna settle for less than what Cheryl Cole has delivered in the last two years.

Listen to Kelendria‘s ‘Down For Whatever (Max Sanna & Steve Pitron Club Mix):


 
Jennifer Lopez‘s ‘Papi’ finally ascends to #1 on the US Billboard Dance/Club Play charts, making this her sixth consecutive solo single to do so. Basically, every song since 2007’s ‘Do It Well’ has been a dance chart topper – yes, even ‘Louboutins’. Meanwhile, ex-Pussycat Doll Jessica Sutta‘s ‘Show Me’ rises to #2 on the US Billboard Dance/Club Play charts. Nicole who? The Scherzingernator‘s ‘Dont’ Hold Your Breath’ pulls up to the bumper at #3.

Wynter Gordon‘s amazing ‘Buy My Love’ finally debuts at #45 on the US Billboard Dance/Club charts! I am extremely overjoyed for my gurl. Let’s hope this moves up to the Top 3 in the way that ‘Dirty Talk’ and ‘Til Death’ did. Wynter opened for The Wanted‘s New York city shows recently, so let’s hope this association strikes a chord with pop music lovers who are yet to discover With The Music I Die. ‘Buy My Love’ and the album will drop in the UK on 7 November, five months after it was first launched in Australia.

David Guetta has the #1 iTunes dance song in 16 different countries right now – 13 of them belong to ‘Without You’ (featuring Usher) and three to ‘Titanium’ (featuring Sia).

Gotye and Kimbra‘s ‘Somebody That I Used To Know’ is currently the #1 single on Netherlands and Belgium iTunes. It feels like some European countries are more receptive to his stuff than others. Back in Australia, Gotye‘s next single ‘I Feel Better’ becomes the third most added new song to local radios.

Chart Feed – 17.10.11

LMFAO has the biggest selling single in Australia this week with the charming and timeless jam ‘Sexy and I Know It’. The American dance duo managed to dethrone Kelly Clarkson after her one-week reign on top with ‘Mr Know It All’. This is LMFAO’s second #1 hit here following the massive ‘Party Rock Anthem’. Fun fact: ‘Party Rock Anthem’ is the second longest running #1 single Australia has had in this century – reigning for 10 whole weeks. The longest staying #1 single we’ve had since 2000 is still Eminem‘s ‘Lose Control’, clocking 12 weeks. That’s the one to beat.

Beyoncé‘s ‘Love On Top’ rises to a new peak of #21 in Australia this week. We remain as the only territory to have picked up this track and run with it. Over in the US, ‘Love On Top’ makes its way back up to #82 on the US Billboard R&B/ Hip Hop charts. Other Bey singles to be making waves right now include ‘Party’ (featuring André 3000) – cracking the US Billboard Hot 100 at #93 and seeing this success naturally reflected on the R&B/Hip Hop charts, where it rose to #9 – and ‘Countdown’, her third official single, rising to #66 on the American R&B charts. Over in the UK, ‘Countdown’ leaps from #171 to #77.

Ed Sheeran‘s ‘The A Team’ debuts at #32, becoming the highest charting new entry on our ARIA Top 50 this week. Elsewhere, major pick up from the following three singles who all managed to crack the Top 50 in their second week – Simple Plan ‘Can’t Keep My Hands Off You’ (#45), Katy Perry ‘The One That Got Away’ (#48) and Nicole Scherzinger ‘Wet’ (#49).

Watch Katy Perry performing an acoustic run down of ‘The One That Got Away’ on X Factor:


 

Cody Simpson‘s ‘On My Mind’ enters at #51 in Australia this week. It must really irk his minders to not see this at least crack the Top 50 after all the promo and Skyping he’s had to endure in the last seven days. On the plus side, the blonde teen’s album Coast to Coast rises ten spots to #16. I suppose he is winning after all.

Speaking of winning Aussies, Vanessa Amorosi‘s ‘Amazing’ finally cracks the Top 100 at #83 this week – no doubt thanks to the X Factor performance last week. Meanwhile, other Australian pop new releases like Natalie Bassingthwaighte‘s ‘All We Have’ and Stan Walker‘s ‘Light It Up’ have yet to show up in the ARIA Top 100. Change might be coming Nat Bass’ way, though. ‘All We Have’ suddenly enjoys some radio pick up, becoming the fifth most added new song to our airwaves this week. Shannon Noll‘s ‘Switch Me On’ plummets to #71 this week. People probably stopped buying it because they knew the album was coming [Editor’s note: in fact, A Million Suns as it is called came out on Friday].

Wynter Gordon‘s stunning ‘Buy My Love’ finally cracks the ARIA Top 100 at #77 after what has seemed like an eternity since the single was first issued to radios. I am not sure what’s inspiring the sudden pick up of late, but I’m sure glad it’s happening. It would be great to see this go Top 20 eventually just like its predecessors ‘Til Death’ (certified gold sales) and ‘Dirty Talk’ (last summer’s #1 which went on to be certified four times platinum sales). The album With The Music I Die shamefully remains well outside our Top 100.

Watch Wynter Gordon‘s ‘Buy My Love’ video:


 
360‘s debut album Falling & Flying tumbles to #10 in its second week. Meanwhile, over on the ARIA Top 100 – two of his tracks surface: ‘Boys Like You’ featuring Melbourne singer Gossling (#81) and his current single ‘Killer’ (#88).

Lana Del Rey‘s eagerly anticipated breakthrough single ‘Video Games’ debuts straight in at #98 this week. We all kinda saw this doing well ever since it started appearing on the iTunes charts based on pre-orders alone. ‘Video Games’ comes out in the UK this week, so check back next Monday to see where she lands on the British charts. LDR really is one of the best discoveries 2011 has brought to date. You can peruse reviews and pick up so many great descriptors of her style (eg. “gangster Nancy Sinatra“) but the package is probably best first experienced by watching the ‘Video Games’ video.

Here it is, in case you haven’t already been clued in on the Lana Del Rey movement:


 
Gotye‘s Making Mirrors remain as the biggest selling Australian album out there right now – sitting at #4 this week with a shiny new double platinum accreditation. The ‘Somebody That I Used To Know’ warbler has earned seven 2011 ARIA Awards nominations including Single of The Year, Best Male Artist and Highest Selling Single for the aforementioned track with Kimbra. Gotye has also been confirmed to perform at the award ceremony on 27 November. Looking on the UK release schedule, I was surprised to find ‘Easy Way Out’ etched in for a 28 November release. Dude, this song is like less than two minutes long.

Sneaky Sound System‘s From Here to Anywhere debuts at #11 in Australia this week – becoming the third biggest new entry here. Other debuts ahead of the Aussie duo include Chris Isaak‘s new one Beyond The Sun coming in at #3 and Evanescence‘s much-touted self-titled comeback at #5. Meanwhile, the Sneaky’s current smash single ‘Big’ moves to a new peak of #58. It’s actually the second week in the row that the song has jumped ten places up the chart. At this rate, they should be well in the ARIA Top 50 by this time next week – right?

Bjork‘s Biophilia enters at a humble #48 this week in Australia and #21 in the UK – making this the lowest charting positions ever for her in both territories (I am, of course, only comparing this with her other studio albums – not greatest hits package, remix albums etc). Biophilia wound up with only 9,872 first week sales in the UK. I’ve come to expect a bit more from Bjork given all the publicity and attention she has garnered for this project’s multimedia elements. The experimental artiste definitely has more of a cult following, which usually means heavy first week sales, then you fall off the charts. If this is as good as it gets for the first week then we might be in trouble.

Watch the video for Bjork‘s newest single ‘Moon’:


 
Steps scores a comeback #1 album with their Ultimate Steps collection scorching up the UK charts this week, meaning the band can now proudly say they’ve had a #1 album in every one of the last three decades. But before we start toasting, Ultimate Steps pulled a humble 34,200 first week sales to go #1 – making it the second lowest selling #1 in the UK this year. Back in their hey day, Steps managed three million-selling albums – Step One (1.39 million, even though it never actually made #1), Steptacular (1.28 million) and Gold: The Greatest Hits (1.11 million). Could the Ultimate Steps collection gather enough momentum to reach those heights come their April reunion shows?

Evanescence‘s self-titled third album looked so certain to go #1 in the UK when the midweeks came in but by the week’s end, it finished the race at #4 with a total of 26,221 copies sold.

Adele is still canceling every other ho in the game here. The British soul siren is on course to become the first artist to score both biggest selling album and single in both the US and UK since The Beatles did it in 1964. Over in the US, ‘Rolling In The Deep’ is still unmatched as the biggest selling single of the year so far. ‘Someone Like You’ is hands down the biggest selling single of the year so far in the UK – clocking over 1.2 million copies. Y’know, at this rate, I don’t even think this year’s British X Factor winner has a chance of outdoing that come the finals in December. If you wanna compare, last year’s series winner Matt Cardle managed 810,000 copies to go #1.

Looking on the album charts, Adele has not only got the biggest selling album in UK this year with 21 (hitting 3.1 million sales), she’s also got the second biggest in its predecessor: 19. The third biggest selling album in the UK so far in 2011 is Bruno MarsDoo-Wops & Hooligans. Rihanna‘s mega hit album Loud and Lady Gaga‘s Born This Way rank at fourth and fifth place respectively.

Watch Gaga getting caught up in a little ‘Bill Romance’ just for Bill Clinton’s Decade of Difference Concert:


 
Rihanna‘s ‘We Found Love’ surprisingly holds on to the #1 spot for its second consecutive week. This is basically the first time since July that we’ve had a single stay longer than a week at #1. The Brits are going hard for RiRi. ‘We Found Love’ registered at 20% sales increase in its second week, taking home over 106,553 sales. Meanwhile, Maroon 5 and Christina Aguilera‘s ‘Moves Like Jagger’ clocks its seventh week at #2. Apparently this is only the second single in history to have spent seven weeks at #2 (and never go #1). The last one was All-4-One‘s ‘I Swear’ back in 1994.

Gym Class Heroes and Adam Levine have the highest selling new single in the UK this week with ‘Stereo Hearts’ debuting at #3 with 68,287 first week sales. This is Gym Class Heroes‘ highest charting position there since their breakout single ‘Cupid’s Chokehold’ in 2006. That one also made #3.

X Factor winner Matt Cardle didn’t go stomping into #1 after all. His new single ‘Run For Your Life’ – which was written by Gary Barlow – debuted at #6, selling 39,633 copies to become the second biggest new release on the charts. Consider this, the previous year’s winner Joe McElderry also clocked #6 with his first original single ‘Ambitions’.

Watch Matt Cardle performing his next single ‘Starlight’ at an album showcase gig:


 
One Direction sees their hit single ‘What Makes You Beautiful’ drop to #10 in its fifth week. The X Factor formed boy band is primed to launch their second single ‘Got To Be You’ on 14 November in the UK, a week before their debut album Up All Night arrives. The album features a track titled ‘Tell Me A Lie’ which was reportedly co-written by Kelly Clarkson. There’s also a RedOne produced track called ‘Save You Tonight’.

This year’s UK X Factor finalists will release their charity single – a cover of ‘Wishing On A Star’ – on 21 November. These charity records have all gone #1 and traditionally sold quite generously as well. The very first one, a cover of Mariah Carey‘s ‘Hero’ recorded by the 2008 finalists, went double platinum in the UK.

Scotty McCreery – the latest American Idol winner – has made history in his own way, y’all. The 18-year old’s debut album Clear As Day enters at #1 on the US Billboard 200, making him the youngest man to have a debut album enter at #1. The last record holder was R&B singer Omarion who saw his first album O debut at #1 in 2005 when he was aged 20.

Amazingly enough, Scotty is also the first American Idol winner since 2003 to have a debut album enter at #1. Clear As Day sold a meek 197,000 copies to top the charts. The last Idol winner to have an album debut at #1 – Ruben Stannard – pulled off 417,000 first-week sales. Just saying.

Gloria Estefan‘s comeback album Miss Little Havana made something of a death drop, y’all. After debuting at #28 – selling something like 17,000 first week copies – the Latin dance/pop album sank to #129 in its second week. I mean, damn. It’s almost enough to make a girl vow to never dance again. I love how the forums are crying murder now, blaming the album’s “Target exclusive” deal for the commercial floppage. Basically, if she had done a Walmart exclusive – which a lot of stars manage – instead of a Target one, things wouldn’t have looked this dismal. There are reportedly over 4,700 Walmart stores around the US and only 1,800 Target branches. There you go. Less Mami Gloria CDs to go around. Meanwhile, looking on the US dance/club charts, Gloria’s current single ‘Wepa’ tumbles from #1 to #7.

Watch Gloria going on The View to promote the new record and perform ‘Wepa’:


 
Taio Cruz‘s new single ‘Hangover’ (featuring Flo Rida) debuts at #62 on the US Billboard Hot 100. Meanwhile, further down, J.Lo‘s ‘Papi’ returns at #96 – possibly pushed by stronger club plays? The ‘Papi’ remixes move up to #3 on the US Billboard Dance/Club charts. Speaking of dance hits, Nervo‘s debut recording artist single ‘We’re All No One’ moves up to #31 on the US Billboard Dance/Club charts.

Monica‘s new single ‘Until It’s Gone’ makes a surprising leap in its second week to #55 on the US R&B/ Hip Hop charts. Its superb predecessor ‘Anything (To Find You)’ has done pretty well for a buzz single to reach #25 there. Old Mo’s seventh studio album New Life will drop on 29 November in the US.

Kelly Rowland‘s ‘Lay It On Me’ drops a few place back to #47 on the US Billboard R&B/Hip Hop. Wait a minute, shouldn’t it be moving up and not the other way? Here I Am [International Version] is slated for a UK release on 7 November, a week after the dance/pop single ‘Down For Whatever’ drops. Make what you will of this “international version”. She told That Grape Juice that it’ll be a revised tracklisting with more dance-oriented material but who knows, there hasn’t been any more information teased.

Chart Feed – 10.10.11

Kelly Clarkson scores her first ever Australian #1 single. I know, right? ‘Mr Know It All’ has done the unthinkable: 1) dethrone Gotye and Kimbra after a record-breaking eight-week stay on top, 2) overtake Maroon 5 and Christina Aguilera‘s ‘Moves Like Jagger’, which was riding at #2 for months, 3) bettered her previous chart peak of #3, as trekked by ‘Since U Been Gone’ and ‘Miss Independent’. Over in the States, ‘Mr Know It All’ climbs back up to #30 on the US Billboard Hot 100. It’s also finally moving up the airplay charts to a new peak of #28. Friends in the UK won’t be getting ‘Mr Know It All’ until 17 October.

Rihanna debuts straight in at #1 in the UK this week with ‘We Found Love’ (featuring Calvin Harris). The Barbadian bombshell is now the first female solo artist to score six UK chart-toppers in five consecutive years. ‘We Found Love’ now joins the glittery #1 club alongside ‘Umbrella’, ‘Take A Bow’ and ‘Only Girl In The World’. ‘We Found Love’ managed to sell 87,000 copies in the four days it was out last week – such an effortless qualifier for #1.

Spare a thought for ‘Moves Like Jagger’, which is spending its sixth consecutive week at #2, beaten to the top by a different #1 single each week. Consolation: ‘Moves Like Jagger’ is still the most played song on UK radios. ‘We Found Love’ rises to #9 on the US Billboard Hot 100. It’s also the sixth most downloaded song in the States, selling 147,000 copies in the last week.

360 scores the biggest selling new album of the week in Australia. His brilliant debut Falling & Flying managed to enter at #4, racing ahead of five other new releases in the Top 30. I know he’s nothing like the kind of artist I normally listen to or write about on Feed Limmy but I’m quite impressed with this record. I was totally sold after hearing the first two singles ‘Just Got Started’ and ‘Throw It Away’.

Check out 360 having a track-by-track chinwag here:


 

Bruno Mars has the highest selling new single in Australia this week with his Twilight track ‘It Will Rain’ entering at #22. Elsewhere, Nickelback‘s ‘When We Stand Together’ enters at #46. The song is also incidentally the most added new song to Australian radios this week. Vom.

Katy Perry‘s sixth Teenage Dream single ‘The One That Got Away’ enters at #87 this week on our ARIA charts and becomes the second most added new song to local airwaves. Kitty‘s Teenage Dream album also made a surprise return to the Top 50 at #12 this week after a flash sale on iTunes. I’m well tired of her ass already.

Adele‘s Gossip-esque ‘Rumour Has It’ is the eighth most added new song to Aussie radios this week. Are we onto the next one already? I thought ‘Set Fire To The Rain’ was only getting warmed up down here. Said single drops to #14 this week while the mega-selling album 21 remains on top of our ARIA charts for its 21st week. Meanwhile in the States, ‘Someone Like You’ returns to #1 on the US Billboard Hot 100 as predicted. ‘Moves Like Jagger’ may still be the most played song on American radios but ‘Someone Like You’ overtook it with digital sales. For those keeping score: ‘Someone Like You’ sold 222,000 downloads while ‘Moves Like Jagger’ did 198,000.

Elen Levon‘s ‘Naughty’ cracks the ARIA singles chart at #60 this week, appearing more favourably on the Australian singles chart (#5) and ARIA dance charts (#17). The 17-year old pop vixen’s already prepping her follow up single. I reckon there’s a good chance it’ll be the James Ash (Rogue Traders) produced ‘Like A Girl In Love’.

Listen to my radio interview with Elen on Diff’rent Strokes:


 
Anthony Callea‘s nouveau disco comeback single ‘Oh Oh Oh Oh’ is currently charting at #115 on our Aussie iTunes store. Meanwhile, Vanessa Amorosi‘s ‘Amazing’ sits at #144 while Stan Walker‘s ‘Light It Up’ continues to rise ahead of the pack of new Aussie pop releases, currently sitting at #58. V Mama‘s album – V – has been pushed back to 11 November. The 13-track record comes with an Almighty club remix of ‘Amazing’.

The Wanted‘s ‘Glad You Came’ is currently placed at #30 here. Great news for fans Down Under. It seems like the local label will be dropping the lads’ forthcoming sophomore album Battleground here on 18 November, two weeks after its UK release. The Wanted‘s ‘Lightning’ leapt to #19 on the British airplay charts this week, all in good time as the single gears up to drop on 30 October.

Aussie teen pop sensation Cody Simpson sees his album Coast to Coast debut at #26 this week – largely thanks to his Sunrise “concert” performance where they absolutely felt no guilt whatsoever dubbing him the “Australian Justin Bieber”. Please.

Simple Plan‘s ‘Can’t Keep My Hands Off You’ enters at #56 in Australia this week, thanks a quick promo stopover which included a jaunt on our local X Factor stage last week. The Canadian band’s current album Get Your Heart On re-enters at #35. Meanwhile, Natalie Bassingthwaighte – who also took to the same stage and same episode to flog her single – has yet to see ‘All We Have’ crack the ARIA Top 100. To say that the general response has been unsavoury would be too kind. The track is currently sitting at #71 on our Aussie iTunes chart.

Watch Nat‘s underwhelming debut performance of ‘All We Have’, live on X Factor last Tuesday:


 
Sneaky Sound System‘s ‘Big’ climbs 10 places to #68 this week. All movement in the right direction considering that the album just dropped on Friday. From Here to Anywhere is currently placed at #11 on the Aussie iTunes chart. I’d like to call it out now to be the biggest debut on next week’s chart but I’m pretty sure that new Evanescence album will outsell it.

Nicole Scherzinger‘s ‘Wet’ debuts at #81 in Australia this week after it was finally serviced to local radios last week. This trashy piece really deserves to be a commercial success. Her Killer Love album has done surprisingly well considering the zero promo work in Australia but with ‘Don’t Hold Your Breath’ and ‘Right There’ slowly waning off radio rotation, the record slides to #83 this week. Despite some drastic price slashing, ‘Wet’ never generated enough sales to break the UK Top 20. This unfortunately puts an end to the ex-Pussycat’s string of UK Top 3 solo singles.

David Guetta and Usher‘s ‘Without You’ cracks our ARIA club charts at #49 this week. The video for the song is expected to drop sometime this week. Looking around the globe, ‘Without You’ makes a new peak of #15 in the UK this week and #8 on the US Billboard Hot 100. It has also just cracked the American airplay Top 20. The club remixes for ‘Without You’ managed to debut at #30 on the US Billboard Dance/Club charts.

Listen to the absolutely bonkers R3hab remix of ‘Without You’ here:


 
Marina & The Diamonds‘ new single ‘Radioactive’ enters at #25 this week, making it the Welsh warbler’s fourth UK Top 40 smash. Her biggest chart feat to date has been ‘Hollywood’ (peaking at #12) while my personal fave ‘Oh No!’ only managed to go #38 last August. Will British and local radios lap up her new “commercial” sound? Meanwhile, Florence + The Machine‘s ‘Shake It Out’ debuts at #27 in the UK, not bettering the position of its predecessor ‘What The Water Gave Me’ (which peaked at #24 last month).

Darren Hayes‘ new international single ‘Black Out The Sun’ drops from #31 to #39 on the UK radio airplay charts this week. The track is now nowhere to be found in the iTunes Top 200. Speaking of new choons on the British airwaves, Cher Lloyd and Mike Posner‘s summery ‘With Ur Love’ debuts at #46 on the airplay charts while Dionne Bromfield‘s ‘Ouch That Hurts’ rises to #32.

Lady Gaga‘s fourth Born This Way single ‘You and I’ finally makes a new peak of #24 in the UK this week thanks to TV appearances there and some strategic digital track discounts on iTunes. Funny thing is, the song actually fell out of the UK airplay Top 20 this week. ‘You and I’ drops to #38 in Australia this week and dips a little to #12 on the US Billboard Hot 100. In the last week, ‘You and I’ managed to sell over 95,000 digital copies in the States, making it the 11th most downloaded song in the country.

The pop sensation has confirmed that the next Born This Way single will be the Real McCoy-esque stomper ‘Marry The Night’. Fans can also expect the Monster Ball Tour DVD and Born This Way remix album to both arrive on 21 November (possibly 18 November for Aussies).

Check out Gaga‘s recent Jonathan Ross interview. Yes, she brought him a sheep. That’s what she did:


 
Jennifer Lopez‘s ‘Papi’ drops from #67 to #83 in the UK this week. What, leaving already? The album’s frontrunner ‘On The Floor’ is still in the UK Top 100 after like a lifetime and has become the sixth biggest single so far of 2011. Over in the States, ‘Papi’ shoots to #4 on the dance charts.

Laidback Luke & Example‘s ‘Natural Disaster’ leaps to #73 in the UK. The hit DJ has been promising his track with Wynter Gordon – ‘Speak Up’ – all year and he’s finally confirmed that it’ll be his next single. The pair had played the track at Coachella and various dance music festivals around the world for months.

Ms Gordon‘s own ‘Buy My Love’ is still down for a 24 October release in the UK and the album With The Music I Die slated for 7 November. However, something tells me that the UK version might contain some new material she’s currently recording. Her manager has tweeted me to say that new songs are coming “so soon”. Make of it what you will. ‘Buy My Love’ is currently placed at #91 on our Australian iTunes chart.

Nicola Roberts‘ ‘Yo-Yo’ has appeared on the UK release schedule but with no date assigned as yet. The Girls Aloud siren’s album Cinderella’s Eyes makes a death drop from its #17 debut last week to #72. *Clutching my chest* Speaking of underrated British pop, Sophie Ellis-Bextor‘s Make A Scene has surprisingly climbed to #76 on our iTunes chart. Unfortunately, there’s no Aussie release date set yet for Nicola‘s material.

Matt Cardle‘s ‘Run For Your Life’ picks up more radio rotation as it shoots to #13 on the UK airplay charts. The 2010 X Factor winner returned to the show last night to flog the track but despite the major promo coup, it has only so far managed to go #4 on the British iTunes charts. It seems like I’m stating the obvious here but I reckon – given Matt’s fan base and style of music – he might just be a better album seller. They should’ve dropped the album and single on the same day. Matt‘s debut LP Letters will arrive this coming Sunday. The project’s second single ‘Starlight’ is slated for a 5 December release.

Watch Matt performing the Gary Barlow-penned ‘Run For Your Life’ on X Factor:


 
Gloria Estefan‘s fun Latin dance comeback Miss Little Havana debuts at #28 on the US Billboard 200 this week. Meanwhile, the album’s infectious lead single ‘Wepa’ goes #1 on the dance charts. Other noteworthy new entries this week include Jason DeRulo‘s Future History debuting at #29 and LeAnn Rimes‘ country album Lady & Gentlemen coming in at #32.

Beyoncé‘s ‘Party’ finally appears on the mainstream US Billboard Airplay 100 at #71 as the track climbs the R&B/Hip Hop charts to #16. When is this goddamn video gonna appear? I hear rapper J Cole has already filmed his bit for the remix video. OK, that did sound a little petulant and ungrateful given that we only just got the ‘Countdown’ video last week and copped a teaser for ‘Love On Top’ less than 24 hours ago.

Watch the teaser for ‘Love On Top’ here:


 
‘Countdown’ shoots up to #71 on the US R&B/Hip Hop charts while ‘Love On Top’ expectedly falls there. I believe Australia’s the only territory kinda going hard for this song. ‘Love On Top’ is currently bolting back up the iTunes charts, landing at #16. We might actually see this go Top 20 on the ARIAs this Sunday. ‘End of Time’ has disappeared off the UK release schedule after weeks of seeing it etched there for a 30 October launch alongside ‘Countdown’. The latter will obviously still go ahead in that region on that day. Funnily enough, ‘Love On Top’ has now appeared on the UK release schedule – down for a 12 December drop date.

Kelendria Trene Rowland‘s Here I Am exits the American Top 100 this week but her new single ‘Lay It On Me’ continues to move up the R&B charts, breaking higher ground at #43.

Chart Feed – 03.10.11

Rihanna becomes the clear biggest new entry on the world charts this week with ‘We Found Love’ (featuring Calvin Harris) entering Top 10 in the following places: Australia (#3), Canada (#10), New Zealand (#14) and US Billboard Hot 100 (#16). Over in the US, ‘We Found Love’ managed to sell 117,000 first week copies and even before its official radio release, the song has already made its mark at #75 on the airplay charts. The Barbadian beauty’s sixth studio album, which was originally slated for an early 2012 release, is now due 21 November.

Kelly Clarkson‘s ‘Mr Know It All’ climbs to #12 on our ARIA singles chart after her quick promo stopover last week which include performances on X Factor Australia [Editor’s note: she was so charming and sweet y’all] and the NRL Grand Final. The song is currently reigning at #1 on our Aussie iTunes chart so expect for it easily go Top 10 on the ARIAs by week end. Meanwhile over in the US, ‘Mr Know It All’ falls to #38 on the Billboard Hot 100. Radio support ain’t crash hot for it right now. The song isn’t even in the nation’s Top 30 airplay.

Watch Kelly Clarkson performing ‘Mr Know It All’ on X Factor Australia:


 
LMFAO‘s ‘Sexy and I Know It’ cracks a new peak of #13 on our Aussie singles chart this week, largely due to their X Factor Australia appearance once again, just like Ms Kelly. I have to say, their energetic show stopping performance of their #1 smash ‘Party Rock Anthem’ really did lift the atmosphere. The song, which is perched at #15 this week, is officially the longest staying single in our ARIA Top 50 right now. We’re talking 31 weeks and counting, racking up a “monstrous” eight times platinum sales certification (which equates to approximately 560,000 copies). The duo’s also double dipping in the US right now with two of the aforementioned hits simultaneously inhabiting the Top 10.

Sneaky Sound System‘s flawless ‘Big’ cracks the ARIA Top 100 at #78 this week. Look, I don’t understand why the underwhelming chart entry. Weren’t they also on X Factor like the two aforementioned international acts? I guess what’s standing between ‘Big’ and commercial success that lives up to its namesake is actually decent radio rotation. The new Kelly Clarkson and LMFAO singles will have no issues getting added across the nation but for some reason a SSS dance ballad’s missing out. The Aussie dance pop duo’s last release ‘We Love’ scraped in at #29 at best.

Watch Sneaky Sound System blow up ‘Big’ on X Factor Australia last Wednesday:


 
Foster The People‘s corker of a single ‘Pumped Up Kicks’ rises to #19 in Australia this week, making this a belated smash for the American indie rockers. The song first dropped in the States in September last year and look at it now, ascending to #3 on the US Billboard Hot 100. Fun fact: ‘Pumped Up Kicks’ was the first US Billboard Alternative Songs #1 hit to actually crossover to the mainstream Billboard Hot 100 Top 5 since Kings of Leon‘s ‘Use Somebody’ in 2009. Golf claps. You know this automatically translates to daft talent show covers now, right?

Enrique Iglesias and Pitbull‘s new collabo ‘I Like How It Feels’ crashes in at #47 this week on our ARIA charts. In terms of hit singles, the Euphoria era is actually the best Enrique’s ever performed here in Australia. Yes, even bettering that of his smash Escape album. Every song released here circa Euphoria has so far managed Top 50, see: ‘I Like It’ (#2), ‘Heartbeat’ (#5), ‘Tonight (I’m Loving You)’ (#2) and ‘Dirty Dancer’ (#24). I have no doubt that ‘I Like How It Feels’ will also reach Top 30 status in no time. The “Reloaded” repackage edition of Euphoria will arrive on Aussie store fronts on 11 November – featuring three new recordings including ‘Mouth 2 Mouth’ with Jennifer Lopez (a track that was co-written by UK X Factor’s Diana Vickers of all people).

Sophie Ellis-Bextor finally releases her stunning Make A Scene album in Australia last Friday and after a weekend of only playing two 40-minute sets in Melbourne and Sydney, the best I’ve clocked the album charting was #94 on iTunes (it’s currently at #136).

It was an absolute dream come true to finally see her live. Y’guys know that she’s one of my all time fave pop singers, right? Sure it’s not everything she could’ve given after nine long years away – and she knows it. But the “greatest hits” set featuring classics like ‘Murder On The Dancefloor’, ‘Groovejet’ and ‘Get Over You’ was a well worthwhile joy ride and Sophie utterly radiates warmth, joy and stage presence throughout her time on stage. You can tell she was just living to be there for her fans.

Check out this short recording I took of her Melbourne gig at GH Hotel last Saturday. This is ‘Heartbreak Make Me A Dancer’:


 
This has to be some kind of record for our ARIA charts so far this year. This week Australia saw nine new entries in its Top 30 albums chart but alas, none have been able to topple the almighty Adele who spends her 20th week at #1 with 21. The album is now equal eighth longest-running chart topper in ARIA history, sharing the record with Shania Twain‘s epic Come On Over.

In case you were wondering, the albums to have spent longer #1 in Australia include: The Sound of Music soundtrack (76 weeks), Dire StraitsBrothers in Arms (34 weeks), The BeatlesSgt Pepper’s Lonely Hearts Club Band (30 weeks), Neil Diamond‘s Hot August Night (29 weeks), Delta Goodrem‘s Innocent Eyes (29 weeks), The Original Broadway cast’s Hair soundtrack (28 weeks) and John Farnham‘s Whispering Jack (25 weeks).

The aforementioned nine new releases to crack our Top 30 this week include: Blink 182‘s Neighborhoods (#2), Tony Bennett‘s Duets II (#3), Kasabian‘s Velociraptor (#8), Machine Head‘s Unto the Locust (#10), Jason DeRulo‘s Future History (#11), Alice Cooper‘s Welcome To My Nightmare (#16), Mastodon‘s The Hunter (#18), Demi Lovato‘s Unbroken (#20), Kasey ChambersStorybook (#21) and Wilco‘s The Whole Love (#23).

Watch the video for Tony Bennett and Lady Gaga‘s ‘Lady Is A Tramp’, taken from his new Duets II album:


 
Tony Bennett must be doing something right to score his first ever US #1 album this week after making music for six decades! His brand new Duets II compilation – which features some young gun collabos like Lady Gaga, Michael Buble, Carrie Underwood, John Mayer and the late Amy Winehouse – managed to sell 179,000 first week copies to debut on top. Tony is now the oldest living artist to have an album debut at #1 on the US charts. Amazing.

Demi Lovato‘s third album Unbroken cracks the US Billboard charts at #4, making it the second biggest new album there this week. Tony might have the overall #1 but as far as digital sales are concerned, Demi reigns on top. Unbroken is also incidentally the former Disney pop princess’ best-charting album here, bettering the #40 peak of its predecessor Here We Go Again. This is a dawn of a new era for the girl. The project’s lead single ‘Skyscraper’ is already her biggest US hit since her debut ‘This Is Me’ and on the flip side, it also became her biggest smash in Australia – peaking at #45.

Havana Brown‘s ‘Get It’ cracks the ARIA club charts at #38 this week while over on the ARIA Top 100, the single sinks to #63 in its third week. Oh dear. Isn’t it baffling that we only have three Aussie artists represented in our ARIA Top 50? Perhaps Aussie artists are better at selling albums than singles? While we’re doing an Aussie pop head count, where’s Stan Walker‘s new one ‘Light It Up’, Darren Hayes‘Bloodstained Heart’ and Vanessa Amorosi‘s ‘Amazing’? The latter should have at least cracked the Top 100 by now but maybe we need to wait for sales to snowball after the Van Am‘s AFL grand final warble.

Preview tracks from Darren Hayes‘ forthcoming Secret Codes and Battleships album here:


 
Natalie Bassingthwaighte‘s ‘All We Have’ has arrived on our local iTunes store front and right now it’s sitting at #170. The digital bundle comes with two kick arse remixes – including the Khalid one that her label previewed early last month. Looks like the diva’s running in the same circles as Havana Brown these days – sharing the same producer More Mega and video directorial team Silo. The ‘All We Have’ video will be uploaded sometime this week on YouTube. Y’all can expect for her to perform the song for the first time on X Factor tomorrow night.

Nicola Roberts‘ amazing debut solo album Cinderella’s Eyes enters at #17 on the UK charts this week while the current single ‘Lucky Day’ disappears from the Top 100 altogether. Look, it’s pretty respectable if you ask me given the singles’ chart performance. Still better than Insatiable is not usually a consolation but it’ll have to do in this context.

Elsewhere, Will Young‘s ‘Jealousy’ leaves the UK Top 10, The Saturdays‘All Fired Up’ exits the Top 20 while Leona Lewis‘ underperforming ‘Collide’ drops out of the Top 30. The former two have singles raring to go next month but what’s the sitch with Leona? Will we simply  not hear anything until the new year? Her Glassheart album, which was originally slated for a November release, will now arrive on 26 March.

Rebecca Ferguson‘s much-anticipated debut single has appeared on the UK release schedule. ‘Nothing’s Real But Love’ is slated for a 5 December release (the same day as the album drop) and someone on the Popjustice forums have tentatively described the song as more Corinne Bailey Rae than Adele. Holy shit. I’m about to lose my mind.

Let’s reminisce a little on old Becky covering Corinne Bailey Rae‘s ‘Like A Star’ on UK X Factor last year. So on point!


 
Maroon 5 and Christina Aguilera‘s ‘Moves Like Jagger’ spends its fourth week at #1 on the US Billboard Hot 100 – already the longest staying #1 the band’s ever had. Having said that, I reckon Adele‘s ‘Someone Like You’ might rise from #2 to claim the top spot next week. ‘Someone Like You’ has picked up significant radio airplay in the States in the last week and its digital sales is not too far from what M5 is doing right now. ‘Moves Like Jagger’ sold 233,000 digital copies while ‘Someone Like You’ did 201,000. Speaking of impacts on the digital sphere, Jason Mraz‘s new single ‘The World As I See It’ debuts at #149 on the US Billboard Digital Tracks chart. Glad to have him back.

Beyoncé‘s ‘Party’ (featuring André 3000) cracks the US Billboard R&B/Hip Hop Top 20 while its predecessor ‘Best Thing I Never Had’ tumbles to #8 there. Speaking of tumbles, Kelendria Trene Rowland‘s ‘Motivation’ finally leaves the said Top 10 while its successor ‘Lay It On Me’ is taking its time, only inching up one spot to #46. Elsewhere on the urban scene, Mary J. Blige‘s new single ’25/8’ bullets to #53.

Luciana‘s ‘I’m Still Hot’ makes #1 on the US Billboard Dance/Club play charts. We can all thank Betty White for that, right? Other big gainers there include Lady Gaga‘s ‘You and I’ (reaching a new peak of #8), Jennifer Lopez‘s ‘Papi’ (#10) and Gloria Estefan‘s ‘Wepa’ – which by the way is one of my favourite jams right now. Her new Latin-dance album Miss Little Havana is good fun, y’guys. You need to check out the slightly ‘We No Speak Americano’ album highlight ‘Hotel Nacional’.

Watch Gloria Estefan‘s ‘Wepa’ music video. Glam ma’s mane is serving some volume and body, y’all.


Chart Feed – 26.09.11

Gotye and Kimbra‘s ‘Somebody That I Used To Know’ is once again on the edge of chart-defining glory. As y’all know, I don’t usually care to report on serial #1 space invaders but when they clock a major milestone, it’s only polite to acknowledge and golf clap. ‘Somebody That I Used To Know’ is now the longest staying #1 ARIA single by an Aussie artist since Savage Garden‘s ‘Truly Madly Deeply’ in 1997. If it remains at #1 this time next week, it’d be an equal tie with ‘Truly Madly Deeply’ which reigned for eight consecutive weeks at #1. ‘Somebody That I Used To Know’ has also gone #1 in Netherlands and New Zealand. Gotye‘s Making Mirrors is perched at #3 on the ARIA albums chart this week while Kimbra‘s own Vows slides to #8. The Kiwi songbird’s third single ‘Good Intent’ becomes the eighth most added new song to Aussie radios this week.

Adele has now clocked over 10 million sales worldwide for her defining 21 album. That’s 10 million copies in the nine months it has been out – three million of those coming from the US alone where she has experienced unprecedented chart success this year. It is quite easily the best selling album in the UK,US and Australia this year with Lady Gaga‘s Born This Way being the next best contender. 21 hangs on to #1 in Australia this week, beating off five new entries in the Top 20 who all fell in line accordingly: The Jezabels Prisoners (#2), Lady Antebellum Own The Night (#5), The Funkoars The Quickening (#11), Opeth Heritage (#12) and Pearl Jam‘s Twenty soundtrack (#14). Over on the Aussie singles chart, Adelegend is turning tables on her three Top 20 hits. The newest one ‘Set Fire To The Rain’ leaps to #11 while past glories ‘Someone Like You’ and ‘Rolling In The Deep’ slide off to #12 and #14 respectively.

I know I normally embed performances or music videos in my Chart Feed but today I’m feeling like a little Adele cacklefest. Y’all don’t mind, right? It’s Monday. Treat yourself to this side-splitting compilation of her funnies:


 

Coldplay‘s ‘Paradise’ rises to #37 on our ARIA charts this week but y’all can expect for shit to pick up because it was the third most added new track to Aussie radios this week. Over in the US, ‘Paradise’ is the biggest new entry debuting at #16 on the Billboard Hot 100. The band’s much-hyped new album Mylo Xyloto arrives on 21 October in Australia – the same day as Darren HayesSecret Codes and Battleships, Kelly Clarkson‘s Stronger and Washington‘s I Believe You Liar/Insomnia repackage. It’ll be a hectic week for new releases, won’t it? Well, it depends on who you ask.

Darren Hayes‘ second Aussie single from this era – ‘Bloodstained Heart’ – is still a no show in the ARIA Top 100. I don’t see it slapped on the front of our iTunes store beside new releases from the aforementioned artists. Do people actually know it is out? ‘Bloodstained Heart’ is understandably not in our Aussie iTunes Top 200 and I am a little startled to see it overtaken by other new tracks like Demi Levato‘s ‘Fix A Heart’ and Emeli Sandé‘s ‘Heaven’. Well, if it’s any consolation, at least he’s still got a cracking loyal fan base.

Bryan Adams‘ new album Bare Bones enters at #38 this week after shocking the nation with his X Factor appearance last week. The general Twitter consensus was basically, a) “he hasn’t aged well” and b) “how good is ‘When You’re Gone’ – like, still?”

Jessie J‘s Who You Are album cops a surprise sales surge this week, possibly thanks to renewed interest via her current Top 10 single ‘Domino’ – which mind you, isn’t actually included on the album. We can also weigh in on the X Factor bump – remember Young Men’s Society performed her smash ‘Price Tag’ last Monday night? Meanwhile, if one is to forecast – ‘Who You Are’, her major tear jerker ballad, is set to impact UK markets on 7 November. It’ll serve as the album’s fifth overall single.

The Wanted‘s ‘Glad You Came’ breaks the Aussie Top 20, as I predicted last week. This is some well deserved success for the lads who came out on a promo trip two weeks ago, pretty much building mainstream awareness from scratch after a year of online buzz from the UK.

Check out the video for The Wanted‘s next single ‘Lightning’, which will arrive on British store fronts on 30 October:


 
David Guetta and Sia‘s ‘Titanium’ returns to our ARIA Top 5 this week after reigning as the most played song on Sydney radios last week. It’s funny how different Guetta tracks take precedence at different parts of the world. It seems like the US and UK crowds are losing their minds to the Usher collabo ‘Without You’ (which, mind you, is also a ARIA Top 10 smash here) but no one else seems to get ‘Titanium’ like we do. Sia is very much still an Aussie thing. Is she that much of an acquired taste? Nothing But The Beat clings to #4 position in Australia and #7 in the UK, but drops from #18 to #39 on the US Billboard Hot 200.

Vanessa Amorosi‘s ‘Amazing’ drops to #20 on the ARIA Australian singles chart. Well, we can expect for things to pick up after her AFL Grand Final warble this week, right? Meanwhile, ‘Amazing’ is nowhere to be found in the ARIA Top 100 and neither is another new smash ‘Big’ by Sneaky Sound System, which appeared at #15 on our ARIA Australian singles chart this week. At least the ‘Big’ remixes are tearing up the club charts. They just moved to a new peak of #4 there.

Altiyan Childs‘ new single ‘Ordinary Man’ – which was penned by Ryan Tedder – shows up at #159 on our Aussie iTunes chart. Was anyone actually notified of its release? This promo campaign really could be a whole lot better. Can I just say, I know the song’s sounding more contemporary than the old school rocker vibe he normally gives but I really dig it. ‘Ordinary Man’ was despatched to Aussie radios last week alongside current Aussie X Factor judge Natalie Bassingthwaighte‘s new single ‘All We Have’ and Sophie Ellis-Bextor‘s ‘Starlight’ [Editor’s note: !!! at the latter].

Take a look at Altiyan‘s video for ‘Ordinary Man’, which was directed by Peter Ireland who has admittedly done far more exquisite clips for Aussie artists like Brendan Maclean (‘Cold and Happy’) and Scott Spark (‘Fail Like You Mean It’):


 
Kelly Clarkson‘s ‘Mr Know It All’ isn’t exactly moving in the right direction. The lovely new piece slips to #28 here this week while over in the US, it registers a worrying drop from its #18 debut last week to #35. You’ve all seen the nice-ish screen grabs from the forthcoming music video, right? Let’s hope the whole thing surfaces soon enough.

Dev‘s ‘In The Dark’ ascends to #46 in Australia this week, making this her first solo appearance here. The single also rose to #16 over in the US, which is probably sufficient to help the girl shed her feature creature persona. You wanna have hits of your own, don’t you? Meanwhile, a similarly styled track – ‘Mr Saxobeat’ by Alexandra Stan – makes a belated leap to #19 in Australia this week, carving itself a new peak while over in the States, success is mirrored in a new position of #29 on the US Billboard Hot 100.

Side bar: call it premonition but I sense something wicked this way comes. If some Dev and Havana Brown collabo is to eventuate over the next 12 months, please remember you heard it here first. Dev‘s next appearance will be on Demi Levato‘s single ‘Who’s That Boy’.

Check out Dev‘s stylish video for ‘In The Dark’ here:


 
Havana Brown‘s bilious new single ‘Get It’ sinks to #47 in its second week. The unimaginative club stomper is once again produced by More Mega and co-written by Cassie Davis, the team who delivered excellence in her breakthrough single ‘We Run The Night’. The video for ‘Get It’ is set to drop this week and with any luck, the DJ-ing memaw might win me over with her stunning video vixenry once again. If these glowing words of review have inspired you to find out more about Ms Havana, please don’t hesitate to check out this interview she did with my friends at auspOp.

Alexis Jordan returns to our Top 50 via Sean Paul‘s ‘Got 2 Luv U’ this week at #48, almost a month ahead of its UK release. The single also managed to debut at #99 on the US Billboard Hot 100. Look, I’m really not wild about this song in any way shape or form. I still don’t get how the world slept on her stunning last single ‘Hush Hush’ but as far as I’m concerned, we’re done with Ms Jordan’s album. Well, apparently it’s not up to me because the project’s yielding its fourth single ‘How You Like Me Now’ in the next month or so. There you go.

Wynter Gordon‘s flawless ‘Buy My Love’ is set to hit the UK on 24 October while the long-awaited With The Music I Die album arrives 7 November. Both single and album are nowhere to be found in our Aussie Top 100 at the moment which is extremely tragic. Just like Alexis, Ms Diana Gordon found solo success in Australia with her first two singles, went to notch a Top 50 charting collabo, but failed to see their ace third singles do better. I refuse to believe it’s the end of an era for With The Music I Die here but I feel like I might be only one left stanning.

Florence + The Machine‘s roof-raising new single ‘Shake It Out’ becomes the fourth most added new song to Aussie radios this week. By the looks of things, this should have no problem bettering the success of its predecessor ‘What The Water Gave Me’. The flame-haired warbler will launch her sophomore Ceremonials next month.

Y’all can listen to ‘Shake It Out’ here:


 
N Dubz‘s Dappy enters the UK charts at #1 this week with his debut solo single ‘No Regrets’. He’s been fast working on his solo album while the group’s on hiatus [Editor’s note: his cousin and band mate Tulisa is a judge on X Factor, in case you’ve been living under a boulder the size of Ghana]. The spanking new entry is yet another week of scorn for Maroon 5 and Christina Aguilera‘s ‘Moves Like Jagger’, who’s still fighting hard at #2 just like they are here in Australia. Will they ever ascend to the top?

Jason DeRulo‘s cringeworthy ‘It Girl’ enters at #4 in the UK, ahead of his sophomore album’s arrival. Future History will come out in stages around the globe – first arriving in Australia last Friday, then it’ll hit US stores tomorrow, before finally coming to UK audiences on 10 October.

The Saturdays‘All Fired Up’ tumbles to #15 in the UK this week. Look, I didn’t actually expect for it to stick around the Top 20 for this long, given the band’s reputation as front-heavy sellers. The girls’ next move is said to be a track titled ‘Heart Takes Over’. Meanwhile, Sugababes 4.0 seem to have given up on their ‘Freedom’ campaign, offering the single up for a free download. The tale of two British girl bands – watch this space.

Nicola Roberts‘ utterly irresistable new single ‘Lucky Day’ debuts at #40 on the UK charts, easily becoming the lowest charting solo Girls Aloud release since Nadine‘s ‘Sweetest High’ which by the way didn’t enter any Top 100 whatsoever. This embarrassing floppage really shouldn’t be happening. I see Team Ginge going hard on promo with various TV appearances but with virtually no radio support for ‘Lucky Day’, it’s no surprise that it charted where it did. Nicola’s Cinderella’s Eyes comes out in the UK today and despite being one of the best pop album’s I’ve heard all year, I’m really not holding my breath for a Top 20 entry. I don’t think my heart can handle charting this era any more. I’m just gonna excuse myself now and rock back ‘n’ forth in a corner listening to ‘Yo Yo’ on repeat.

Check out Nicola‘s G-A-Y performance of ‘Beat of My Drum’ last Saturday. It kicks in at the 1:30 mark or so.


 
UK X Factor has once again rejuvenated interest in some forgotten gems with their hit auditions. Damien Rice‘s ‘Cannonball’ bullets to #9 this week, Jennifer Hudson‘s Dreamgirls classic ‘Love You I Do’ charts for the first time at #80, while K-Ci and JoJo‘s 90’s anthem ‘All My Life’ returns at #89.

Kasabian‘s Velociraptor enters the UK charts at #1 this week, leading a string of notable new album entries – ie: Tony Bennett‘s Duets II (#5 – his much-hyped Amy Winehouse collabo ‘Body & Soul’ sits at #67 there and debuts at #97 in Australia this week), Christina Perri‘s completely forgettable Lovestrong (#9) and Tori Amos‘ rather orchestral Night of Hunters (#27).

Will Young‘s Echoes is still holding tight to the UK Top 10 as radio support for the album’s first smash ‘Jealousy’ still stays strong. Meanwhile, for those looking ahead, the project’s next single ‘Come On’ will arrive on 21 November. That gives us something to look forward to, right? I secretly want for Will to release ‘I Just Want A Lover’ as a sly club promo. Y’know, just as a little treat on the side while he satiates the adult contemporary crowd with stuff like ‘Come On’? Side bar: ‘Come On’ is a cover of a 2009 Kish Mauve single. The British electro pop duo’s last mainstream crossover was when Kylie covered their track ‘2 Hearts’ some four years ago.

Melanie C appears to have picked the next single to set sail from The Sea [Editor’s note: this album title is the pun-gift that keeps giving, innit?] ‘Weak’ has appeared on the UK release schedule with a drop date of 7 November. This whole era is floundering so bad and frankly, I feel that ‘Burn’ would’ve been the stronger choice of ballad. Why the ominous ‘Weak’?

Check out Old Sporty performing her current single ‘Think About It’ on Alan Tirchmarsh. So very plain.


 
The Wombats are set to release one of my favourite Modern Glitch tracks ‘1996’ on 7 November in the UK, making it the sixth single launched from this era. What’s their motivation with multiple singles, really? The lead ‘Tokyo (Vampires & Wolves)’ managed to go #23 in the UK last year but all its successors haven’t done any better. ‘Jump Into The Fog’ made #35, ‘Anti D’ peaked at #42, ‘Techno Fan’ went #60 and the last one ‘Our Perfect Disease’ was launched last month to no effect.

Leona Lewis scores her very first US Billboard Dance/Club play #1 with ‘Collide’. Meanwhile over in the UK, she drops to #18 on the singles chart and nope, she’s nowhere to be found in our Aussie ARIA Top 100. Thanks for asking, though. I know if it had been adult contemporary slash Ryan Tedder-aided Leona track then Aussie radios would have no problem spinning it but LeLew doing Ibiza-fashioned dance? It’s a tough pitch. Even though our Top 40 is arguably more dance inclined than ever before, it’s a certain sleazy and frenetic kind of dance music that thrives – not the wholesome, euphoric vocal pop variety that ‘Collide’ or even Kylie‘s ‘Put Your Hands Up’ (another US #1 dance smash) is. Side bar: Avicii is set to drop his “version” of ‘Collide’ titled ‘Fade Into Darkness’ next week in the UK – perhaps that will conquer the dance charts over there?

Jennifer Lopez‘s brilliant ‘Papi’ ascends to #19 on the US Billboard Dance/Club play charts. With all hopes dashed for a full scale tour after she signed on for another season of American Idol, I really don’t know what the future holds for ‘Papi’. Let’s hope her delightful set at the iHeartRadio festival yesterday inspired some kind of sales action.

Take a look at her first ever live performance of ‘Papi’. The jury’s still out on whether she’s just getting better with singing live or if it’s merely a pre-recorded live vocals we’re hearing here:


 
Rihanna‘s ‘California King Bed’ drops to #9 on the US dance charts, expect for it to quickly phase out of the scene now that she’s flogging a new dance pop piece in ‘We Found Love’ (featuring Calvin Harris). Love it or loathe it – that Rihanna reign won’t let up, ho! Elsewhere on the dance charts: Luciana‘s ‘I’m Still Hot’ rises to #3 thanks to buzz from that new Betty White remix, Gloria Estefan‘s ‘Wepa’ moves up to #4, and former Pussycat Doll glamazon Jessica Sutta‘s ‘Show Me’ ascends to #14.

Lady Antebellum‘s Own The Night debuts straight in at #1 in the US this week, dislodging the almighty Adele with 347,000 first week sales. This is the biggest first week sales for a country record America has seen since Taylor Swift‘s Speak Now dropped last year.

Beyoncé‘s gonna have to do something fast – her shit’s sinking like dead weight. The platinum-selling new album 4 took a major drop from #9 to #20 on the US Billboard 200 while the dazzling track ‘Love On Top’ is anything but, plummeting to #96 on the US Billboard Hot 100 after just three weeks. Looking on the US Hip Hop/ R&B charts – things aren’t nearly as dramatic: ‘Best Thing I Never Had’ clings to #4, ‘Party’ moves up to #33, ‘Countdown’ pretty much remains at #80 while ‘Love On Top’ charts at #86. Meanwhile across the Atlantic, ‘Countdown’ and ‘Love On Top’ are both slated for UK release on 30 October.

First we saw a US Top 10 singles chart without Katy Perry for the first time in over a year, now the album’s Top 20 is clear of the pyro-titty popstar too with Teenage Dream plunging from #12 to #38. Her California Dreams tour just wrapped its first North American leg last week and now she’s almost through with her first ever concert dates in South America. The second leg of her US tour will kick off in November with a new opening act – Ellie Goulding – after Jessie J recently pulled out due to prolonged foot injury.

Kelly Rowland needs to motivate record buyers a little harder while she’s on tour with Chris Brown. Her current album Here I Am continues to tumble two months after it was released in the States, landing at #85 this week. She’s not opening for the F.A.M.E. tour at every single North American show due to X Factor commitments but damn, you’d think things would pick up now with ‘Lay It On Me’ on the up and coming, right? The new urban single moves up to #47 on the US Hip Hop/R&B charts.

On the flipside, Kelendria shan’t be denied of British chart action for too long. Her first international Here I Am single, ‘Down For Whatever’, will hit UK stores on 30 October. Let’s pray to Her Holiness Michelle Williams for some Aussie radio success. Speaking of Kelendria and Tenitra, y’all need to check this shot of them former children of Destiny backstage at Kelly‘s show with Ms Jennifer Hudson.